한옥의 관광자원 가치 측정척도 탐색

주미경 ( Mi Kyoung Joo ),박석희 ( Suk Hee Park ) 경기대학교 관광종합연구소 2011 여가관광연구 Vol.18 No.-

The South Korean Minjung Art in 20th century

Joo, Mi Kyoung(주미경) 한국전시산업융합연구원 2016 한국과학예술융합학회 Vol.23 No.-

In 1980`s, Korean painters began to represent these terrible scenes in their arts. The movement is called ``Minjung Art``. This research explores the characteristics and meanings of the Minjung Art, primarily considering the relationship between art and Korean political situation in the 80`s. Minjung Artists thought that Korea has become a new colony of American economy, culture, art and politics. That is why Minjung Art was strongly motivated by the anti-colonial, and anti-American ideas. Minjung Art is a Socialist Art based on the Marx-Lenin theories. An influential literary and art critic of the twentieth century was a Post-Marxist who pointed out the capability of Realist Art to confront an objective reality that exists in the world. Art was a work. Bataille believed that the making of tools and weapons was the departure point for that early faculty of ration, which humanized the animals we once had been. It is obviously work that made him a human being, the reasonable animal we are. Bataille thought that if it is true that work is our origin, if it is true that work is the key to humanity, human beings would eventually distance themselves completely from animalist through work. Minjung Art did not aim at the revolution of social reality but to be an ideological art seeking for the reforms of the society that grants freedom for the people. The import of “culture” for understanding human activity and the history of its many uses provide the initial basis of Cultural Studies, an interdisciplinary field formed over forty years ago, primarily in the US and UK. Since then, interest in the field has grown exponentially. Incorporating a diverse range of new theoretical inputs, methodological innovations and objects of inquiry, Cultural issues takes up a number of issues related to contemporary culture while being aware of their specific historical formations.

색 연상 특성에 관한 연구

주미경(Joo, Mi Kyoung) 한국색채학회 2007 한국색채학회 논문집 Vol.21 No.2

20세기 한국의 민중 미술 연구

주미경 ( Mi Kyoung Joo ) 한국전시산업융합연구원 2016 한국과학예술융합학회 Vol.23 No.-

In 1980`s, Korean painters began to represent these terrible scenes in their arts. The movement is called ``Minjung Art``. This research explores the characteristics and meanings of the Minjung Art, primarily considering the relationship between art and Korean political situation in the 80`s. Minjung Artists thought that Korea has become a new colony of American economy, culture, art and politics. That is why Minjung Art was strongly motivated by the anti-colonial, and anti-American ideas. Minjung Art is a Socialist Art based on the Marx-Lenin theories. An influential literary and art critic of the twentieth century was a Post-Marxist who pointed out the capability of Realist Art to confront an objective reality that exists in the world. Art was a work. Bataille believed that the making of tools and weapons was the departure point for that early faculty of ration, which humanized the animals we once had been. It is obviously work that made him a human being, the reasonable animal we are. Bataille thought that if it is true that work is our origin, if it is true that work is the key to humanity, human beings would eventually distance themselves completely from animalist through work. Minjung Art did not aim at the revolution of social reality but to be an ideological art seeking for the reforms of the society that grants freedom for the people. The import of “culture” for understanding human activity and the history of its many uses provide the initial basis of Cultural Studies, an interdisciplinary field formed over forty years ago, primarily in the US and UK. Since then, interest in the field has grown exponentially. Incorporating a diverse range of new theoretical inputs, methodological innovations and objects of inquiry, Cultural issues takes up a number of issues related to contemporary culture while being aware of their specific historical formations.

한국 도자기 문양의 특성과 상징성 연구

주미경(Joo, Mi Kyoung) 한국전시산업융합연구원 2014 한국과학예술융합학회 Vol.18 No.-

사람은 지역적 특성과 기후, 문화적 차이, 교육적 차이, 종교적 차이로 삶 속에 상징성을 갖고자 하는 기본적 욕구가 존재한다. 이러한 욕구는 시대를 따라 변천하며 필연적으로 생성되는 생활감정의 표현이다. 이러한 시점에서 인간의 미의식 변천으로 用과 美의 민족의 기본적 내면과 외적 가치를 짚어보고 계승과 발전을 위한 고유문양에 대하여 연구하고자 한다. 본 연구는 한국 도자기에 사용되어진 기하형 문양의 특성과 상징성에 관한 연구로 민족적 미학사상의 문화적 의미 연구를 위한 기초 문헌연구로 연구 결과는 다음과 같다. 첫째, 민족적 정서인 원형사상의 변천되어온 역사의 습합으로 문양체계 와 소재의 다양성을 구현하여 왔다. 둘째, 민족의 집단적 감성가치의 일반화로 문화인식체계를 공유 하여 왔다. 셋째, 기하형 문양의 상징성은 민족정서가 내재된 여러 감성체계 조화와 순화로 한국인의 미의식이었다. 역사 속에서 삶의 문화적 사회구조마다 쓰여 진 한국도자기 문양의 미학적 문화 가치검증을 위해 연구가 지속되기를 바란다. Men had desire of having desire of lives because of difference of regional characteristics and weather, culture, education and religions. The desire made change in accordance with times to express life feeling. So, this study investigated inner value as well as exterior value of the people of use and beauty in accordance with transition of aesthetic consciousness of men to examine inherent patterns for inheritance and development. This study investigated characteristics and symbol of geometric patterns that were used for Korean pottery. The findings were: First, not only pattern system but also materials had variety owing to compromise of history at transition of Koreans" emotion of archetype thought. Second, Koreans shared culture cognition system at generalization of group emotional values of the Korean people. Third, geometric pattern of symbolism identified the Koreans" aesthetic consciousness that harmonized and refined many emotional systems. Further studies shall be done to verify aesthetic culture values of Korean pottery patterns that was used for cultural and social structure of Koreans" lives in the history.

《중록화품(中麓畵品)》에 의한 명대 절파 화론 연구

주미경 ( Joo Mi Kyoung ) 한국동양예술학회 2018 동양예술 Vol.38 No.-

본 논고는 기존의 연구에서 명대 회화 양식으로 발달하기 시작한 절파 화풍에 대해 시도하지 않은 절파 화풍에 대해 폄하된 시각을 이개선(李開先)이 주창한 절파에 대한 의견 중 『中麓畵品』을 통해 새롭게 조명하고자 한 것이다. 절파는 이당(李唐), 마원(馬遠), 하규(夏珪) 등의 회화 풍격을 계승한 원체화(院體畵)풍이었으나 오파로 계승된 문인화가들로부터 비하되고, 명말에 이르러서는 절파 후기양식을 狂態邪學이라고 공격하는 사람들이 생겨났다. 이러한 절파에 대한 비판, 특히 절파 후기 양식에 대한 공격은 현대사회에 와서 작가의 개성과 의미를 중시여기는 상황에서 공정하지 못한 평가라고 여겨진다. 하지만 이러한 견해에 대해 명대 중기 감상가인 이개선(李開先)은 그의 저서 『中麓畵品』에서 유일하게 절파 화가에 대해 변호하는 화론을 제시하였다. 이에 본 논문은 절파 회화에 대한 편벽적이었던 시각에 반론을 제기한 『中麓畵品』을 분석함으로써 절파 화론에 대한 올바른 시각을 가지게 하고자 하였다. 그리고 이와 같은 이개선(李開先)의 화론이 미술사적인 의의로 절파에 대한 부정적인 견해를 옹호하여 회화 양식으로의 가치를 가지게 하고, 광태사학이라고 불리긴 했지만, 명대 후기 절파화풍을 계승하는 데도 영향을 미쳤음을 알 수 있었다. This present paper aimed at examining and analyzing Chinese Paintings which was a commentary on Zhe School by Li Kai Shan among many scholars in further details for the right understanding of Zhe School painting style which began to develop as the painting style in the Ming dynasty in China. Although Zhe School painting was an imperial-court decorative painting which followed the painting styles of Lee Tang, Ma Yuan, Xia Gui, and so on, it was criticized by literati painters. In the late Ming dynasty in China, the later painting style of Zhe School was called as a wild and heterodox school by some attackers. It is judged that these attacks on the late painting style of Zhe School were an unfair evaluation in the light of modern society in which artists’ characteristics and meanings are greatly regarded. However, concerning these opinions, Li Kai Shan, who was an appreciator in the mid Ming dynasty in China, was the only one who suggested supporting art theory in favor of Zhe School painters in his book Chinese Paintings. Therefore, this paper attempted to suggest the right perspective on the art theory of Zhe School by analyzing his book Chinese Paintings which corrected the negatively biased point of view on Zhe School paintings. It can be said that it was revealed through the art theory of Li Kai Shan as these in the light of the Chinese art history that Zhe School painting style had a value as a painting style by defending the negative opinions on Zhe School, and that it has greatly influenced the succession of Zhe School painting styles in the late Ming dynasty in China, although it was called as a wild and heterodox school.

근대 동아시아의 예술문화 교류사 비교연구

주미경 ( Joo Mi Kyoung ) 한국동양예술학회 2021 동양예술 Vol.50 No.-

이번 연구는 국가마다 의견 차이가 있어 전후 현대적으로 동아시아 3개국 각국에 서구 문화 예술 교류가 미치는 영향을 살펴보는 것을 목적으로 한다. 이는 오랜 역사 속에서 관점과 관점의 차이가 있기 때문에 같은 문화권에 인접해 있더라도 문화 교류에 대한 새로운 이해를 촉진하는 데 효과적이기 위한 것이다. 특히 현대에 이르러서는 민족국가보다 높은 수준에서 지역문제를 협력적으로 해결하려는 운동인 '신지역주의'의 관점 개발이 지역 사회와 문화를 통한 지역다각화를 촉진한다. 그동안 현대문화예술에 대한 정당한 평가는 정치적·군사적·환경적·문화적 간섭에서 벗어나 여러 가지 관점에서 상호 이루어져야 한다고 본다. 이번 연구는 동아시아 근대 서양 문화와 예술 교류사뿐만 아니라 동아시아 근대사의 배경과 문화적 배경도 살펴본다. 풍속 등을 살피고, 서양 근대문화예술이 각국에서 아시아 미술의 조형성과 관점에 미치는 영향을 다각적인 관점에서, 또 하나의 문화적 관점에서 살펴볼 필요가 있다고 생각한다. 특히 서양 문학의 수용 시간과 방법의 차이는 물론 중국과 일본, 한국의 역사적 배경의 차이가 크고, 문화적 가치에 대한 통찰도 다르다. 특히 서양화의 유입과 수용 과정에는 시차가 있지만 국가 정책과 지리는 큰 것으로 평가된다. 발전적 응용과 수용 과정에서 거부감이 발생했지만 문화예술의 토착성이 성숙되고 서양화가 창의적으로 등장했다. 이러한 현상은 예술에 대한 경계, 내용, 사물 등 다양한 요소에 의해 결정되는 이념적, 정신적 함의가 주기적, 시간적 관점에서 개입되는 현상이라고 할 수 있다. 그레고르 파울손 (1889년-1977년)사회적 차원의 의미를 간과해서는 안 된다는 뜻이다. 한 나라의 제국주의적 좁은 시각에서 벗어나 세계주의적 관점에서 문화와 예술의 역사를 바라볼 수 있는 다문화주의가 필요하기 때문이다. This study aims to examine the influence of Western cultural and artistic exchanges on each country in the three East Asian countries, in the pre- and post-modern times as there are differences in opinions from country to country. This is intended to be effective in promoting a new understanding of cultural exchanges, even though they are adjacent to the same cultural area, since there are differences in perspective and perspective in the long history. In particular, in modern times, the development of the perspective of 'New Regionalism', a movement that seeks to cooperatively solve regional problems at a higher level than the nation-state, promotes regional diversification through local society and culture. In the meantime, I believe that a legitimate evaluation of contemporary culture and arts should be mutually made from multiple perspectives, free from political, military, environmental, and cultural interference. This study examines not only the history of East Asian modern Western culture and art exchange, but also the background and cultural background of the modern East Asian history. I think it is necessary to examine the customs, etc., and to examine the influence of modern Western culture and arts on the formative and perspective of Asian art in each country from a multifaceted perspective, and another cultural perspective. In particular, not only the differences in the time and method of acceptance of Western literature, but also the historical background of China, Japan, and Korea have a large difference, and the insights on cultural values are also different. In particular, there is a time difference in the inflow and acceptance process of Western painting, but the national policy and geography are considered to be large. Although rejection occurred in the process of developmental application and acceptance, the indigenous nature of culture and art matured and Western painting appeared creatively. This phenomenon can be said to be the involvement of ideological and spiritual implications determined by various factors, including boundaries, content, and objects, for art from a periodic and temporal perspective. Gregor Paulsson(1889-1977) This means that the meaning of the social dimension should not be overlooked. This is because multiculturism is needed to view the history of culture and art from a globalist perspective, freeing from the imperialistic narrow perspective of a country.

A study on association relationship of traditional colors

Joo, Mi-Kyoung(주미경) 한국색채학회 2008 한국색채학회 학술대회 Vol.2008 No.-

A Convergent Study on Interrelation between Color Perception and Brain Wave

Joo, Mi Kyoung(주미경) 한국전시산업융합연구원 2020 한국과학예술융합학회 Vol.38 No.2

Recently in Korea, brain wave at the country"s exhibition industry has been known more and a range of support is needed. This study examined relation between color cognition process and brain wave. Color cognition can be done at background of the times, scientific development, cultural variable, change of political situation, economy and education of color Color perception process consists of natural and ordinary coloring of digital color making use of digital media of animal, plant, landscape and daily lives. The author conducted test by Art Wellness program of "S" college. First, background and scope of studies on relation between color cognition and brain wave. Second, the author described characteristics of brain wave and color to indicate cases of the art and AI fusion color cognition. Third, the study explained relation between color cognition and brain wave to indicate implications. The finding was: Color emotion with sociality was universal than accidential and personal taste. However, color sense of outcome of language, thought, experience and tradition may have different emotion. Wellness program of "S" College examines variables of sound, language and vocabulary of composite association. New art and design shall be used to develop color cognition and to make use of relation between human life and education. Segmented research is needed to build database for social and scientific application.

성서에 나타난 색인지에 관한 연구 -기독교인 중심으로-

주미경 ( Mi Kyoung Joo ) 글로벌기독교세계관학회 2011 학문과기독교세계관 Vol.4 No.-

The color has repeated functions and reactions of physical and mental areas of human lives to express in various ways. This study examined colors of the Bible being ancient literature in the world history. So many Christian lessens had influence upon not only color cognition but also color association so that study on the colors was thought to be important. The colors of the Bible had lots of values for the Christian but also human being: So, the study examined Christians` color cognition difference in the Bible according to ages, education, nationality, martial status, occupation and gender, etc. The colors of holy places of the Bible that were written in the God`s inspiration were expressed in the Christian thought, so that the author selected subjects having Christian thought as well as survey areas at random regardless of sects. Questionnaire survey was used from March 2011 to July 2011. Frequency and cross-tabs were used. The material is likely to be used for religious activities as well as Christian culture and education by using changes and difference of color cognition of the subjects having Christian thought.