유기성폐기물 장기연용에 따른 토양의 아연 유효도 평가

장연아(Yeon-Ah Jang),권순익(Soon-Ik Kwon),정구복(Goo-Bok Jung),김민경(Min-Kyeong Kim),황해(Hae Hwang),김원일(Won-Il Kim),김권래(Kwon-Rae Kim),김계훈(Kye-Hoon Kim) 한국토양비료학회 2011 한국토양비료학회 학술발표회 초록집 Vol.2011 No.10

유기성폐자원 장기연용에 따른 토양의 구리 유효도 평가

장연아 ( Yeon Ah Jang ),권순익 ( Soon Ik Kwon ),정구복 ( Goo Bok Jung ),김민경 ( Min Kyeong Kim ),황해 ( Hae Hwang ),김원일 ( Won Il Kim ),김권래 ( Kwon Rae Kim ),김계훈 ( Kye Hoon Kim ) 한국토양비료학회 2011 한국토양비료학회 학술발표회 Vol.2011 No.1

참여만족, 도시이미지, 재방문 의지간의 관계

장연함(Jang Yeon-ham),박수정(Park Soo-jung),남은영(Nam Eun-young) 한국문화산업학회 2011 문화산업연구 Vol.11 No.1

The purpose of this study was to research the relationship among satisfaction, city image and revisiting of Expo 2010 Shanghai participants. To solve this purpose, 284 persons were selected from Shanghai city, other places of China and overseas who joined the Expo 2010 Shanghai participated the questionnaire. The data was analyzed by the reliability method, factor analysis, T-test, one-way ANOVA and post hoc, multiple regression analysis of SPSS 12.0 Version. The results were as follows, according to the demographic variables, the difference of satisfaction factors of the Expo 2010 Shanghai was that adults more than 30 years old were higher than young people less than 30 years old and Shanghai people were higher than people from other places of China in the factor of culture; Shanghai people were higher than foreigners in the factor of accessibility; Shanghai people were higher than people from other places of China in the factor of service; and people from other places of China were higher than Shanghai people in the factor of management, however, the variables of gender didn’t have any relation with the satisfaction factors. According to the demographic variables, Shanghai people had higher feelings of city image than people from other places of China, and people from other places of China had more expectation than foreigners on revisiting Shanghai, however, the variables of gender and age didn’t have any relation with the city image and revisiting expectation. Service factor, culture factor and accessibility factor of the satisfaction factors of the Expo 2010 Shanghai affected the feeling of city image positively. Culture factor and accessibility factor of the satisfaction factors of the Expo 2010 Shanghai affected the revisiting expectation positively. The feeling of city image affected the revisiting expectation positively. With this results, it can be concluded that there might be positive interaction among the satisfaction factors of the Expo 2010 Shanghai, the feeling of city image and the revisiting expectation. Therefore the Expo 2010 Shanghai do make the effects on the city image as a mega-event. The purpose of this study was to research the relationship among satisfaction, city image and revisiting of Expo 2010 Shanghai participants. To solve this purpose, 284 persons were selected from Shanghai city, other places of China and overseas who joined the Expo 2010 Shanghai participated the questionnaire. The data was analyzed by the reliability method, factor analysis, T-test, one-way ANOVA and post hoc, multiple regression analysis of SPSS 12.0 Version. The results were as follows, according to the demographic variables, the difference of satisfaction factors of the Expo 2010 Shanghai was that adults more than 30 years old were higher than young people less than 30 years old and Shanghai people were higher than people from other places of China in the factor of culture; Shanghai people were higher than foreigners in the factor of accessibility; Shanghai people were higher than people from other places of China in the factor of service; and people from other places of China were higher than Shanghai people in the factor of management, however, the variables of gender didn’t have any relation with the satisfaction factors. According to the demographic variables, Shanghai people had higher feelings of city image than people from other places of China, and people from other places of China had more expectation than foreigners on revisiting Shanghai, however, the variables of gender and age didn’t have any relation with the city image and revisiting expectation. Service factor, culture factor and accessibility factor of the satisfaction factors of the Expo 2010 Shanghai affected the feeling of city image positively. Culture factor and accessibility factor of the satisfaction factors of the Expo 2010 Shanghai affected the revisiting expectation positively. The feeling of city image affected the revisiting expectation positively. With this results, it can be concluded that there might be positive interaction among the satisfaction factors of the Expo 2010 Shanghai, the feeling of city image and the revisiting expectation. Therefore the Expo 2010 Shanghai do make the effects on the city image as a mega-event.

실루엣 애니메이션의 이미지에 나타난 내면의식; 미셀 오슬로의 "프린세스 앤 프린스"를 중심으로

장연이 ( Yeon Yi Jang ) 가톨릭대학교 콘텐츠산업과 문화정책연구소 2008 디지털콘텐츠와 문화정책 Vol.- No.3

소셜미디어에서의 사진저작물 스크랩에 관한 법률문제

장연이(Yeon-Yi Jang),김희권(Hee-Kweon Kim) 한국콘텐츠학회 2011 한국콘텐츠학회논문지 Vol.11 No.10

소셜미디어를 통해 개인의 일상을 공유하는 활동이 보편화되었다. 이 경우에는 텍스트뿐 아니라 사진도 많이 활용을 하게 되는데, 사진을 찍어 올리기가 손쉬운 만큼 타인의 사진을 스크랩하는 일도 매우 용이해졌다. 그러나 그 사진이 저작권법상 보호받는 사진저작물에 해당한다면 스크랩에 신중을 기할 필요가 있다. 타인의 사진저작물을 무단이용한 경우 저작권 침해가 성립하며, 이것을 내 블로그 등 소셜미디어에 게시한 경우에는 복제권·전송권·전시권을 침해하게 된다. 스크랩이 허용된 경우라 하더라도 그 사진저작물을 영리목적으로 사용하려면 별도의 허락을 얻어야 한다. 저작권 침해 논란에서 벗어나기 위해 타인의 사진저작물을 변형해서 사용하는 경우가 있는데, 이때에는 변형의 정도에 따라 복제권·동일성유지권·2차적 저작물작성권 침해가 이루어진다. 화면캡처의 기술이 발달하여 몇 번의 클릭만으로 타인의 사진저작물을 다운로드받을 수 있지만, 기술적으로 가능한 행위가 모두 합법적이지는 않다는 사실을 항상 인식하여야 한다. The activity to share personal daily life through social media is becoming more common. In this case, photographs as well as text are used a lot; it has been as easy as winking to clip others’ photographs just as it’s very easy to take and post pictures. If the picture is the photographic work protected by the copyright law, however, the clipping should be paid close attention. If you use others’ photographic works without authorization, you infringe their copyright; if you post them on your social media such as blog, you infringe the right of reproduction, interactive transmission and exhibition. Even though the clipping is permitted, if you’d like to use the photographic works for a profit-making purpose, you should get additional authorization. Others’ photographic works are occasionally altered and used for the purpose of avoiding the argument in relation to the infringement of copyright; this act means that it’s the infringement of the right of reproduction, the right to preserve the integrity and the right of the production of derivative works for degrees of alteration. We can download others’ photographic works with a few mouse clicks thanks to the technology of capturing the screen; we have to recognize that all the acts technically possible are not always legal.

피부색 측정을 통한 메이크업 디자인 이미지 분석

장연아(Yeon Ah Jang),김한나(Hanna Kim) 한국생활과학회 2017 한국생활과학회 학술대회 Vol.2017 No.12

중국 소비자의 한국 원정 웨딩촬영 및 스타일링 선호도 분석

장연아(Yeon Ah Jang),김한나(Hanna Kim) 한국생활과학회 2016 한국생활과학회 학술대회 Vol.2016 No.11

여성 상반신 체형에 따른 웨딩드레스 네크라인 디자인 연구

장연아(Yeon Ah Jang),김한나(Hanna Kim) 한국생활과학회 2017 한국생활과학회 학술대회 Vol.2017 No.06

〈똘이 장군〉에 반영된 반공적 이데올로기 이미지 표현에 관한 연구

장연이(Jang Yeon-Yi) 한국만화애니메이션학회 2009 만화애니메이션연구 Vol.- No.15

이념 정책의 한 방편으로 나타났던 문화 정책은 영화와 애니메이션에 많은 변화를 주었다. 1970년대 전후반, 반공 이데올로기 작품들의 등장은 한 때 만화영화로 불리며 아이들의 전유물로 인식되었던 한국 애니메이션에도 나타나기 시작했다. 이데올로기라는 주제를 내세운 애니메이션의 등장은 비단 우리나라만의 특이성은 아니었지만 한국전과 전쟁 이후 분단이라는 특수성은 사회, 교육과 문화 전반에 영향을 미쳤다. 또한, 1960년대와 1970년대에 걸친 영화법의 개정은 영화 및 애니메이션에 큰 영향을 주었고 반공에 대한 의식을 다지는 수단이 되었다. 특히, 1978년 상영된 김청기 감독의 작품〈똘이 장군 - 제 3땅굴편〉은 반공을 주제로 한 첫 극장용 장편애니메이션이라는 의미를 지닌다. 본 논문에서는 반공 애니메이션에 표현된 반공 이데올로기와〈똘이 장군〉에 반영된 이데올로기 이미지 표현에 대해 알아보고자 한다. 우선, 1960년-1970년 대 영화관련 문화정책과 사회 문화적 배경이 반공 애니메이션의 등장에 끼친 영향에 대해 알아본다. 이러한 배경 하에 제작된〈똘이 장군〉에 나타난 반공 이데올로기의 전달을 위해 표현된 애니메이션 이미지가 갖는 특성의 연구를 통해 반공 애니메이션을 이해하는 데 도움이 되고자 한다. Cultural policy, a part of ideological policy has affected remarkable changes in movie and animation. Korean animation was called cartoon movie and popular only among children, but works dealing with anti-communism ideology have been introduced in Korea since before/after 1970s. Animation focusing on ideology is not unique in Korea, but division of two Koreas after Korean War made great influence on social, cultural and educational aspects of the nation. Moreover, modification in movie-related laws and regulations made in 1960s - 1970s affected movie and animation significantly and is a means of strengthening anti-communism. In particular, Director Cheong-gi Kim’s〈Ttori Janggun ? The Third Tunnel〉released in 1978 is meaningful in that it is the first long piece of animation movie. In this study, I clarify anticommunistic ideology reflected on the anticommunistic animations and the imageable expression of ideology reflected on〈Ttori Janggun〉. Most of all, I emphasize on clarifying how the cultural policies and social & cultural background influence on the advent of anticommunistic animation in 1960~1970. Also, to communicate anticommunistic ideology reflected on〈Tori Janggun〉produced under the social & cultural background, I clarify the expressive characteristic which the image of animation has.

뮤직비디오 “유혹의 소나타” 사건을 통해 본 애니메이션 표절 사례 분석

장연이(Yeon-Yi Jang),김희권(Hee-Kweon Kim) 한국콘텐츠학회 2011 한국콘텐츠학회논문지 Vol.11 No.6

영상저작물이 우리에게 익숙해진 만큼 영상저작물의 침해도 증가하고 있다. 영상저작물은 인터넷을 통해 늘 가까이에서 접할 수 있기 때문에 이러한 현상은 영상물의 장르나 국경을 손쉽게 넘나들며 발생한다. 우리나라의 뮤직비디오 “유혹의 소나타”가 일본 애니메이션 “파이널 판타지7”의 저작권을 침해한 사건이 대표적인 경우이다. 두 작품을 비교?분석해 보면 상당 부분에서 유사점이 발견되고, 심지어 뮤직비디오 “유혹의 소나타”에서 가수가 노래하는 부분을 제외하고는 새로운 장면이 없다고 표현할 수 있을 정도이다. 이런 상황은 개인에게도 불명예일 뿐만 아니라 국가적으로도 큰 손실일 수밖에 없으므로, 무의식적으로라도 타인의 저작권을 침해하지 않도록 철저한 대비를 하여야 한다. As the cinematographic works are familiar to us, the infringement of the cinematographic works is also increasing. Because we are always able to be closely accessible to the cinematographic works through the Internet, this phenomenon easily occurs across the genre of the cinematographic works or the borders. The case is typical that the Music Video “Sonata of Temptation” infringes the copyrights of the Japanese Animation “Final Fantasy 7”. When the two works are compared and analyzed, a considerable portion of similarity is found; we can even express that no new scene is exist except it that the singer sings in the Music Video “Sonata of Temptation”. Because this situation is not only a dishonor to the indivisual but also a great loss to the nation, we should thoroughly prepare not to infringe others' copyright even unconsciously.