금자(이영애)의 빨강 : 억압된 것들의 귀환과 해방

김종국 ( Kim Jongguk ) 한국어문학국제학술포럼 2019 Journal of Korean Culture Vol.44 No.-

이 글은 영화 <친절한 금자씨>(2005)에서 속죄와 구원을 욕망하는 금자(이영애)의 빨강을 중심으로 하양, 검정과 상호작용하는 시각적 서술방식을 따라 구성되는 의미를 억압의 귀환이라는 정신분석학의 용어를 빌어 설명한다. 덧붙여, 이 글은 독특한 복수극에 한정된 서사 해석에서 나아가, 빨강이라는 색채 시각에 주목하여 병치, 개입, 무의식, 초현실 등의 개념을 적용해 확장된 의미를 도출하기 위한 시도이다. 억압된 것은 반드시 귀환한다는 프로이트의 말을 전제로, <친절한 금자씨>의 영화색채 빨강이 시각의 중심에 배치되어 억압의 양상과 해방의 방식을 재현한다. 오픈닝 크레딧에서 마지막 장면에 이르기까지 미장센의 중심에서 빨강이 하양, 검정 등과 상호작용 하면서 의식과 무의식의 경계에서 억압에 의한 고통과 불안, 극복과 현실로의 복귀, 해방을 통한 자유와 쾌락, 집으로의 귀환이라는 서술을 시각적으로 이끈다. 영화는 의식과 무의식을 접속, 단절, 연결하는 등의 방법으로 색채를 활용한다. 빨강은 하양, 검정과 혼합되거나 병치되고, 하양에 혼합되는 빨강은 무의식 공간의 좌절된 욕구를 표현하고, 검정에 병치되는 빨강은 치유되어야 할 과정 중의 속죄를 의미한다. 색채배색에 따라 혼합되는 빨강을 흐리거나 밝게 만드는 하양은 해방을 표현하고, 병치되는 빨강을 진하거나 어둡게 만드는 검정은 억압을 의미한다. Through the term of psychoanalysis as the return of oppression, this paper explains the meanings which are composed of visual narrative methods interacting with white and black, centering on color red of a lady desiring redemption and salvation in Korean film Sympathy for Lady Vengeance(2005). It attempts to derive the expanded meaning by applying concepts such as juxtaposition, intervention, unconsciousness and surrealism, focusing on the color vision of red in addition to the narrative interpretation limited to the unique revenge play. The oppressed must return. Freud said. Sympathy for Lady Vengeance represents the pattern of suppression and the way of liberation by placing the color red at the center of vision. As proof of Freud's words, from the opening credit to the final scene, white, black, and red which constitute the mise-en-scene of the film lead visually the narrative such as pain and anxiety due to oppression at the border of consciousness and unconsciousness, how to overcome and return to reality, freedom and pleasure through liberation and the return to home. The film arranges colors by connecting, and disconnecting consciousness and unconsciousness. In Sympathy for Lady Vengeance, red is mixed or juxtaposed with white and black. The red mixed in the white is the frustrated desire of the unconscious space, and the red juxtaposed with the black is the atonement of the process to be healed. White which makes the blended red in the color scheme lighter and brighter is liberation, and black that juxtaposes the red color is oppressive.

플립 러닝 연구경향 분석

김종국(Kim Jongguk) 학습자중심교과교육학회 2018 학습자중심교과교육연구 Vol.18 No.15

본 연구는 최근 많은 주목을 받고 있는 ‘플립 러닝’에 대한 국내 학술지의 연구경 향을 분석하는 것이다. 이를 위해 학술지 논문 검색 사이트 RISS, KISS, DBPIA에서 ‘플립 러닝’을 검색하여 2014년부터 2017년까지 출판된 183편의 학술지 논문을 내용 분석하였다. 분석항목에서 키워드, 적용 교과목, 연구 대상, 연구 방법 등이 분석되었 다. 항목별 분석결과에서, 키워드 분석에서는 12개의 상위 주제어가 전체 주제어의 절반을 차지하였다. 적용 교과목에서는 외국어부터 인문학에 이르기까지 다양한 과목이 분포되었고, 영어교과목이 가장 많았다. 연구 대상에서는 대학생을 대상으로 한연구가 초․중등, 교사, 성인 대상 연구를 더한 것보다 1.5배를 차지하였다. 연구 방법 론에서는 질적, 양적, 혼합 연구의 순으로 빈도가 나타나고 있는데, 각각의 연구 설계 에서 질적인 연구 방법에서는 사례 연구가, 양적 연구에서는 설문지법이, 혼합 연구 에서는 설명적 방법에 편중된 모습을 보여준다. 이를 바탕으로 추후 연구를 위한 시사점이 제시되었다. Flipped classrooms refer to the practice of assigning lectures outside of class and devoting class time to a variety of learning activities. To fully understand the phenomenon of flipped learning in Korea, it is important to identify and map trends and patterns in research on the topic. This study does so by reviewing 183 articles published in scholarly journals from 2014 to 2017. The purpose of this study was to analyze flipped learning research trends in Korean scholarly journals. For the purpose of this research, content analysis was employed to analyse the articles in terms of key-words, courses, research participants, and research methodologies. As for key-words analysis, top 12 key-words are dominant. Regarding courses, wide variety of lectures were researched in flipped learning context. With regard to research participants, university students were the most frequently used subjects. And as to research methodologies, quantitative and qualitative methods have been used more than 90%. Future work should continue to examine the influence of individual activities on student learning and behaviors.

구로사와 아키라의 후반기 영화 스타일 고찰

김종국(Jongguk Kim) 한국영상제작기술학회 2016 영상기술연구 Vol.- No.25

This study is analysis of the later films Kurosawa in old age produced, 〈Ran〉(1985), 〈Dreams〉(1990), 〈Rhapsody in August〉(1991) and 〈Madadayo〉(1993). In these films there are the common features such as a looseness of the narrative, a artificial and excessive colors, long take without close-ups, jump cuts, and a contrapuntal sound experiments. While the style of post-war films from 〈Seven Samurai〉(1954) to 〈Kagemusha〉(1980) was the dynamics of the audio-visual based on the great epic, the late films of Kurosawa adopted the auteurism form. These films have been blamed for the same reason that they openly reveals Japanese militarism and nationalism. As a result, its stylistic features have also been ignored. Nevertheless, in his late films there were the stylistic experiments reflected on film media. Secondly, while his post-war films have confirmed the ability of the director as a filmmaker, the late works have showed the artistic and experimental attitude as a auteur.

선댄스영화제의 독립창작지원 생태계

김종국(Jongguk Kim) 한국영상제작기술학회 2017 영상기술연구 Vol.- No.26

The Sundance Institute wants to share ideas with audiences about the innovative storytellers to help them change their culture. Its artist programs offer movies, plays, movie compositions, episode storytelling, and dynamic support for individuals with distinct voices in the new platform. The Sundance Film Festival provides the audiences with the dramatic and documentary films, shorts, installations, performances, panel discussions and dynamic music event programs. Since 1985, hundreds of films have been screened at the Festival, received commercial distribution, and reached audiences around the world. The Festival wishes to inspire original and authentic storytelling. Streaming services like Netflix and Amazon lead a change in the independent film market. In addition, the Festival has expanded its showcase of episodic storytelling and web-based art and has offered the virtual reality experiences. In recent years it has organized various events for musical performances, panel discussions, art, and live streams in the heart of Park City. All these diversity-seeking events comes from the sound fiscal management and strong institutional health of Sundance Institute. From this point of view, this study examines the way the Institute works to support the independent films.

영화의 색채스타일에 대한 일고찰

김종국(Jongguk Kim) 한국영화학회 2002 영화연구 Vol.- No.18

What do the interrelative terms like N-Generation, image, and identity mean? The purpose of this thesis is to clarify the ideological meaning of these important concepts. To read the image culture of N-Generation, it is meaningful to examine the colour determining the image style of N-Generation. The colour, one of those various styles, is to understand the relations between N-Generation and image, the stylized characters of N-Generation, and their identity. Therefore, I will look about the colour that N-Generation is producting and consuming. Through this discussion, I will make it clear the conflicting phases being inherent in the stylized colour and consider N-Generation that the older generation is calling 'non-identity' or 'non-indivisuality' as the voluntary subject. It is clear that they in their own manner stand against the dominant culture speaking for parents. Of course, the opposing manner appears that they seek after the specific style, consume and product the style like colour that they saw or recognized in the image. That is to say, they are both accommodating the colour-image style like the yellow-hair in 〈No-Rang-Meo-Ri〉 and producting the similar style. In this meaning the opposing style appears being in a wandering or chaotic state because of the unripe self-identity. In 〈Beat〉 the blue image becomes visible to mean that they come to a deadlock. On the other hand, it is represented to pack up the goods of the industrial society as a commodity displayed in a show window stimulates the commercial consumption. Both the yellow-hair image as the resisting and the blue image as goods, wandering or chaotic are to form the cycling link.

‘수능영어 절대평가’ 미디어 담론분석

김종국(Kim Jongguk) 학습자중심교과교육학회 2019 학습자중심교과교육연구 Vol.19 No.17

본 연구는 ‘수능영어 절대평가’에 대한 미디어 담론이 우리 사회에 미치는 영향을 실증적으로 파악하기 위해서 담론을 분석하는 것이다. 2010년부터 논의되었던 국가영어능력시험(NEAT)에 많은 예산으로 준비되었지만 4년 만에 폐기되면서 발생했던 문제점들이 다시 재현되지 않기 위해서, 수능영어가 절대평가로 시행되는데 큰 영향을 끼치는 미디어의 담론을 분석하는 것은 중요하다. 2014년부터 2019년까지 조선일보와 중앙일보 지면에서 검색된 356개의 기사를 통해서 정량적인 분석과 함께 비판적 담화분석을 실행하였다. 분석결과 2014년부터 기사화되었고, 주요 작성자는 기자와 사교육 종사자였으며, 보도기사와 여론 및 사교육 관련기사가 가장 많이 발견되었다. 수능영어 절대평가를 반대하는 목소리와 사교육 종사자의 기사가 신자유주의 담론과 함께 영어교육에 미치는 영향력이 매우 크다는 것으로 분석되었다. 이처럼 담론형성을 통해서 영어교육의 위기를 기정사실화하고 교육전반의 위기로 확대 해석하여 이러한 교육의 위기를 담보로 교육을 ‘시장화’ 및 ‘상품화’하고 그것을 일상의 교육 담론으로 유포하는 사회적 실천을 수행하고 있다는 것을 확인할 수 있다. The purpose of this study is to investigate the dominant discourses on criterion-referenced assessment in the College Scholastic Ability Test(CSAT) English section thorough discourse analysis reflected from media. Two major newspapers of Korea are selected and articles from 2014 to 2019 that include ‘criterion-referenced assessment in the CSAT English section are collected. The analysis focuses firstly on the frequency analysis of articles, and secondly identifies major agents of constructing and disseminating discourses of ‘criterion-referenced assessment in the CSAT English section . It was found that the major agents who participate in the construction of discourse are those who works for private sector education. The dominant topic was to foster private sector education and its consumerism that shape roles of test-takers and their parents. To overcome newspapers s lack of professionalism in English education, an active role of researcher is suggested: As researcher of English as a foreign language we might need another mode of critical discourse analysis.

Flat Metamaterial Antenna with Dual-Circular-Polarization at the-1st-Order-Resonance Mode, applicable to Reconfigurable RF Systems

Hyunsoo Kim(김현수),Jinsu Jeon(전진수),Kyeongnam Jang(장경남),M. Kamran,Sungtek Kahng(강승택),Jongguk Kim(김종국) 한국통신학회 2014 한국통신학회 학술대회논문집 Vol.2014 No.11

단보 : Aspergillus flavus Y2H001의 식물생육촉진과 Gibberellin A3의 생산

유영현 ( Younghyun You ),박종명 ( Jongmyong Park ),강상모 ( Sangmo Kang ),박종한 ( Jonghan Park ),이인중 ( Injung Lee ),김종국 ( Jongguk Kim ) 한국균학회 2015 韓國菌學會誌 Vol.43 No.3

경상북도 성주군의 농경지에서 자생하는 들깨를 채집하여 이로부터 형태학적으로 상이한 15개의 내생진균을 순수분리하였다. 이들의 배양여과액을 이용하여 난장이벼의 유묘에 처리하여 식물생장촉진 활성을 조사한 결과, 이들 중 Y2H001균주가 식물생장활성이 가장 우수한 것으로 나타났다. Y2H001균주의 ITS영역 염기서열과 β-tubulin 유전자염기서열을 사용하여 계통학적 유연관계를 확인하였으며, 이러한 분자계통학적 분석 및 형태학적 관찰을 통해 Aspergillus flavus로 동정되었다. 또한 A. flavus Y2H001균주의 배양여과액을 GC/MS를 통하여 분석하였고 식물생장을 촉진하는 원인물질로 GA3 (1.954 ng/mL)를 생산하는 것을확인하였다. Perilla frutescens var. japonica Hara was collected from farmland in Seongju-gun. Fifteen endophytic fungal strains with different colony morphologies were isolated from roots of P. frutescens. Waito-c rice seedlings were treated with the concentrated culture filtrates (CF) of endophytic fungi for observation of their plant growth-promoting activities. In the results, the CF of Y2H001 fungal strain promoted the growth of the waito-c rice seedlings. The phylogenetic tree of Y2H001 strain was analyzed by the combined sequences of the partial internal transcribed spacer region (ITS) and partial betatubulin gene. Molecular and morphological studies identified the Y2H001 strain as belonging to Aspergillus flavus. In gas chromatography mass spectrometry (GC/MS) analysis of the CF of Y2H001 strain, gibberellic acid (GA) was detected and quantified. Therefore, we describe Y2H001 strain as a new GA3-producing A. flavus based on morphological, molecular characteristics and analysis of secondary metabolite.

영화의 색채스타일에 대한 일고찰 : N세대의 문화적 성향을 중심으로 Focusing on the Cultural Tendency of N-Generation

김종국 동국대학교 대학원 2002 大學院硏究論集-東國大學校 大學院 Vol.32 No.-

What do the interrelative terms like N-Generation, image, and identity mean? The purpose of this thesis is to clarify the ideological meaning of these important concepts. To read the image culture of N-Generation, it is meaningful to examine the colour determining the image style of N-Generation. The colour, one of those various styles, is to understand the relations between N-Generation and image, the stylized characters of N-Generation, and their identity. Therefore, I will look about the colour that N-Generation is producting and consuming. Through this discussion, I will make it clear the conflicting phases being inherent in the stylized colour and consider N-Generation that the older generation is calling 'non-identity' or 'non-indivisuality' as the voluntary subject. It is clear that they in their own manner stand against the dominant culture speaking for parents. Of course, the opposing manner appears that they seek after the specific style, consume and product the style like colour that they saw or recognized in the image. That is to say, they are both accommodating the colour-image style like the yellow-hair in <No-Rang-Meo-Ri> and producting the similar style. In this meaning the opposing style appears being in a wandering or chaotic state because of the unripe self-identity. In <Beat> the blue image becomes visible to mean that they come to a deadlock. On the other hand, it is represented to pack up the goods of the industrial society as a commodity displayed in a show window stimulates the commercial consumption. Both the yellow-hair image as the resisting and the blue image as goods, wandering or chaotic are to form the cycling link.