영화 ‘킬빌(Kill Bill 1/2)’의 이접(異接)적인 시/공간 구성 연구

조한(Joh, Hahn) 한국실내디자인학회 2012 한국실내디자인학회논문집 Vol.21 No.4

The goal of this research is to study the spatial and temporal disjunctive composition of the movie "Kill Bill part 1/2" and to lay a foundation for the future exploration of the topological relationship between contemporary architecture and cinema based upon the spatial and temporal multiplicity. Since the birth of cinema in early 20 century, architecture and cinema have a dynamic interdisciplinary relationship as Soviet director and theorist Sergei Eisenstein has called the Acropolis of Athens as "one of the most ancient films" based upon its cinematic spatial sequence, and contemporary architect and theorist Bernard Tschumi has adopted cinematic montage technique to create his own disjunctive event-structure. As french philosopher Gilles Deleuze has traced the cinematic version of his "disjunctive synthesis" from Eisentein"s "dialectic montage", Deleuzian "disjunctive synthesis" can be discovered not only from the work and theory of Bernard Tschumi and Rem Koolhaas, but also from the "Kill Bill"s disjunctive composition where the heterogeneous spatial images and temporal images are under continuous interaction to create rhizomatic relationship between the cinema and viewers.

원불교 교리의 현대적 건축 구현 방법 연구

조한(Joh, Hahn),김원석(Kim, Won-Suk) 한국실내디자인학회 2008 한국실내디자인학회논문집 Vol.17 No.5

들뢰즈의 ‘감각-운동 도식’에 의한 건축적 감화 연구

조한(Joh, Hahn),신재(Shin, Jae) 대한건축학회 2015 대한건축학회논문집 Vol.31 No.1

In the ‘Cinema 1: The Movement-Image’ and the ‘Cinema 2: The Time-Image’, Gilles Deleuze maintains special affections occur with the extreme Close-up and disconnected Any-Space-Whatever, which breaks the usual Sensory-Motor Schema/Links of a film. According to Deleuze, the transformation from classic to modern cinema is the transition from closed to open structure due to the breakage of the Sensory-Motor links, which is very similar to new architectural trend after the Modernism. As the classic cinematic world, governed by the Sensory-Motor Schema(SMS), is based upon the linear temporality and causal relationship of the deterministic world, the Modern Architecture obsessed with the conceptual transparency has the architectural SMS of hierarchial organization and perspectival spatiality. Like the cinematic breakage of SMS excited special sensation and affection, the dismantling of perspectival space allows to appreciate 1) the sensuous haptic space, the distructure of conceptually transparent space gives birth to 2) the poetic opaque space of embodied affection, and as pure power and quality 3) the space without function makes oneself feel the ultimate affection of sense of oneself.

몸의 공간, 눈의 공간

조한(Hahn Joh) 현대미술사학회 2015 현대미술사연구 Vol.0 No.38

Kim Swoo Geun’s SPACE Group building has been revered as one of the masterpieces of Korean modern architecture, and Jung Inha’s The Architectural Theory of Kim Swoo-Geun(1996) played a crucial role to crown the building as the quintessence of Korean-ness, with its claim of the plan similarity with traditional Korean spaces, and the dramatic sequential spatial experience. However, Pai Hyungmin claimed in Sensuous Plan: The Architecture of Seung, H-Sang(2007) that it is a matter of our belief of what is Korean, and suggested to see the wall of the building as a sensuous plane to invite multifarious imagination and association. With Pai claim, I would like to re-read the building as the relationship between embodied Body-Space and ocular Eye-Space. As Modern Architecture with the visually and conceptually transparent Eye-Space failed miserably in every aspect, the post-modernism and de-constructivism questioned the validity of the Eye-Space and de-constructed it to make a way for embodied Body-Space. It is possible that the SPACE Group building represents the Korean version of this western Body-Space. However, without any similar Eye-Space being found in traditional Korean architecture, we need to further study the Eye and Body in Korean culture, to develop our own architectural discourse.

들뢰즈 철학과 SANAA 건축의 비표상적인 생태적 사유 연구

조한(Joh Hahn),김덕재(Kim Deok-Jae) 대한건축학회 2010 대한건축학회논문집 Vol.26 No.6

This study is to lay foundation for the ecosophical architectural discourse based upon the non-representational ecological 'image of thought' of Gilles Deleuze's philosophy. Deleuze's non-representational ecological 'image of thought' is the becoming-thought image based upon the non-hierarchial becoming between philosophy/science/art/architecture/etc. This ecological 'image of thought' also demands non-hierarchial architectural becoming, which can be found in many modern architectural design process and buildings. In Kazuyo Sejima & Ryue Nishizawa(SANAA) architecture, non-hierarchial architectural becoming are rhizomatic becoming between 1) diagrammatic design process, 2) multiplicitic/virtual spatial organization, 3) becoming/differential/relational boundary/limit, 4) neutralized structure/architecture. In SANAA's architecture, there are no pre-existing hierarchy set either by architect, society, culture, or nature, as users can set themselves their own epistemological/psychological boundaries, spatial organization, rhizomatic relationship in every becoming fashion. SANAA's architecture is the becoming-thought itself of architecture.

국내외 친환경건축물 인증제도 실내 환경 관련 부문 비교분석 및 개선안 연구

조한(Joh, Hahn) 한국실내디자인학회 2006 한국실내디자인학회논문집 Vol.15 No.4

여성주의 사이버공간

조지혜(Jihye Joh) 도서출판여이연 2004 여성이론 Vol.- No.10

생태적 세제개혁에 대한 생태경제학적 접근

조승헌(Seung-Hun Joh) 한국환경사회학회 2003 환경사회학연구 ECO Vol.5 No.-

The primary aim of this paper is to point out that there exists fundamental limitation for neoclassical economics approach to dealing With deteriorating contemporary environmental quality and to address the importance of ecological tax reform to resolve the problem.<br/> Environmental economics, which is an outgrowth of neoclassical economics, has merits of flexibility and efficiency in approaching environmental issues. The recently emerged ecological economics is very distinctive: what is implied in the term "ecological" is that human society and nature are seen as mutually dependent, while "economics" regards nature as a means to economic growth. Since human society is a part of the earth, changes in economy and human activity are eventually constrained by the principles of ecosystem. To date, most environmental problems have been of short-term and local consequences. This is attested to by the fact that the solutions to these problems have included an increase in pollution abatement cost, political negotiation, spilling prevention, etc. The contemporary environmental problem, however, has chronic, global, and complex characteristics such that it becomes a significant constraint to social development. In this vein, the ecological tax reform could work in solving the problem.<br/> The fundamental justification for introducing ecological tax reform in Korea stems from the current warning situation that Korea has pursued economic-growth-oriented strategy with no regard for the environment.<br/> Of particular importance in the case of implementing ecological tax reform include taking prudent and elaborate design, carrying out the reform in a gradual manner, pre-notifying the society to give enough time to adapt to the new taxation, and implementing a consistent policy.

변전설비 실증시험장 구축 및 시험 기술 개발

조진성(Joh Jinsung),한기선(Han Kison),박민혜(Park Minhae) 대한전기학회 2019 대한전기학회 학술대회 논문집 Vol.2019 No.7

세그웨이형 2륜 이동로봇의 하드웨어 설계방법

조정우(Jung-Woo Joh),박귀태(Gwi-Tae Park) 大韓電子工學會 2009 電子工學會論文誌-SC (System and control) Vol.46 No.5

본 논문에서는 세그웨이형 2륜 이동로봇을 어떻게 설계할 것인가에 대해 논한다. 실험목적에 적합한 성능의 2륜 이동로봇을 설계하기 위해 모터 선정, 배터리 선정, MCU 선정, 모터 배치, 외형 설계의 5가지 기준을 제시한다. 제시한 기준을 고려하여 2륜 이동로봇을 설계하면 정밀하고 정확한 테스트베드로써 실험 시 의미있는 결과를 얻는데 최고의 환경을 제공할 것이다. In this paper, hardware design methods for segway type 2-wheeled mobile robots are presented. Basically five guide lines are offered to build robots properly for the purpose of experiments; motor selection, battery selection, MCU selection, motor placement, and construction of body. The robots built with these five guide lines will give the best test environment to gain meaningful results in experiments as a precise and exact test-bed.