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朔太郞詩에 나타난 文體의 考察 : 그의 詩集「月に 吠ぇる」를 中心으로 Chiefly on His "TSU KI NI HOERU"
許文基 단국대학교 1985 論文集 Vol.19 No.-
The first collection of poems of HAGIWARA SAKUTAROU (1886-1942) was published in February, 1917. The title of the poetry was the TSUKI NI HOERU. Some years later he wrote an essay, the title of which is "Let the poetry of MIKIROFU faction be expelled, in the May issue of "The World of Literature." I realized that the characteristic of his style in light of the sentences was due to antinaturalism. The category of the beauty in the poetry which was written in TSUKI NI HOERU distinguished the grotesque from the existential. I introduced the formative will of "TSUKI NI HOERU" to materials, and researched the inner structure. After the MeiJi Restoration both HAKUSYU and MIKI RO FU led the world of Japanesepoetry, respectively, in their forties. The aim of SAKUTAROU, who belonged to HAKUSYU school, was to abolish the symbolic poetry of the ROFU school. Under these circumstances, he wrote an essay, "Let the poetry of "MIKI RO FU" school be driven out." I've come to understand why he evoked the mysticism, symbolism, and strong will of renovation. As a result of publishing "TSUKI NI HOERU", it caused the old generation to collapse. "SAKU TAROU" forecasted the collapse of the old generation. I think the formative will trying to abolish the other part of "SAKUTAROU" became one of the characteristics in TSUKI NI HOERU style. SAKUTAROU didn't approve of naturalism. According to his Aphorism "ATARASIKI YOKUZYO", naturalism in Japan was deeply rooted in nationalism and he blamed the naturalism. This is the focus of his thought on naturalism. Such thought was well reflected in his poetics. His fundamental perspectives about SAKUTAROU'S poetry was distinctively theorized by his poetics that was called "The principle of poetry. I could understand his agony, efforts, and formative will in his poetics. He insisted on the anti-naturalism against "TSUKI NI HOERU". He eliminated naturalistic elements from TSUKI NI HOERU'S poetic idea, and tried to expound anti-naturalism. This is the one of the characteristics of his style. Among the "TSUKI NI HOERU'S poetry, I adapted existential things to the category of beauty from the point of the literature. Among SAKUTAROU'S poetry, there are many grotesque figures in his literary works which belong to the existential genre. "NISIWAKI ZYUN ZABUROU" said "The poetry of SAKUTAROU is art of the grotesque. At that time, it was very difficult for the contemporary poets to express their owr emotion, thoughts, feelings that include much complexity, such as using colloquialisms. Nevertheless, he used colloquialisms. As a result, his poetry was rhythemic and he took a leading role in the world of poetry. The base structure in the poetry of "SAKUTAROU" is emotion shich is liquidized and added to the rhythmic. It is not analytics. It is the charater to get something felt directly. Only, I took the secondary elements even if I tried to get the meaning of the shadow or "Nitlol". Nevertheless, his poetry is very charming in itself. That's because his thought and intellect was easily conveyed through his poetry. Similar to the poetic form and topic of SAKUTAROU, he became a lyric poet. In summary, I adapted existential things to the beauty of characteristics. On the basis of two formative wills, I researched the characteristic of his style. What I want to say is that the characteristic of his style against material elements in the sentences belong to language.
日近代詩의 表現型式에 관한 硏究 : '소네트' 系譜를 中心으로 Focusing on the genealogy of Sonnet
許文基 단국대학교 1987 論文集 Vol.21 No.-
Japanese modern poetry dates back to 'Shintai shisho'(A collection of New style poetry) published in August, 1882 by Inoue Tetsuziro (1855~1944), Yatabe Ryokichi (1852~1899), and Toyama Masakazu (1848~1900). Since then, Japanese modern poetry established its form and content in susukida kyukin's 'Botekisho' and Kambara Ariake's 'Shun cho shu' 1905, which followed Shimazaki Toson's first collection 'Wakanashu' 1897 and Doi Bansui's 'Tenchi ujo' Published in 1899. It was Kyukin who introduced 'Sonnet' for the first time in the Meiji poetry circles. It took root in Japanese literature by Ariake. 'Sonnet' was a poem of fourteen iambic pentameter lines originated in Italy at the end of thirteenth century. Dante Alighieri and Francesco petrarca established its form and style, which was introduced in European Countries In the Sixteenth Century, 'Sonnet' took root in France and England as rhythmed verse written in their own language. Kyukin published nineteen Sonnets in 'Botekisho'. Ariake wrote 'Dokugenaika' and 'Ariake sho' in a meditative and spiritual style. Since then, O yama u chi Kaoru wrote on the meditation in an antique style. Kumada Seika established sonnet with rhyme-scheme. Meada Ringai tried a vaviety of sonnets with two, four, and eight lines, each of which lines was composed with free-chosen words of five or seven-syllables. It dealt with lamentation and bitter grief over the national ruin of India. After elapsing a half century, Nagase Kyoko wrote 'Sonnet of India, a symbolic lylic, employing metaphorical and gracious diction. His unique poetic touch on humanity and humanism moved readers deeply. I wano Houmei's 'Hinenhika' contained thirty-one Sonnets. It was acknowledged as unique poetical style which developed 'symbol of agony' out of romantic style at that time. He attempled to write sonnets in various styles. The representative form of his sonnets was a seven-six-syllable words alternation. Since then, a number of Sonnet forms appeared in Japanese poetry circles encouraged by lsikawa Takuboku, a new energefic poet at that time. However, they were all written after the fashion of Ueda Bin's new Sonnet form in 'Kaicho On'. A sonnet 'Kagai ni Yosu', which was sent to kodama Kagai by O-Tsuka Kouzan, dealt with the weak, the Poverty-stricken, the starved, Russian soldiers Captured in the Japanese-Russian war, and the bereaved families of the war dead. Particularly, his 'Four Sonnets' was influenced by kyukin's sonnet. With the start of the period for free colloquial versesvia the period for fixed literary verses, Japanese modern poetry experienced a variety of poetical styles. Poetical style of sonnet had not been succeeded at one time, but Tanikawa Syun Tarou's 'Sixty-two Sonnets' and Torihane's ten sonnets succeeded to the tradition of Japanese sonnet in the Showa period. Japanese fraditional poetry, 'waka' and 'Haiku' have kept assimilation with the verses in Europe even today. The works of Japanese sonnet poets also contributed in this regards.
A Genetic Comparison of Brucella abortus Isolates from Animals and Humans by Using an MLVA Assay
( Moon Her ),( Sung Il Kang ),( Jong Wan Kim ),( Ji Yeon Kim ),( In Yeong Hwang ),( Suk Chan Jung ),( Sang Hee Park ),( Mi Yeoun Park ),( Han Sang Yoo ) 한국미생물 · 생명공학회 2010 Journal of microbiology and biotechnology Vol.20 No.12
The MLVA assay is known to have a high ability to identify and discriminate Brucella species, so that it can be used as an epidemiological tool to discriminate Brucella isolates originating from restricted geographic sources. In this study, the genetic profiles of 38 B. abortus isolates from humans were analyzed and compared with genotypes from animal isolates in South Korea. As a result, it was found that they did not show high genetic diversity and were compacted. They were clustered together with animal isolates, showing a significant correlation to regional distributions. With its ability to prove a significant genetic correlation among B. abortus isolates from animals and humans in South Korea, the MLVA assay could be utilized as part of a program to control and eradicate brucellosis, one of the major zoonoses. This study represents the first data of genetic correlation of B. abortus isolates from humans and animals in South Korea.
사용자 행동패턴을 고려한 선박 선실의 침상 조명 디자인 및 조명기구 개발에 관한 연구
허제문(Je-Moon Her),정종제(Jong-Jae Jung),이성재(Sung-Jae Lee),유영문(Young Moon Yu) 한국조명·전기설비학회 2018 조명·전기설비학회논문지 Vol.32 No.10
In this paper, we studied the customized design for LED berth light of ship cabin based on the user’s behavior pattern analysis and lighting environment investigation. We studied the lighting design target, product design, design simulation, preparation of a prototype with a bidirectional radiation luminaire, and then measured and analyzed the lighting characteristics and lighting atmosphere. Upward lighting provides indirect illumination through the reflection to ceiling of the bed for the rest or sleep activities, whereas downward lighting provides enough illumination to the bed plane for the working or reading activities. In addition, illuminance and correlated color temperature (CCT) control was enabled by adopting warm and cool white LEDs with dimming. The prototype had the enhanced performance with α, δ, θ brain wave effect depending on the user’s behavior pattern and the improved berth lighting atmosphere was closely matched to user’s behavior patterns. The prototype was shown the better lighting performance with high flux, reduced glare and increased lighting efficiency compared to the conventional lighting fixtures.