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      • KCI등재후보

        『상한론(傷寒論)』변병진단체계(辨病診斷體系)에 근거하여 소시호탕(小柴胡湯) 투여 후 호전된 부종 증례 1례

        박서연,이성준,Park, Seo-Yeon,Lee, Sung-Jun 대한상한금궤의학회 2017 대한상한금궤의학회지 Vol.9 No.1

        Objective : The purpose of this paper is to report the improvement of patient with pitting edema treated by herb medication based on Shanghanlun disease pattern identification diagnostic system. Methods : According to 'Disease Pattern Identification Diagnostic System based on Shanghanlun Provisions', the patient was diagnosed with Taeyang-byung, number 96 provision, and took Soshiho-tang herb medication 30days. The changing symptom of pitting edema is reported depended on the edema scale and the statement of patient during treatment. Results : The pitting edema of patient disappeared by 96 provision of Soshiho-tang seclected according to Shanghanlun provisions. Conclusions : This case report suggests that two words on the 96 provision of Shanghanlun, '或 心下悸, 小便不利'(palpitations below the heart, inhibited urination) indcate close relationship between palpitation and decrease of genital secretions, which affected the edema in this case.

      • KCI등재후보

        비대면 디자인 교육 평가 체계 구축에 관한 기초 연구

        박서연,반영환,Park, Seo-Yeon,Pan, Young-Hwan 한국금형공학회 2022 한국금형공학회지 Vol.16 No.2

        The purpose of this study is to develop an evaluation method for online design education. Online education has established itself as the primary form in the educational field, however, there are unsatisfactory response from instructors and students due to rapid conversion of online education. Due to the transition of educational method, online class contents have become optimized and online educational experiences became accumulated. However, clear education criteria is essential. This study states importance of two parts: establishing an evaluation system based on design thinking for online design education and finding appropriate online platforms for interaction between instructors and students. The research results provide implications for ensuring the efficiency of design education and are expected to contribute significantly to the future education field.

      • KCI등재

        왕벚나무 꽃 생물전환추출물이 섬유아세포의 콜라겐 합성 및 발현에 미치는 효과

        박서연 ( Seo Yeon Park ),이승지 ( Seung Ji Lee ) 대한미용학회(구 대한미용과학회) 2020 대한미용학회지 Vol.16 No.4

        Biorenovation modifies the structure of organic compounds, and thereby improving their biological properties. The current study aimed to examine the effects of Prunus yedoensis flowers (PYF) extract and the P. yedoensis flowers biorenovate (PYFB) extract on collagen synthesis and expression. Cytotoxicity on human dermal fibloblasts (HDF) was determined by cell viability assay kit (WST-8) assay. COL1A1, COL3A1, COL4A1 and elastin mRNA expression were confirmed by quantitative real time PCR. In addition, COL1A1, COL3A1 and elastin protein expression were confirmed by western blot. In vitro assays using the human dermal fibroblasts cells indicated that both PYF and PYFB extracts induced collagen synthesis. Quantitative real time PCR analysis showed that the treatment of these cells with the two extracts up-regulated the expression of COL1A1, COL3A1, COL4A1 and elastin factor genes, which are known to play a role in collagen synthesis. Notably, the effects of the PYFB extract were superior to that of the PYF extract. Therefore, our study suggests that PYFB extract could be developed as cosmetic ingredients with anti-aging effects that are better than PYF.

      • KCI등재

        국내 재배 비트의 품종별 영양성분 비교

        박서연(Seo-Yeon Park),이종헌(Jong-Hun Lee),김보민(Bo-Min Kim),백수정(Su-Jeong Baik),이상훈(Sang-Hoon Lee),남진식(Jin-Sik Nam) 한국식품영양과학회 2020 한국식품영양과학회지 Vol.49 No.9

        본 연구에서는 국내산 레드비트, 골든비트 및 키오자비트의 영양성분을 분석하여 종류에 따른 차이를 비교하고 평가하였다. 색도 중 L값과 b값은 골든비트가 가장 높았고 a값은 키오자비트가 가장 높았다. pH는 5.78로 골든비트와 키오자비트가 동일하게 가장 높았으며, 가용성 고형분은 10.70 °Bx로 키오자비트가 가장 높았다. 수분, 조회분 및 조지방의 함량은 골든비트가 가장 높았으며 조단백질은 레드비트가 가장 높았다. 탄수화물과 식이섬유는 각각 10.05, 2.98%의 함량으로 키오자비트가 가장 높았다. 주요 무기질인 칼륨과 나트륨은 레드비트가 각각 5,533.98, 789.44 mg/kg으로 유의적으로 높은 함량을 나타내었고(P<0.05), 마그네슘은 452.05 mg/kg으로 골든비트가 가장 높은 함량이었다. 베타카로틴 함량은 골든비트가 1.56 μg/100 g으로 가장 높았으며, 비타민 B1은 키오자비트가 22.83 μg/100 g으로 가장 낮은 함량을 나타낸 레드비트보다 5.5배 이상 차이가 났다. 비트의 주요 지방산은 리놀레산, 팔미트산, 올레산이었으며 키오자비트의 지방산 함량이 가장 높았다. 유리당 분석 결과 자당의 함량은 4.66~5.80 g/100 g으로 키오자비트의 함량이 가장 높았다. 이러한 결과로 비트는 다양한 영양성분을 함유하였으며, 영양학적 가치를 지닌 식품의 원료로 사용될 것으로 기대된다. This study was undertaken to evaluate the nutritional constituents of red beet, golden beet, and chioggia beet cultivated in Korea. Considering color, the golden beet exhibited the highest L and b values, whereas the a value of chioggia beet was significantly higher than other varieties. The average pH was 5.78, which was highest in golden beet and chioggia beet, and the highest soluble solid content was obtained in chioggia beet at 10.70°Bx. Moisture, crude ash and crude fat contents were highest in golden beet, and crude protein was highest in red beet. Chioggia beet showed the highest carbohydrate and dietary fiber contents (10.05 and 2.98%, respectively). Evaluating the major minerals present in beets, the highest levels of K and Na were obtained in red beet (5,533.98 and 789.44 mg/kg). Golden beet contained higher amount of Mg (452.05 mg/kg) than other beets. The content of β-carotene in golden beet was the highest, whereas the B1 content in chioggia beet was 22.84 μg/100 g, which was more than 5.5 times higher than red beet. The major fatty acids of beet were linoleic acid, palmitic acid and oleic acid, and the fatty acid content of chioggia beet was highest. The highest content of free sugar was obtained in chioggia beet, and beet sugars were primarily composed of sucrose (ranging from 4.66 to 5.80 g/100 g). Taken together, our results indicate that beets contain numerous nutrients and have the potential to be used as raw materials for producing foods with nutritional value.

      • KCI등재

        의상계 화엄수행론의 심리치유 가능성 고찰

        박서연(Park, Seo-Yeon) 동국대학교 불교문화연구원 2016 佛敎學報 Vol.0 No.75

        본 논문은 의상과 지통의 화엄수행론에 나타난 심리치유 가능성에 대해 고찰한 것이다. 의상은 수십전법을 통해 연기실상의 세계에서 연으로 이루어진 모든 현상들은 단절된 것이 아니라 상호 유기적인 관계 속에서 서로 융섭하고 있음을 나타내 보임으로써 실체성을 전제하는 우리의 사고를 전환하게 한다. 이는 심리치유를 위한 가장 기본적인 인식의 변화라고 할 수 있다. 의상의 제자인 지통은 화엄관 수행을 통해 ‘삼세가 한순간[三世一際]’이라는 것을 깨달았고, 의상은 그러한 지통에게 법계도인을 수여하여 그의 깨달음을 인가하였다. 삼세일제는 의상이 『일승법계도』에서 강조한 ‘일무분별(一無分別)’을 수행을 통해 실제적으로 이해하는 것이었고, 그래서 의상은 삼세일제의 이치를 깨달은 지통에게 일도인(一道印)이 그려진 법계도인을 주었다고 생각된다. 화엄관 수행을 통해 ‘삼세가 한 순간’임을 통찰한 것은 과거 ․ 현재 ․ 미래의 삼세가 단절되거나 분리되어 있지 않고 한 순간으로서 연결되어 있음을 체득한 것으로서, 이는 분리감에서 오는 정신적 괴로움을 치유할 수 있는 가능성을 보여준다. 현대에 이르러 서구의 의학계나 심리학계에서 불교의 수행법을 심리치료에 적용하고 있다. 의상이 동전의 비유를 통해 제시한 무자성의 자각 및 무아의 통찰에 의한 집착의 소멸과, 지통이 화엄관을 실수(實修)하여 ‘지금 이 순간 동시적 관계성’을 체득한 것은 한국불교에서 의상계 화엄수행론이 갖는 심리치유적 요소라고 생각된다. The purpose of this paper is to investigate on the aspect of practice. I would like to show the possibility of healing of the mind in the practice of hwaom by Uisang and his disciples. They emphasized the understanding of “the three phase of Past, Present and Future is the same time” by the practice of Vipassana of hwaom. This notes the “Now and Here.” Through this study, I found that the Past, Present and Future are not separative. Consciousness of “the three phase of Past, Present and Future is the same time” leads us to get out of troubles of life. This is the fundamental change for the healing of the mind. Furthermore, “the three phase of Past, Present and Future is the same time” makes us to be wide awake. I would like to say that we could regain our health of mind by the experience that present connects with past and future. Uisang said that everything is connected together and non-isolated. He stressed that it is necessary to know the consciousness of concurrent-relationship between all beings(or phenomena). As a result, we could reach the state of no bondage and obsession. I think most of the diseases attributed to discern endlessly in modern society. We could heal it through meditating the practical thought of hwaom by Uisang and his disciples.

      • KCI등재

        메소드 영화연기의 역사와 방법론 연구

        박서연(Park, Seo-Yeon),송낙원(Song, Nak-Won) 한국영상제작기술학회 2021 영상기술연구 Vol.- No.37

        Modern film acting started in the 1960s. Classical hollywood acting before the 1960s and New American Cinema after the 1960s have shown significant qualitative differences, as the acting style of internal realism has been introduced. The new American Method Acting presented by Marlon Brando and James Dean in the late 1950s, Dennis Hopper, Warren Beatty, Dustin Hoffman, Robert De Niro and Al Pacino in the 1960s can be seen as the beginning of modern film acting. Their realism performance was a successful Americanization of the System of Acting, advocated by Stanislavsky of Russia. In the 1930s, the American Lavatory Theater was the first theater company to Americanize Russian-style system acting and an actor"s educational institution. The Method was conceptualized by Lee Strasberg, Stella Adler, and Sanford Meisner, who developed American Method Film Acting by strengthening the actor"s concentration and using emotional training and improvisation as the basis for film acting.

      • KCI등재후보

        『상한론(傷寒論)』 변병진단체계(辨病診斷體系)에 근거하여 백호탕(白虎湯) 투여 후 호전된 양성 돌발성 체위성 현훈 증례 1례

        박서연 ( Seo-yeon Park ) 대한상한금궤의학회 2020 대한상한금궤의학회지 Vol.12 No.1

        Objective: The purpose of this paper is to report the improvement in a patient with benign paroxysmal positional vertigo (BPPV) treated with herbal medication based on the Shanghanlun disease pattern identification diagnostic system. Methods: According to the ‘Disease Pattern Identification Diagnostic System based on Shanghanlun Provisions,’the patient was diagnosed with Guorem-byung number 350 provision, and took Baekho-tang herbal medication for 15 days. The result of administration was evaluated using the Dizziness Handicap Inventory (DHI) and the Visual Analog Scale (VAS). Results: After administration of Baekho-tang for 15 days, based on the 350 provision of Baekho-tang diagnosed according to the Shanghanlun provisions, the DHI score decreased from 74 to 16 and the VAS score decreased from 10 to 1. Conclusions: The patient recovered from symptoms of BPPV. This case report suggests that the words ‘滑,’‘厥,’‘裏’on the 350 provision of Shanghanlun mean physical and psychological causes of BPPV in this case.

      • KCI등재

        신림의 화엄사상에 관한 일고찰 - 『법계도기총수록』을 중심으로

        박서연 ( Park Seo-yeon ) 동아시아불교문화학회 2017 동아시아불교문화 Vol.0 No.29

        본고는 신림의 오중총별설(五重總別說)을 지엄의 십중총별설과 비교, 검토하고 해동화엄에 보이는 지엄 화엄사상의 영향에 대해 고찰한 것이다. 『법계도기총수록』에서 주기(註記)보다 한 칸 아래에 위치하는 인용문헌들은 주기의 내용에 대한 상세한 해석, 혹은 부연 설명의 성격을 띠고 있으며, 그 중에는 지금은 전하지 않는 의상계의 문헌들이 다수 있으므로 이를 통해 의상과 그 제자들 및 법손의 화엄사상은 물론, 지엄의 화엄사상까지도 살펴볼 수 있다. 특히 「고기(古記)」에는 현존하는 지엄의 저술에는 보이지 않는 십중총별설(十重總別說)이 수록되어 있다. 신림의 오중총별설은 「대기」 속에 간접적으로 기술되어 있다. 이에 의하면, 오중총별설은 `별을 떠난 총`, `별을 거느리면서 별을 떠난 총`, `총이 곧 별이고 별이 곧 총인 것`, `총이기도 하고 별이기도 한 것`, `총도 아니고 별도 아닌 것`의 다섯 범주로 분류되어 설명되고 있으며, 지엄의 오중해인에 배대되어 있다. 신림의 오중총별설은 지엄의 십중총별설 중 첫 번째에서 다섯 번째까지인 `총을 따르고 별을 어기는 것`, `총을 어기고 별을 수순하는 것`, `별과 같은 총이며 총과 같은 별`, `별이 알지 못하는 총이고 총이 알지 못하는 별`, `별을 떠난 총이고 총을 떠난 별`의 다섯을 참조하여 주창한 것이라 생각된다. 신림은 『일승법계도』의 제목을 해석하면서 `도(圖)`에 대해, 법계 법의 본위(本位)는 바로 우리 오척(五尺)의 몸이며 이러한 뜻을 드러내기 위해 전법계 한 몸의 형상을 그린다고 해설하였으며, 십중총별로써 법에 대해 평등하게 한 뒤에야 각각의 법들이 노사나불과 근본적으로 하나임을 볼 수 있다고 하였다. 이러한 신림의 관점은 범부 오척의 몸과 법계를 동일시한 의상의 견해와 그 맥을 같이한다고 하겠으며, 의상의 법손인 신림에 의해 지엄의 화엄 사상이 의상의 화엄사상과 결부되어 전승, 발전되어 간 양상을 찾을 수 있다고 하겠다. This paper aims to study the Hwaom thought of Sillim in the Beopgyedogichongsurok (法界圖記叢髓錄). The text, whose author is unknown, was written during the Goryeo Dynasty and includes the thought of Uisang and his disciples. The text consists of four volumes and at the core are three commentaries, the so-called “Daegi (大記)”, “Beopgi(法記)”, and “Jingi(眞記).” These commentaries are regarded as the lineage of Uisang who lead the thought of Hwaom in Korean Buddhist history. The text also includes scriptures in Chinese written by Zhiyan (智儼) including his theory of Hwaom which is not included in his collective works. The structure of Beopgyedogi-chongsurok is divided into two parts. The first part contains “Dagi”, “Beopgi”, and “Jingi”, which are the commentaries about Ilseongbeopgyedo (一乘法界圖) written by Uisang. The second part contains “Dosinzang” and “Gogi” which are considered to be part of the lineage of Uisang. There are some doctrines attributed to Zhiyan in the Gogi and “The Connection Between the Whole and Individual in Ten Ways (十重總別)” is considered to be one of them. This doctrine is not found in the existing writings of Zhiyan. There are a total of twelve articles on the thought of Sillim in the Beopgyedogichongsurok. Especially, Sillim advocated “The Connection Between the Whole and the Individual in Five Ways (五重總別)” which is composed of five parts that reference the Whole and the Individual. It represents the aspect of phenomena produced by causation. The five parts are as follows: First, the Whole (總) without the Individual (別). Second, the Whole without the Individual with no exclusion of the Individual. Third, the Whole approaching the Individual boundlessly and the Individual approaching Whole boundlessly. Fourth, the Whole and the Individual. Fifth, the Non-Whole and the Non-Individual. Also the connection between the Whole and the Individual by the Five ways is related to “The Haein in Five Ways (五重海印)” by Zhiyan. Sillim expounded the true meaning of Ilseong-beopgyedo and maintained that we could see each phenomenon as essentially one with Vairocana after equalizing one phenomenon with another by “The Connection Between the Whole and the Individual by Ten Ways” of Zhiyan. From this perspective, I would like to say that Sillim referred to Zhiyan`s theory, the connection between the Whole and the Individual by the Ten ways, which is not found in his existing writings. Sillim said that the reality of dharma-dhatu is the Our Body of Five Cheok (尺) in this moment and the One features of all the dharma-dhatu. His viewpoint has a strong resemblance to that of Uisang, which emphasized the Oneness of Our Body of Five Cheok in this moment and dharma-dhatu. In conclusion, I suppose that Sillim argued “The Connection Between the Whole and the Individual in Five Ways” in light of “The Connection Between the Whole and the Individual in Ten Ways” of Zhiyan. This shows that Sillim was influenced by Zhiyan as well as by Uisang.

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