한옥의 관광자원 가치 측정척도 탐색

주미경 ( Mi Kyoung Joo ),박석희 ( Suk Hee Park ) 경기대학교 관광종합연구소 2011 여가관광연구 Vol.18 No.-

3년제 간호학 전공 남학생과 여학생이 지각한 간호이미지와 간호전문직관

주미경(Joo, Mee Kyoung),신계영(Shin, Gye Young) 한국간호교육학회 2012 한국간호교육학회지 Vol.18 No.3

Purpose: The purpose of this study was to identify the degree and correlations between the nursing image and professionalism perceived by male and female nursing students in College. Method: The subjects were composed of 683 nursing students (male 59, female 624) in college located in Gyeonggi province using convenience sampling method. Descriptive statistics, Pearson correlation coefficient and t-test were used for data analysis. Results: The mean score of nursing image perceived by male nursing students was 3.80 (±0.51) and that of female nursing students was 3.75 (±0.45). The mean score of professionalism perceived by male nursing students was 3.61 (±0.55) and that of female nursing students was 3.64 (±0.42). There was no significant difference between nursing image of male and female students in statistical analysis (t=1.38, p=.248). And there was no significant difference between professionalism of male and female students in statistical analysis (t=1.73, p=.167). The nursing image perceived by male nursing students was positively related to professionalism (r=.74, p<.001). The nursing image perceived by female nursing students was positively related to professionalism (r=.69, p<.001). Conclusion: Based on the results of the study, further research is needed to change of perspectives on new educational approach to male nursing students.

A Convergent Study on Interrelation between Color Perception and Brain Wave

Joo, Mi Kyoung(주미경) 한국전시산업융합연구원 2020 한국과학예술융합학회 Vol.38 No.2

Recently in Korea, brain wave at the country"s exhibition industry has been known more and a range of support is needed. This study examined relation between color cognition process and brain wave. Color cognition can be done at background of the times, scientific development, cultural variable, change of political situation, economy and education of color Color perception process consists of natural and ordinary coloring of digital color making use of digital media of animal, plant, landscape and daily lives. The author conducted test by Art Wellness program of "S" college. First, background and scope of studies on relation between color cognition and brain wave. Second, the author described characteristics of brain wave and color to indicate cases of the art and AI fusion color cognition. Third, the study explained relation between color cognition and brain wave to indicate implications. The finding was: Color emotion with sociality was universal than accidential and personal taste. However, color sense of outcome of language, thought, experience and tradition may have different emotion. Wellness program of "S" College examines variables of sound, language and vocabulary of composite association. New art and design shall be used to develop color cognition and to make use of relation between human life and education. Segmented research is needed to build database for social and scientific application.

The South Korean Minjung Art in 20th century

Joo, Mi Kyoung(주미경) 한국전시산업융합연구원 2016 한국과학예술융합학회 Vol.23 No.-

In 1980`s, Korean painters began to represent these terrible scenes in their arts. The movement is called ``Minjung Art``. This research explores the characteristics and meanings of the Minjung Art, primarily considering the relationship between art and Korean political situation in the 80`s. Minjung Artists thought that Korea has become a new colony of American economy, culture, art and politics. That is why Minjung Art was strongly motivated by the anti-colonial, and anti-American ideas. Minjung Art is a Socialist Art based on the Marx-Lenin theories. An influential literary and art critic of the twentieth century was a Post-Marxist who pointed out the capability of Realist Art to confront an objective reality that exists in the world. Art was a work. Bataille believed that the making of tools and weapons was the departure point for that early faculty of ration, which humanized the animals we once had been. It is obviously work that made him a human being, the reasonable animal we are. Bataille thought that if it is true that work is our origin, if it is true that work is the key to humanity, human beings would eventually distance themselves completely from animalist through work. Minjung Art did not aim at the revolution of social reality but to be an ideological art seeking for the reforms of the society that grants freedom for the people. The import of “culture” for understanding human activity and the history of its many uses provide the initial basis of Cultural Studies, an interdisciplinary field formed over forty years ago, primarily in the US and UK. Since then, interest in the field has grown exponentially. Incorporating a diverse range of new theoretical inputs, methodological innovations and objects of inquiry, Cultural issues takes up a number of issues related to contemporary culture while being aware of their specific historical formations.

근대 동아시아의 예술문화 교류사 비교연구

주미경 ( Joo Mi Kyoung ) 한국동양예술학회 2021 동양예술 Vol.50 No.-

이번 연구는 국가마다 의견 차이가 있어 전후 현대적으로 동아시아 3개국 각국에 서구 문화 예술 교류가 미치는 영향을 살펴보는 것을 목적으로 한다. 이는 오랜 역사 속에서 관점과 관점의 차이가 있기 때문에 같은 문화권에 인접해 있더라도 문화 교류에 대한 새로운 이해를 촉진하는 데 효과적이기 위한 것이다. 특히 현대에 이르러서는 민족국가보다 높은 수준에서 지역문제를 협력적으로 해결하려는 운동인 '신지역주의'의 관점 개발이 지역 사회와 문화를 통한 지역다각화를 촉진한다. 그동안 현대문화예술에 대한 정당한 평가는 정치적·군사적·환경적·문화적 간섭에서 벗어나 여러 가지 관점에서 상호 이루어져야 한다고 본다. 이번 연구는 동아시아 근대 서양 문화와 예술 교류사뿐만 아니라 동아시아 근대사의 배경과 문화적 배경도 살펴본다. 풍속 등을 살피고, 서양 근대문화예술이 각국에서 아시아 미술의 조형성과 관점에 미치는 영향을 다각적인 관점에서, 또 하나의 문화적 관점에서 살펴볼 필요가 있다고 생각한다. 특히 서양 문학의 수용 시간과 방법의 차이는 물론 중국과 일본, 한국의 역사적 배경의 차이가 크고, 문화적 가치에 대한 통찰도 다르다. 특히 서양화의 유입과 수용 과정에는 시차가 있지만 국가 정책과 지리는 큰 것으로 평가된다. 발전적 응용과 수용 과정에서 거부감이 발생했지만 문화예술의 토착성이 성숙되고 서양화가 창의적으로 등장했다. 이러한 현상은 예술에 대한 경계, 내용, 사물 등 다양한 요소에 의해 결정되는 이념적, 정신적 함의가 주기적, 시간적 관점에서 개입되는 현상이라고 할 수 있다. 그레고르 파울손 (1889년-1977년)사회적 차원의 의미를 간과해서는 안 된다는 뜻이다. 한 나라의 제국주의적 좁은 시각에서 벗어나 세계주의적 관점에서 문화와 예술의 역사를 바라볼 수 있는 다문화주의가 필요하기 때문이다. This study aims to examine the influence of Western cultural and artistic exchanges on each country in the three East Asian countries, in the pre- and post-modern times as there are differences in opinions from country to country. This is intended to be effective in promoting a new understanding of cultural exchanges, even though they are adjacent to the same cultural area, since there are differences in perspective and perspective in the long history. In particular, in modern times, the development of the perspective of 'New Regionalism', a movement that seeks to cooperatively solve regional problems at a higher level than the nation-state, promotes regional diversification through local society and culture. In the meantime, I believe that a legitimate evaluation of contemporary culture and arts should be mutually made from multiple perspectives, free from political, military, environmental, and cultural interference. This study examines not only the history of East Asian modern Western culture and art exchange, but also the background and cultural background of the modern East Asian history. I think it is necessary to examine the customs, etc., and to examine the influence of modern Western culture and arts on the formative and perspective of Asian art in each country from a multifaceted perspective, and another cultural perspective. In particular, not only the differences in the time and method of acceptance of Western literature, but also the historical background of China, Japan, and Korea have a large difference, and the insights on cultural values are also different. In particular, there is a time difference in the inflow and acceptance process of Western painting, but the national policy and geography are considered to be large. Although rejection occurred in the process of developmental application and acceptance, the indigenous nature of culture and art matured and Western painting appeared creatively. This phenomenon can be said to be the involvement of ideological and spiritual implications determined by various factors, including boundaries, content, and objects, for art from a periodic and temporal perspective. Gregor Paulsson(1889-1977) This means that the meaning of the social dimension should not be overlooked. This is because multiculturism is needed to view the history of culture and art from a globalist perspective, freeing from the imperialistic narrow perspective of a country.

색 연상 특성에 관한 연구

주미경(Joo, Mi Kyoung) 한국색채학회 2007 한국색채학회 논문집 Vol.21 No.2

지폐디자인 속에 담겨진 조선시대 유가미학 연구

주미경(Joo, Mikyoung) 한국디자인지식학회 2014 디자인지식저널 Vol.31 No.-

화폐디자인은 역사와 문화를 토대로 한 나라의 풍토를 함축적으로 보여져왔기에 무언의 외교관, 나라의 얼굴이라고 말하는 것처럼 시대를 반영하고 있다. 이처럼 한 나라의 화폐 디자인을 보면 개인적인 삶의 여러 상황이 주어지지만 인간에게 가장 오랫동안 잔존의 가치인 문화는 풍토와 역사 속에서 육성되어진 것이 화폐디자인 속에도 표현되어 지고 있다. 현 시대는 개인적이고 사이버적인 사고와 생활의 패턴이 주가 되어 자연과 사람, 사람과 사람이 소통에 대한 의미를 화폐를 사용하는 우리 사회의 아름다움인 인격과 품격을 유가미학에서 찾아보고자 한다. 우리나라의 지폐디자인에 적용된 조선시대 문인화는 민족적 문화적 배경의 무위자연적인 것을 대상으로 한 컨텐츠디자인이기에 독자적이고 고유한 가치를 지닐 수밖에 없다. 본 연구는 인간과 화폐의 역사적 배경과 현재 우리나라에서 통용되고 있는 지폐디자인을 통한 조선시대 회화에서 보여 지는 유가미학적인 측면에서 연구하였다. Ordinary money that is exchange means of economic activities is said to show levels of history of the country and/or region, scientific development, political concept and culture and art. Flow of design together with culture, art and fine arts exist with citizens to express another aesthetics of the lives. Citizen who is a member of the society understand cultural values and formative factors at conscious and/or unconscious cognition process function in image, in convergence and comprehensively. Private life can be under various kinds of situations, and the culture that is a surviving value of men for the longest time has been developed in climate and history. Painting in literary artist’s style in the Joseon Dynasty of bill design in Korea that has contents design of leaving nature as it is with Korean people’s cultural background has unique and inherent values. This study investigated not only historical background of men and bills but also thought of literary artists and noblemen that made appearance at bill design in Korea according to Confucian aesthetics.

20세기 한국의 민중 미술 연구

주미경 ( Mi Kyoung Joo ) 한국전시산업융합연구원 2016 한국과학예술융합학회 Vol.23 No.-

In 1980`s, Korean painters began to represent these terrible scenes in their arts. The movement is called ``Minjung Art``. This research explores the characteristics and meanings of the Minjung Art, primarily considering the relationship between art and Korean political situation in the 80`s. Minjung Artists thought that Korea has become a new colony of American economy, culture, art and politics. That is why Minjung Art was strongly motivated by the anti-colonial, and anti-American ideas. Minjung Art is a Socialist Art based on the Marx-Lenin theories. An influential literary and art critic of the twentieth century was a Post-Marxist who pointed out the capability of Realist Art to confront an objective reality that exists in the world. Art was a work. Bataille believed that the making of tools and weapons was the departure point for that early faculty of ration, which humanized the animals we once had been. It is obviously work that made him a human being, the reasonable animal we are. Bataille thought that if it is true that work is our origin, if it is true that work is the key to humanity, human beings would eventually distance themselves completely from animalist through work. Minjung Art did not aim at the revolution of social reality but to be an ideological art seeking for the reforms of the society that grants freedom for the people. The import of “culture” for understanding human activity and the history of its many uses provide the initial basis of Cultural Studies, an interdisciplinary field formed over forty years ago, primarily in the US and UK. Since then, interest in the field has grown exponentially. Incorporating a diverse range of new theoretical inputs, methodological innovations and objects of inquiry, Cultural issues takes up a number of issues related to contemporary culture while being aware of their specific historical formations.

간호사의 노동조합에 대한 태도와 간호전문직관, 헌신몰입에 관한 연구

주미경(Mee Kyoung Joo),박성희(Sung Hee Park) 한국간호행정학회 1997 간호행정학회지 Vol.3 No.2

성인 초급 학습자를 대상으로 한 듀오 피아노의 협동학습 적용 연구

주미경 ( Joo Mikyung ) 한국피아노학회 2017 피아노음악연구 Vol.11 No.-

본 연구자는 피아노 학습에 있어서 새로운 교육시스템에 대한 필요성을 느끼게 되어 성인초급 학습자를 대상으로 협동학습 이론을 적용한 듀오 피아노의 수업을 연구의 주제로 삼게 되었다. 새로운 방식의 수업을 통하여 성인 학습자들이 흥미롭고 체계적인 학습을 경험하게 하고 수업의 음악적, 교육적 효과를 모색해보고자 하는 것이 본 연구의 목적이다. 연구의 실행을 위해 협동학습에서 사용되는 5개의 모형(STAD, TAI, JIGSAW II, TGT, GI)을 선정하여 듀오 피아노학습에 적용하였다. 결과 도출에 있어서 학습자들을 대상으로 면담, 연구자의 평가표, 자기평가, 설문조사를 사용하였다. 학습자들로부터 거둔 교육적 효과로는 팀별 연습, 연주를 통한 협동심과 책임감, 파트별연습을 통한 자율적 학습방법, 파트너와의 연습을 통한 음악적 공감능력, 다른 팀과의 연주비교를 통한 음악적 감상능력, 비평능력 등이라 하겠다. 이로써 21세기 협동학습 이론을 적용한 듀오 피아노 연구는 학습자들이 개인적, 경쟁적 학업방식을 벗어나 상호 협력하여 학업을 성취하고 다른 학습자와의 관계를 통해 인격적, 사회적 구성원으로써의 역할을 하도록 도와주고 교사에게는 새로운 학습전략을 제시함으로써 피아노 프로그램을 활성화하고 발전시키는 것에 이바지할 것으로 기대한다. The aim of this study is to help adult students have an interesting and systematic learning experience through the new method of teaching, and to have these lessons generate positive effects upon them. There are 5 models(Stad, Tai, Tgt, Jigsaw II, Gi) for this study, which are instruments for cooperative learning, and applied them to duo piano lesson. Also, data from learners' interviews, self-reports, researchers' assessments, and surveys were used as the basis for analysis. The fruits of this exercise include cooperation and sense of responsibility generated by team practice, capacity for autonomous practice, musical empathy through playing with a partner, ability to compare one's music with others', and critical thinking. The duo piano study, which makes use of 21st century collaborative learning theory, helps learners rise above a self- and competition-oriented manner of studying and make academic accomplishments through mutual relationships with others. It helps learners find their potential and fulfill their roles in society and as human beings through interacting with other learners, and last but not least, it provides teachers with new strategies for teaching. It is expected this study to contribute to the advancement and prosperity of piano programs in the future.