김수장의 김천택 시조 수용에 대하여

김선기(Kim, Sun-kee) 한국언어문학회 2012 한국언어문학 Vol.83 No.-

Cheontaek Kim and Sujang Kim were in a senior-junior relationship, walking the same path during a similar period in the Korean sijo (three-verse Korean poem) literature history. Cheontaek Kim published ‘Cheong-Gu-Young-Ean’by compiling his sijos and passed-down sijos in 1728. From his own works, he carefully selected and included 30 sijos that intensively show his life. Sujang Kim carefully selected already existing sijos and his own sijos, and published a collection of sijos called ‘Hae-Dong-Ga-Yo’ over two times. In ‘Hae-Bak’ in 1755, he assigned a certain number of works of each artist to be included, however, in 1767 in ‘Hae-Ju’, he did not put limits on the number of works to include. Sujang Kim exhibited his desire to exceed the achievements of Cheontaek Kim by publishing ‘Hae-Ju’. As a result of deleting unnecessary partsfrom Cheontaek Kim’s works in ‘Cheong-Gu-Young-Ean’ and publishing such works in ‘Hae-Ju’, 16 sijos were exchanged to new sijos, and Sujang Kim did not hesitate on criticizing Cheontaek Kim’s sijos. In addition, Sujang Kim showed confidence by including 117 of his own sijosin ‘Hae-Ju’, which is a significantly higher number than the 57 sijos of Cheontaek Kim. In addition, by drastically revising Cheontaek Kim’s sijos when accepting the works, he expected to lower Cheontaek Kim’s status while enhancing hi sown. Sujang Kim’s insight in selecting sijos shown when selecting Choentaek Kim’s sijos receive a positive response from compilers, as shown by the frequency of citation in future poet compilations. However, including a significantly higher number of one’s own works in a book published by oneself while arbitrarily fixing another’s works fitting to one’s own taste will not be able to evade the criticism that such act was an excessive overstep of one’s authority.

지르코늄 합금의 대량수소화에 미치는 표면산화막의 영향

김선기,방제건,김대호,임익성,양용식,송근우,김용수,Kim, Sun-Ki,Bang, Je-Geon,Kim, Dae-Ho,Lim, Ik-Sung,Yang, Yong-Sik,Song, Kun-Woo,Kim, Yong-Soo 한국재료학회 2008 한국재료학회지 Vol.18 No.11

Oxide effects experiments on massive hydriding reactions of Zr alloy with hydrogen gas were carried out at $400^{\circ}C$ under 1 atm in a $H_2$ environment with a thermo-gravimetric apparatus (TGA). Experimental results for oxide effects on massive hydriding kinetics show that incubation time is not proportional to oxide thickness. The results also show that the massive hydriding kinetics of pre-filmed Zr alloys follows linear kinetic law and that the hydriding rates are similar to that of oxide-free Zr alloys once massive hydriding is initiated. Unlikely microstructure of the oxide during incubation time, physical defects such as micro-cracks and pores were observed in the oxide after incubation time. Therefore, it seems that the massive hydriding of Zr alloys can be ascribed to short circuit paths and mechanical or physical defects, such as micro-cracks and pores in the oxide, rather than to hydrogen diffusion through the oxide resulting from the increase of oxygen vacancies in the hypo-stoichiometric oxide.

기판스테이지 온도에 관한 연구

김선기,이우영,강흥석,Kim, Sun-Ki,Lee, Woo-Young,Kang, Heung-Suk 한국반도체디스플레이기술학회 2006 반도체디스플레이기술학회지 Vol.5 No.4

This paper shows that the effect of exposing on the top area and a solution which using a water circulation system. Semiconductor substrate stage is made from Aluminum and is repeated the sequence of exposing (150), turning OFF shutter, taking 30 sec. interval at the top area of stage. So the temperature of substrate temperature rises continuously. On this, we made a waterway at the inner part of the substrate stage and operated a water circulation system. We measured the temperature of a substrate stage surface with a thermocouple attached to the substrate stage. To analyze the top area's temperature, we used Analysis Program ANSYS for analysis and 3D CAD program Solid-Works for modeling.

비디오 비트율 제어를 위한 적응적 모델 기반의 양자화 변수 결정 방법

김선기,호요성,Kim, Seon-Ki,Ho, Yo-Sung 한국통신학회 2007 韓國通信學會論文誌 Vol.32 No.4C

비트율 제어는 채널 용량이나 프레임율과 같은 제한 조건에서 더 좋은 화질을 제공하기 위해 비디오 부호화에 있어서 필요한 구성 요소이다. 일반적으로 양자화 변수를 결정할 때 양자화가 수행될 데이터를 단일 분포로 가정하면, 실제 데이터의 분포를 지나치게 간략화하게 되는 문제가 발생할 수 있으며, 이는 이동통신 환경과 같이 전송 대역의 제약이 심한 상황에서 부호화 효율을 떨어뜨리는 원인이 된다. 본 논문에서는 이러한 문제를 해결하기 위해 다양한 소스 분포를 일반화된 가우시안 분포(Generalized Gaussian Distribution)를 이용하여 정의하고, 각각의 분포 특성을 나타내는 모양 변수를 결정하여 일반화된 가우시안 분포의 비트율-왜곡 함수에 기반을 둔 양자화 변수 결정 모델을 설계한다. 본 논문에서 제안한 알고리즘은 저 비트율 환경에서 우수한 성능을 제공하는 비디오 부호화 표준인 H.264 비디오 코덱에 구현하여 MPEG-2 TM5 및 H.263 TMN8과 그 성능을 비교한다. The rate control is an essential component in video coding to provide better quality under given coding constraints, such as channel capacity, frame rates, etc. In general, source data cannot be described as a single distribution in a video coding, hence it can cause an exhaustive approximation problem. It drops a coding efficiency under weak channel environments, such as mobile communications. In this paper, we design a new quantization parameter decision model that is based on a rate-distortion function of generalized Gaussian distribution. In order to adaptively express various source data distribution, we decide a shape parameter by observing a ratio of samples, which have a small value. For experiment, the proposed algorithm is implemented into H.264/AVC video codec, and its performance is compared with that of MPEG-2 TM5, H.263 TMN8 rate control algorithm. As shown in simulation results, the proposed algorithm provides an improved quality rather than previous algorithms and generates the number of bits closed to the target bits.

속미인곡의 네가지 쟁점에 대하여

김선기(Sun-kee, Kim) 어문연구학회 2012 어문연구 Vol.71 No.-

〈속미인곡〉은 가장 수준 높은 작품으로 평가받고 있다. 작품의 비중만큼이나 〈속미인곡〉에 대한 연구 논문 또한 많다. 그러다 보니 숱한 이론들이 제기되어 연구자로서 정리할 필요를 느낀다. 본고에서는 〈속미인곡〉 이해에 관건이 되는 본문의 구성ㆍ갑녀와 을녀의 사설 경계ㆍ제48행의 해석ㆍ양미인곡의 우열 평가 등 네 가지 사항에 대해 쟁점의 실상을 알아보고 필자의 견해를 밝혀 보았다. 첫째, 연구자들은 〈속미인곡〉이 서사ㆍ본사ㆍ결사로 구성된 것으로 파악하였다. 필자는 〈속미인곡〉이 갑녀와 을녀가 주고 받은 문답 형태의 글이라는 점에 주목하여 구성을 살폈다. 그 결과 갑녀의 사설은 인사를 건네는 장면을 서사, 질문하는 장면을 본사로 보고, 을녀가 대답한 사설 역시 같은 방법으로 인사에 응대하는 부분을 서사, 물음에 대답하는 부분을 본사로 파악하였다. 따라서 〈속미인곡〉은 서사+본사가 중첩된 모습을 보이고 있을 뿐 결사는 없다. 둘째, 학자들은 대체로 〈속미인곡〉의 발화를 감녀ㆍ을녀ㆍ갑녀ㆍ을녀ㆍ갑녀로 파악하지만, 세 번째 갑녀의 발화 경계 설정에는 이견을 보이고 있다. 필자는 세 번째 갑녀의 발화가 제14행 네 음보임을 밝혔다. 그 논거로 제14행이 제48행과 동질적이라는 점, 제14행의 앞 두 음보만으로는 의미가 불완전하다는 점, 제14행의 뒤 음보의 내용이 바로 이어지는 글과 부합되지 않는다는 점을 제시했다. 따라서 갑녀와 을녀의 발화는 갑녀(①-③) 을녀(④-⑬) 감녀(⑭) 을녀(⑮-47) 갑녀(48)로 경계가 설정된다. 셋째, 달과 궂은비, 그리고 니와로 엮어진 제48행은 작품상의 중요성에 비해 해석이 미진한 상태이다. 필자는 두보의 〈몽이백〉시에서 낙월을 연상하고, 말도 꺼내지 못하고 꿈을 깼던 본문의 연장선상에서 궂은비의 해법을 구하는 한편, 문맥과 갑녀의 말투를 고려하여 니와의 해석을 시도하였다. 그 결과 제48행을 “각시님, 그리운 임을 멀리서 잠시 비추었다 사라지는 낙월이 되지 마시고, 가까이에서 소리를 내며 오래 내리는 궂은비가 되시어, 마음에 서린 회포를 실컷 풀어 보세요”라고 해석하였다. 넷째, 김만중과 홍만종이 〈속미인곡〉 우월론을 제기한 뒤 학자들이 이를 수용하고 있는 실정이다. 필자는 두 분의 주장에 대해 새로운 검토를 시도하였다. 김만중의 우리말 옹호적 취지의 〈속미인곡〉 우월론은 두 작품에 쓰인 한자어의 빈도 측면보다는 호사성 한지어의 가식적 측면에 비중을 둔 논평으로 이해하였다. 홍만종은 〈사미인곡〉 보충설과 〈속미인곡〉 우월론을 제기했다. 필자는 보충설이 〈사미인곡〉 의 내용 보충 뿐만 아니라, 각시의 젊은 마음으로 노파의 늙은 육신을 보충한 사실까지 포괄하는 것으로 파악하였다. 그리고 우월론은 양미인곡의 창작 동기가 상호 보완성에 있고, 두 작품이 각시와 노파의 특색을 탁월한 솜씨로 그려 낸 점을 고려하여, 특색 구명을 전제하지 않은 일방적 우열 비교는 수긍하기 어렵다고 보았다. This article aimed at studying the four issues of Sokmiingok of Cheol Jeong, Songgang. As Sokmiingok is considered as the finest Gasa work, scholars’ opinions are accumulated to make people confused. Therefore, it is necessary to examine and organize the opinions synthetically in order to develop the study of Sokmiingok, The author of this article decided to take consideration of the four key issues in understanding Sokmiingok like the structure of the work, the boundary of Woman A’s speaking and Woman B’s speaking, the meaning of the 48th line, and the assessment that which of the two works, Sokmiingok and Sarniingok, is better. In order to achieve this goal, the author pointed out the problems of various scholars’ opinions, corrected them, and complemented them, The opinions of the author for the issues are as follows; First, there is no conclusive speaking in the main body of Sokmiingok, and there are only an introductory speaking and a main speaking. Second, when the boundaries between Woman A’s speaking and Woman B’s speaking are set by changes in topics, the boundaries are shown like Woman A(l-3)ㆍWoman B(4-13)ㆍWoman A(l4)ㆍWoman B(15-20)ㆍWoman B(21-47)ㆍWoman A(48). Third, the author translated the 48th line as “Miss, please take a positive attitude of staying with your lover like an untimely rain rather than take a negative attitude like a setting moon.” Fourth, the author explained in the new point of view Man-Jung Kim’s argument that Sokmiingok is superior to Samiingok in terms of the usage of Chinese-Korean words. In addition, the author criticized the argument of Man-Jong Hong that Sokmiingok is better than Samiingok in terms of contents and expressions; The author thought that he could not take a deep consideration of motives of creation and characteristics of the two works

향부자의 성분 및 Nitric Oxide 생합성 저해효과

김선기,황방연,강신정,이정준,노재섭,이경순,Kim, Sun-Kee,Hwang, Bang-Yeon,Kang, Shin-Jung,Lee, Jung-Joon,Ro, Jai-Seup,Lee, Kyong-Soon 한국생약학회 2000 생약학회지 Vol.31 No.1

Five compounds were isolated from the methanol extract of the tubers of Cyperus rotundus (Cyperaceae). They were identified as cyperol(1), ${\alpha}-cyperone(2)$, cyperotundone(3), sugetriol triacetate(4) and ${\beta}-sitosterol(5)$ on the basis of spectroscopic and physicochemical analysis. Among them, cyperol, ${\alpha}-cyperone$ and cyperotundone were shown inhibitroy effects on LPS-induced nitric oxide production in RAW 264.7 cells in a dose dependent manner.

지방자치하 농촌개발의 과제와 전략

김선기,임석회 ( Seon Ki Kim,Seok He Lim ) 한국지방행정연구원 1991 地方行政硏究 Vol.6 No.1

金壽長의 孤山 尹善道 詩歌 受容과 그 意義

金善祺(Sun-Ki, Kim) 어문연구학회 2008 어문연구 Vol.58 No.-

How and when the poetry works of Yoon Seon-do, who was the best poetry author, were spread to the Sijo school(歌壇) is the focus of this thesis. It is organized and defined in the text within three chapters. The poetry works of Yoon Seon-do appeared at Cheongguyeongeon first, but they were expressed in the Haedong-Gayo of Kim Su-jang in earnest. Sijo and Eobusasisa(漁父四詩詞) were recorded in Haedong-Gayo together, but the number of works of Eobusasisa is more extensive. The facts which Kim Su-jang obtained from Yoon Seon-do works are supposed to ‘Gasa’, that is gathered in the original text in a collection of works. This is the result of the assumption that the work order of Haedong-Gayo is the same as the ‘Gasa’, spread in the ‘Gasa’ manner and compiled at the time of Haedong-Gayo. It is also assumed that the circumstances of publishing the collection of works. Kim Su-jang has earned just recognition for letting people know the best author Yoon Seon-do and his works for the first time as the person who published a collection of Sijo, but he unintentionally overlooked Sijo because he concentrated on Eobusasisa too much. Eobusasisa was changed into a form of Sijo and recorded Haedong-Gayo. That has both positive and negative results. From the point of view of a collection of a Sijo editor, it is reasonable to reproach him because he thought so little of Sijo. Nevertheless, from the perspective of poetry history, he deserves to be given credit for renovating Eobusasisa in a form of Sijo, and taking over the literary mind of Yoon Seon-do.

스테레오비전을 이용한 전차선 높이 및 편위 정밀 측정

김선기(Sun-Gi Kim),김현철(HyunChul Kim),백열민(Yeul-Min Baek),박종국(Jong-Guk Park),심재원(Jae-Won Sim),장경영(Kyoung-Young Jang),김회율(Whoi-Yul Kim) Korean Society for Precision Engineering 2006 한국정밀공학회지 Vol.23 No.10

제주 해녀의 일본 진출에 관한 역사적 고찰

김선기(金善琪)(KIM SUN KEY) 한일일어일문학회 2010 한일어문논집 Vol.14 No.-

Called JeJu woman diver called it, and the person appeared with colonial policy in the Japanese imperialism times. JeJu woman diver which we use commonly is a meaning different from woman diver which I used before a thing of the Japanese empire times now. It is words to point at woman diver which consisted of only a woman appearing as a new occupation in a course of the modernization of JeJu Island. JeJu woman diver went into Japan to gain money in the Japanese empire times. In those days, they contributed so as to support half of the economy of JeJu Island. However, the numbers decrease to 5,000 people now and are in state that there may not be it soon. Therefore about their value it is necessary to think newly. Therefore, this report is going to investigate the situation by a formation process of such JeJu woman diver and an advance process to Japan. I intend to set value and recognition of JeJu woman diver newly thereby. And I am going to show a method storing their significance of being. This report is partial approach about JeJu woman diver, but wants to help it for right evaluation about JeJu woman diver and a save and the succession of JeJu woman diver in the future as a result of this.