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가톨릭 전예공간(典禮空間)의 감실(龕室) 위치에 관한 실천신학적(實踐神學的) 연구 -제2차 바티칸공의회(公議會) 문헌에 대한 건축적(建築的) 해석(解析)을 중심으로-
김정신,Kim, Jung-Shin 한국건축역사학회 1992 건축역사연구 Vol.1 No.1
In order to meet the needs of the liturgical reform implemented by the Second Vatican Council, existing churches have been reordered and guidlines drawn for new buildings. With this reordering, perhaps the most perplexing issues facing priest and architect alike are the question of reservation and placement of the tabernacle. While in several documents including the documents of the Second Vatican Council, the church has made statement concerning this problem, not much has been stated definitely, And there are many different and. ambiguous things in the interpretation of liturgists and Episcopal Conferences. I examined and compared the issues which has been raised this while based on the Vatican Documents. The findings may be summarised as follows : (1) As the history of church architecture has seen great variety and innovation in solving the needs of the day, the church gives certain guidelines, but also allow great flexibility. (2) To achive good result, the priests and architects should work together in a language the other will understand. So theological interpretations on church architecture may be very useful. (3) The seperate eucharistic chapel which is near the santuary will be recommended as a location which accounts for both the communal and individual aspects of eucaristic adoration.
초기 양식건축물의 보수.보존에 관한 연구 -국가 지정 교회건축 문화재의 현황조사를 중심으로-
김정신,Kim, Jung-Shin 한국건축역사학회 2001 건축역사연구 Vol.10 No.2
This study reviewed the preservation status of the Early Western Style Architecture in Korea based on the on-site research of church buildings which are registered as National Cultural Properties. I have investigated 21 church buildings regarding the frequency, content and concept of restoration. The results are summarized as follows First, the churches have been restored extensively in every 17 years on the average. Second, the main restorations are replacement of bricks, painting, waterproofing, repair of roof and timber. And the main changes are extension of plan, removal of Interior posts, and replacement of floor. Third, the main concept of restorations are historical restoration(62%), critical restoration(23%), stylistic restoration(14%). Forth, the category of restoration have been changed, that is extending of incompletion (1st stage), functional improvement and extension of the span of life(2nd stage), improvement of facilities(3rd stage), restoration to the original state and conservation(4th stage). Fifth, the issues of repairing techniques are revival and replacement of weathered bricks, the removal of painting, and structural reinforcement. This study will be able to be used as the fundamental materials to improve the techniques of restoration of Early Western style masonry buildings.
김정신,발레리 알렉산드로비치 사보스텐코,김재명,Kim, Jung-Shin,Valeriy A., Savostenko,Kim, Jai-Myung 한국건축역사학회 2010 건축역사연구 Vol.19 No.6
Old Russian Legation(1890) has been attracted public attention in terms of politics and foreign affairs than architectural style because of conditions of location and historical incident. Though it was heavily damaged during the Korean war, and only the tower has been restored, it is very important in architectural history in Korea, because it is the oldest western style brick building which is existing with the old bishop's house in Myeong-Dong. But it has been impossible to reveal exactly the original form as there has been few reliable materials(picture, drawing, document) and it's remains were nearly destroyed owing to development of the surroundings. Recently the decisive document(site outline map) was found, and new research on the architect Sabatine was studied. So I can get into close with the original form by the results. In this study, I tried to conjecture the original form of the old Russian legation(the size, style, plan and indoor space, arrangement of attached facilities) and I checked the location and structure of the room where King Gojong stayed when he took refuge, and the use of the passage in the basement.
교회 건축가 알빈 슈미트신부의 성당건축 유형과 디자인 원천에 관한 연구 - 도미니쿠스 뵘과 루돌프 슈바르츠의 영향관계를 중심으로 -
김정신,Kim, Jung-Shin 한국건축역사학회 2007 건축역사연구 Vol.16 No.4
This study aims at searching the Church Building Type and Design Sources of a German church architect who had designed many churches and other buildings in Korea. P. Alwin Schmid(1904-1978) had designed 188 Catholic buildings in Korea for 20 years from 1958 to 1978. In his works there are many excellent Catholic ritual buildings. It was caused by his conviction on the theology and the principles of Church Architecture. And His remarkable achievement is affected by the works of Dominikus Bom(1880-1955) and Rudolf Schwarz(1897-1961). Alwin's 5 plan type is relevant to Schwarz' iconographic model, and their approach to 'light' is much the same. But the Character of inner space is the middle of Dominikus Bom and Rudolf Schwarz. His works rotted in the Liturgical Movement had been developed in the line of connection with 20th German church architecture. The works of Dominikus Bom and Rudolf Schwarz played the role of the teacher of Alwin Schwarz.
한국과 일본의 초기 천주교회 목조성당건축에 관한 비교연구
김정신(Kim Jung-Shin) 대한건축학회 2012 대한건축학회논문집 Vol.28 No.2
This Study is concerned with the Style of Korean and Japanese wooden church architecture. The main subject of the study is to investigate the commonness and difference between Korean and Japanese wooden church architecture in the early period. In carrying this study into execution, I examined the architectural and historical backgrounds, and analysed the space, design elements, techniques and etc. The result of this study is as follows ; The basic concept of composition of plan is same as changing the axis of the plan in order to embody the Basilican space. But the inner elevation and detail of timber structure is different. Korean wooden churches were purely traditional timber structures, but Japanese wooden churches were pursued Western decorative detail by woodwork techniques in the capital, arch, rib, and vaulted ceiling. Japanese wooden church is more close to Western style church in the point of decoration and composition of inner space of church. There are different attitudes of naturalization of western church architecture in Korea and Japan.