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이명학 한국음악학회 1984 한국음악학회논문집 음악연구 Vol.3 No.1
In spite of the importance of the three pedals in piano playing, there are only few studies done on this subject. The reasons can be summed up as the followings: 1) the absence of the clear descriptions on the pedal techniques. 2) a lack of interest in the pedal techniques among the piano population. 3) the difficulties in explaining the pedal techniques. But the significant improvements made on the instrument itself since its invention, combined with the considerable expansion of the concepts of melody, harmony, rhythm, texture, etc. in piano literature, demand a greater variety of sounds from the modern piano. The author believes that the three pedals have very important roles in this world of modern piano playing. In this study, the basic concept of pedaling, various terminologies which relate to the pedals, various pedal techniques and how these pedal techniques are applied in performance in order to express individuality are explained. Also, several helpful comments on the subject of the pedaling given by recognized pianists and piano teachers are included at the end of this study.