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      • KCI등재

        열형광선량계용 팬톰을 이용한 호흡 움직임에 따른 선량분포의 평가

        홍주영,김연래,라정은,정진범,서태석,Hong, Ju-Young,Kim, Yon-Lae,Rah, Jeong-Eun,Chung, Jin-Beom,Suh, Tae-Suk 한국의학물리학회 2006 의학물리 Vol.17 No.4

        본 연구에서는 열형광선량계(TLD)용 팬톰을 설계 및 제작하고 구동장치에 위치시켜 팬톰이 호흡과 유사하게 움직이는 경우에 선량분포의 변화를 측정하였다. 제작된 팬톰은 TLD를 최소 3 mm 간격으로 위치시킬 수 있는 TLD용 판과 필름을 장착시킬 수 있는 판으로 구성된다. 선량분포 측정을 위하여 팬톰 속 깊이 1.5 cm ($d_{max}$)에 TLD가 배열된 판을 삽입하고, 6 MV X-선이 조사되는 상태에서 팬톰을 SI 방향으로 $1{\sim}2cm$ 범위에서 0.5 cm 간격으로 왕복운동하도록 하였다. 측정된 선량 프로파일에서 이동범위에 따른 반음영과 반측폭을 구하여 정지 상태와 비교한 결과 팬톰의 이동범위가 증가함에 따라 반음영 영역은 0.71 cm에서 2.10 cm로 증가하였으며 반측폭은 7.52 cm에서 7.02 cm로 감소하였다. 본 연구에서는 필름을 사용하여 위의 결과를 재확인한 결과 유사한 경향을 나타내었다. 따라서 호흡에 의해 위치의 변화가 발생하는 종양에 대하여 치료계획을 수립하는 경우에 이 결과를 고려한다면 치료 효과 향상에 기여할 것으로 기대된다. The purpose of this study was to measure the dose distribution from the moving phantom for the respiratory motion. The phantom for TLD measurement was designed and built for this study based on the multiple plates for placing TLD and film. The TLDs may be inserted at 3 mm intervals in each TLD plate. For the measurements, TLD plate was inserted into the phantom at 1.5 cm ($d_{max}$) depth, and phantom was allowed to move in SI directions in the range of 1 to 2 cm with 0.5 cm interval for 6 MV X-ray beams. Penumbra and FWHM were measured at both moving state and compared stationary. It was found that penumbra increased 0.71 cm at stationary and 2.10 cm at moving state in 2 cm movement, and that FWHM are 7.52 cm for stationary state and 7.02 cm for moving state (2 cm movement). In this study, film was used to compared with TLD results of measurements and simitar results were observed. Therefore, it is expected that TLD moving phantom may be useful for the treatment of tumors that move due to the respiratory motion.

      • SCOPUSKCI등재
      • KCI등재

        논문 : 연극에 있어서의 일루젼(Illusion)과 관객의 역활

        홍주영 ( Ju Young Hong ) 한국연극교육학회 2013 연극교육연구 Vol.23 No.-

        The reality and illusion are two sides of the same coin. We tend to regard reality and illusion as two opposing concepts, however, it is limited to the definition identified by a phenomenon. On the other hand, neither reality nor illusion can be delineated solely in artistic areas because it is meaningless to deny interdependency between reality, the state of things as they actually exist, and illusion, the artistic representation of it. Encouraged by Aristotle`s argument, the art reveals the nature of the world and human beings, many theatrical people have tried to express it. Since the Renaissance, representing accurately the world as it is, the materialist approach to reality became pregnant the Realism and the attempt to improve truth, accuracy, and actuality on stage was concluded to reinforce illusion. However, the creation of illusion is not accomplished with the artist`s effort. Illusion exists in theatre when the audience accepts as real and true what is only fiction, the artistic creation of a reference world that is presented as a possible world that could be our own. Also, illusion presupposes the knowledge that wha we see in theatre is only a performance. If the audience was completely taken in, his/her pleasure would be diminished. Therefore, the completion of the performance through the creation of illusion proves that the audience`s role is very important. Until now, in Western Theatre Tradition, the audience have been underestimated as the passive subject taking onstage events as they are. However, as the artist tried to grasp reality that the nature of the world exists, the audience must participate in creating illusion spreading out before their eyes. It is not simply happening to Realism. In realism theatre, reality exists in the objectively verifiable material world, on the other hand, reality exists in the inner or unconscious world where we cannot actually experience but can be sure to exist. Therefore, illusion is a valid concept in anti-realism theatre. The audience takes part in creation illusion with their special purpose. Whether their purpose is learning, enjoyment, or wanting to achieve, they actively participate in the process in order to accomplish them. In order to create illusion, it needs the audiences` ability made by the social context of a particular time and space of which the audience should be part. Also, accepting illusion as it is, the audience creates their own new reality. That is, the role of the audience creates new reality through active and positive activities with reality captured by the artist and illusion derived therefrom and completed piece by piece by the audience, and moreover develops new communication process in theatre. They are important roles of the audience overlooked in the meantime.

      • KCI등재

        황순원 소설과 김동리 소설에 나타난 문학적 애도의 양상 비교 연구

        홍주영(Ju Young Hong) 한국현대소설학회 2015 현대소설연구 Vol.- No.59

        Hwang Soonwon and Kim Dongri, the two maestros of Korean literature, wrote novels based on the same incidents and objects with different points of view. Identifying the differences can help to thoroughly examine the width and depth of the variety of Korean Modern Literature. Based on the theory of Julia Kristeva`s ‘abjection’, this article (a) investigates the differences in how the two authors novelize the pain of experiencing the death of one`s child, (b) examines how the differences in these styles become mirrored in their works throughout their lifetime, and (c) attempts to clarify the structure of Hwang and Kim`s subjectivity by analyzing the differences in how they represent the socially lowly people. Hwang senses fear in his child`s corpse and develops his novels based on the feeling of “embarrassment” arising from his rejection of the corpse. On the contrary, Kim embraces his child`s corpse with relentless sadness and develops his novels based on the feeling of “shame” arising from his search for a Christian or Shamanism deity. Hwang`s experience serves as a opportunity for questioning the ‘abjection’ mechanism itself, and Hwang, in his later life, creates female characters in novels that explore and embrace the ‘abject’. Kim`s feeling of “shame” seems to have manifested from the struggle of trying to understand the absolute uncertainty of death as a certainty. Through his search for certainty, Kim develops his novels by rejecting the ‘abject’ that produces uncertainty.

      • KCI등재

        여성의 성격유형에 따른 헤어스타일 선호도 연구

        홍주영 ( Ju-young Hong ),임은진 ( Eun-jin Im ) 한국미용예술경영학회 2008 미용예술경영연구 Vol.2 No.2

        By this study has searched Preference of hair style by woman’s character type and analyze correct hair style in woman customers’ special quality through this, in individuals preference tendency correct differen-tiation that supply necessary basis data in beauty art spot by developed service of done order style be. Hair quantity and face form of the man, head forms, corporal form, length of hair, height, forehead, eye, nose, composedly, cheekbone, condition that is given to expression, personality, profession which speak and live whole balance and atmosphere analyzing and invent beautiful style be able to must. Characteristic that search character type can lift MBTI(The Myer Briggs Type Indicator) and character type and hair style relation showed difference that do meaningful Present beauty salon is doing tough competition in depression being in saturation. Present beauty salon is doing tough competition in depression being in saturation. In these condition, need scientific and systematic strategy if expect enlargement in sale. As profession, because recognizing beauty art person’s necessity, may satisfy esthetic desire which want of customer to approximate if grasp well inner personality psyche of customer and answer on consultation.

      • SCOPUSKCI등재
      • KCI등재

        황순원 문학과 서정범의 은어 연구에 깃든 타자성 탐구의 의미 연구 : 황순원의 「안개구름끼다」와 『일월』을 중심으로

        홍주영(Hong Ju Young) 한국현대문학회 2021 한국현대문학연구 Vol.- No.65

        소설가 황순원(1915)과 언어학자 서정범(1926)은 경희대학교 국어국문학과 선후배 교수 사이이다. 둘은 당대 주류 사회에서 밀려난 사회적 타자에 관심을 가졌다. 서정범은 뒷골목 사회의 비밀기호에 대한 「은어문자고」(1958)를 발표했고, 황순원은 이 논문에 나온 은어기호를 단편 「안개구름끼다」 (1958)에 활용했다. 「안개구름끼다」는 한국전쟁 직후 뒷골목의 창녀와 펨프 간의 관계를 다룬 소설이다. 이들의 은어는 자신의 안위를 위해 비밀을 유지하는 기능을 한다. 비밀유지는 사회언어학적인 언어기능으로서, 이는 소통을 강조하는 일반언어학의 보편언어 가설에 반대되는 것이다. 사회적 타자에 대한 관심은 자발적 타자에 대한 관심으로 확대되어, 서정범은 백정의 은어를 다루는 「한국특수어연구」(1959)를, 황순원은 백정의 삶을 형상화한 『일월』(1962~1965)을 창작하기에 이른다. 백정의 은어는 신앙기원적이기 때문에, 이 경험은 두 사람을 샤머니즘 탐구로 이끌었다. 서정범은 샤머니즘 어휘를 통한 한국어 고어 탐구로 나아가며, 황순원은 움직이는 성(1968~1972)에서 북방계 샤머니즘의 ‘유랑민 근성’을 비판적으로 소설화한다. Socio-linguist Seo Jung Bum and novelist Hwang Soon Won were professors of the Department Korean Language and Literature at Kyunghee University in S. Korea from the late 1950s to the 2000s. They shared their interest in "social others." Seo wrote about the secret sign languages that were used by so-called "backstreet society," the "social others," in his article "Eunamunjago.(은어문자고)" Hwang"s "Angaegureumkida (안개구름끼다)" novel, which is about the relationship between the prostitute and the pimp in uptown Seoul right after the Korean War, explicitly quotes the argots that are used by Seo"s article. This well shows that they shared interest in "social others." In socio-linguistics perspective, argot is a language that serves more as to keeping secret with borders rather than allowing communication without borders. This is contradictory to the hypothesis of universal language. Seo and Hwang, who started from focusing on the argots that were used by "social others," explored the argots that were used by those who chose to become "volunteered outsiders." Seo"s "Study of Korean Special Languages," an article about the butchers" argots, and Hwang"s "Moon and Sun," a novel about the life of the butchers, are the result of that exploration. The relationship between Seo and Hwang did not end as a writer-context provider relationship. The interest toward the so-called "volunteered outsiders" led to the interest toward the shamanism groups. Seo restructured ancient Korean root studies by examining such shamanist argots. And Hwang, through his novel "The Moving Castle," indirectly presents the "nomad-oriented" northern shamanism to Korean shamanism of that time, which was mainly the "settlement-oriented" Gyeongsang Province shamanism.

      • KCI등재
      • KCI등재

        재활용(Re-cycling) 소재를 이용한 식공간 연출에 대한 소비자의 인식 및 선호도 연구

        홍주영(Ju-Young Hong) 한국콘텐츠학회 2014 한국콘텐츠학회논문지 Vol.14 No.9

        본 연구는 오늘날 심각한 환경문제에 따른 환경성을 고려한 식공간 연출의 중요성을 제기하고자하며 재활용에 관한 소비자들의 인식 및 선호도를 살펴봄으로서 식공간에서의 재활용 연출에 대한 현재 위치를 살펴보고자 한다. 연구결과 아직까지 소비자들에게 있어 재활용 소재에 대한 인식 부족으로 인한 활용도 측면이 부족한 것으로 나타났다. 또한 레스토랑 식공간 및 재활용 소재를 활용한 식공간 이미지에 대해 성별에 따라 남성보다는 여성이 더 높은 관심을 가지는 것으로 나타났으며 결혼여부에 있어서는 기혼자들보다는 미혼자들이 더 긍정적으로 생각함을 알 수 있다. 학력에 따라서는 고학력일수록 재활용 소재를 활용한 식공간 연출을 많이 선호하지 않는 것으로 볼 수 있다. 수입에 따라서는 소득수준이 높을수록 직업에 따라서는 전문직일수록 실용적 측면을 중요하게 생각하는 것을 알 수 있다. 결론적으로 소비자의 재활용 소재에 대한 인식의 전환과 함께 재활용 소재를 활용할 수 있는 인식도를 높이기 위해서는 소비자로 하여금 사회적 책임을 느끼고 자원절약과 함께 재활용을 활용한 실생활에 적용할 수 있도록 교육 및 홍보의 역할이 필요한 것으로 나타났다. The study is based on the serious environmental problems occurring these days to acknowledge the consumers awareness and preference according with the coordination using recycled materials in the dining space. As the result, considered the consumers had lack in recognition of using recycled materials when they tried to use them in their normal daily life. Also the females were far more interested than the males with the usage of the recycled materials inside the restaurant and its interior image along with married persons had more positive attitude towards it than the unmarried ones. With education back ground, highly educated peoples really quite didn"t prefer the usage of the recycled materials. According with the income, the high earnings and with the occupation, the professionals with specialized jobs considered the practical use of aspects more important than above. Therefore the needs to educate and promote the consumers to use recycled materials in their every day lives, it is required to build social responsibility and finding the essential meanings to save resources so that they can utilize them with converted recognitions.

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