오정희 소설의 표상 연구 -「비어 있는 들」과 「야회」를 중심으로

정연희 ( Jeong Yeon-hee ) 국제어문학회 ( 구 국제어문학연구회 ) 2008 국제어문 Vol.44 No.-

이 논문에서는 오정희의 「비어 있는 들」과 「야회」를 살펴보았다. 이들 소설은 오정희 소설의 특징들을 잘 대변해주는 소설들이지만 본격적으로 단독조명을 받지 못하거나, 「야회」의 경우 오정희 소설의 보편적인 특징을 비껴가는 소설로 간주되었다. 「비어 있는 들」과 「야회」에서도 일상의 완벽한 안정과 고요는, 부패한 진부이고 위험한 안전이며 살아있는 죽음과 같다. 그렇다고 해서 항상성의 균형을 추구하는 일상(상징적 세계)이 중요하지 않은 것은 아니다. 오히려 주부로 등장하는 인물들은 일상의 균열과 파괴를 두려워하며 일상의 아름다운 견지를 위해 주부로서의 역할을 모범적으로 수행한다. 그럼에도 불구하고 그들은, 참을 수 없고 통제할 수 없는 낯설고 어두운 힘이 내면에서 꿈틀대고 그러한 실재적 욕망에 대면하게 되는, 주체들이다. 그들은 상징적 구조에서는 실현 불가능한 내면의 진공을 가진, 혹은 진공 그 자체로 존재한다. 그 때문에 그들은 상징적 호명으로 구성되는 현실 안에서 간극을 가로지르게 되고 완전한 자기 자신을 찾지 못한다. 그들이 상징적 현실에 적응하지 못한다거나 상징적 현실 자체가 현실적 효과가 없다는 것이 아니라, 상징적 정체성이 자기 존재의 전부가 아니라는 것이다. 그것은 내부의 텅 빈 자리 때문인데, 그 자리로 출몰하는 내적 타자들이 그들의 일관성과 자기통제를 침식해 들어감으로써 인물들을 `탈중심화`한다. 「비어 있는 들」의 경우 `그`의 방문에, 「야회」의 경우 `비늘을 털며 다가오는 거대한 동물`에 두려운 매혹을 느끼고 압도되면서, 주인공들은 최소한의 거리를 유지하기 위한 공허한 몸짓을 보여준다. `그`나 `비늘을 털며 다가오는 거대한 동물`은 내적 타자의 명백하고 탁월한 형상화이다. 이 형상들은 일상현실의 열린 구멍이고 내면의 진공이며 주체를 `탈중심화`하는 괴물들이다. 이와 같은 오정희 소설에서 `나는 타자이다`의 형상을 보게 된다. 이는 오정희 소설이 리얼리즘의 메타서사가 지배적인 1980년대의 징후적 소설이었음을 역설적으로 드러내는 것이며, 동시에 오정희 소설의 앞선 감각을 반증하는 것이다. 오정희 소설은 사회에 길들여지지 않는 원초적인 잉여의 힘이 상징적인 사회를 지지해준다는 욕망의 역설을 시연한다. 오정희의 인물들에게 내부의 꿈틀거리는 어두운 힘은 해방되어야 할 억압된 삶의 힘이 아니다. 그 힘은 삶의 유지를 위해 포기되고 부인되지만 다른 한편으로 주체가 저항할 수 없는 견인력을 행사한다. 어두운 힘에 근접함에 따라 주체는 치명적인 위기에 노출되지만, 역설적으로 그것은 삶의 힘의 원천이 된다. 오정희 소설은 불투명하고 수수께끼 같은 욕망과의 위험한 대면을 보여주지만, 한편으로 안전하게 사는 것은 더욱 위험하다는 니체의 명제를 떠올리게 한다. This study try to research the two novels of the writer O, Jeong-Hee. These novels are 「Empty Field」 and 「Night Party」. In these novels, everyday life involves various problems. It means a kind of decomposition, insecurity, even death. The housewives as a main character perform a good roll given to them. But, they always feel a certain desire. That is a subject boiling up in their dark inside. So, they are being a existence as a vacuum that have a dream never come true. Because of that disequilibrium which is between everyday life and dark inside, the characters of the two novels can not obtain themselves as a pure and perfect oneself. This means not that they are not able to adapt themselves to the Symbolic world, but that the Symbolic identity does not represent themselves fully. They have a empty space in their mind. this is the reason why. As a stranger in the dark inside which is appearing frequently erodes their coherence and self control, the characters of the two novels are being a existence of decentration. In case oh 「Empty Field」, `she` feels an attraction to `him`, and in case of 「Night Party」, `she` feels an attraction to `a giant reptiles`. But they are trying to control a distance to the creepy but attractive objects. `He` and `a giant reptiles` are prominent shapes which connote a another oneself of the characters. So, the readers realize that `I`m a someone who is not me`. The two novels of the writer O, Jeong-Hee show a paradox of desire that mean the original, surplus power support a symbolic society. The negative power inside is not a suppressed power of life has to released. On the contrary, it has a certain power which the characters do not make resistance. decentration become to be expose to extreme danger as close as they can, but the dark power turn into a power of life. That is paradox. The writer O, Jeong-Hee`s novels mostly show a hazardous meeting with cloudy and mysterious desire. But, on the other side, Those novels make a reader remind the statement `Living safely is more dangerous` that Nietzsche said.

중국 청대 劉熙載『書槪』의 서예미학사상 체계 연구

金熙政(Kim Hee-jeong) 역사실학회 2010 역사와실학 Vol.41 No.-

The paper has been conducted to understand Hee-jae Yu's ideas for the beauty of calligraphy in 『Seo-gae』. Hee-jae Yu(1813~1881) was a government officer, an educator and a calligrapher in the end of Ching dynasty when Western culture was introduced in earnest. 『Seo-gae』 is consisted of 246 short compositions with the history of calligraphy, reviews on works and authors, and discussions on the ideas of creativity. It also explains the system on the beauty of calligraphy very accurately. The system on the beauty of calligraphy in 『Seo-gae』 is divided by four categories which are 'Yib-sang-jin-eui' for the principle of esthetics, 'Gwan-mul · Gwan-ah' and 'Yeo-cheon-wee-do · Yeo-go-wee-do' for the principles and methods of learning, and 'Jo-ho-ja-yeon' for the principle of creativity. The ideas for the beauty of calligraphy by Hee-jae Yu that the study has understood are summarized as follows. First, what Hee-jae Yu tried to explain the beauty of calligraphy through 'Yib-sang-jin-eui' was that the essence of calligraphy is creating the art of subjectivity which expresses the mind of an author. Second, Hee-jae Yu's ideas in 'Gwan-mul · Gwan-ah' have been developed from the thoughts of Ong, Chae · Gwa-jeong, Son · Hoi-gwan, Chang and Yang-bing, Lee on the relations between calligraphy and the nature. Here, the derive of "I" was emphasized even more by Hee-jae Yu. Third, it is considered that 'Jo-eoh nature' and 'Jo-ho nature' both signify the nature with artificiality which a main interest of 'I' is additionally involved. The nature with artificiality in this idea is distinguished from the original nature. Fourth, the terms, 'Yeo-cheon-wee-do' and 'Yeo-go-wee-do' emphasize each of 'Sa-beob nature' and 'newly revising the old laws'. Any works of calligraphy are created by mixing both of the ideas into a personality of an author and the spirit of the times. Hee-jae Yu underlined not only the justice which is an independent sense of creativity, but also the neutralized view of beauty that pursues 'Ui-beob-sang-seong'. Such idea of his is shown in the composition on thoughts in one's mind where the ideas for the beauty of calligraphy is generally dealt with. Since Hee-jae Yu, a government officer and an educator who placed high value on Confucianism, lived in the era which mourned for corruption of the dynasty and experienced spirits of the people at the same time, he was able to fully comprehend that calligraphy was 'the art of subjectivity' that expresses individuals' feelings, and the existence of deep-rooted neutralized thoughts in Chinese culture.

정약용(丁若鏞) 전(傳)의 명명(命名)과 주제(主題) 구현 방식

정순희(Sun- hee, Jeong) 어문연구학회 2010 어문연구 Vol.63 No.-

Jeon is usually established by essential elements among Chinese proses. The elements, for example, are name, lineage, date of birth and death, personal records, characters, records of wife and children, and author's opllUon. Five Jeon by Jeong Yahg-yong are thought to be rather simple because they substantially keep those essential elements. However, his Jeon is characterized that 'name’ of the elements brings personal characters and the main subject into relief. This factor is a discriminative thing differentiating from other Jeon in the same period. The 'name' does not contain only the facts but author's intention when it reflects the characters and the main subject. Jukdaeseonsaeng is a nickname of the main character, Lee long-hwa in Jeong’s Jukdaeseonsaeng Jeon. The name is given by children laughing at Lee who is so poor as to use a bamboo belt. Jukdaeseonsaeng means 'poverty', and is an objective name that author can not put his willful interpretation into it. After the appearance of the name, the author presents the story that Lee contends for Chae Jae-gong's reinstatement and goes into exile in the repressed age by the power holders, This story emphasizes Lee's morality and integrity, and Jukdaeseonsaeng as a meaning of poverty turns over Jukdaeseonsaeng bearing up under poverty Jukdaeseonsaeng is extended from the first Lee Jong-hwa of family name, the second meaning of poverty, and to the third meaning of morality and integrity. Jukdaeseonsaeng is finally a righteous and faithful person. The author intentionally chooses the name describing the facts to show the personal characters and the main subject in the story. As mentioned above, Jeong Yahg-yong ∞nve따 the ’name' describing some facts into positive and intentional 'name' emphasizing characters and personality in his Jeon. He also makes his work more stereoscopic by consistent linking between conversion of naming and main subject.

조세희 『난장이가 쏘아 올린 작은 공』에 나타난 소외양상 연구

정규희(Jeong, Kyu-hee) 한국문화융합학회 2012 문화와 융합 Vol.34 No.-

이 논문은 조세희의 연작소설집 『난장이가 쏘아 올린 작은 공』에 나타난 소외양상을 마르크스 소외이론을 이용해 분석한 후 이를 통해 이 작품의 문학적 가치와 의의를 구명함을 목적으로 한다. 그 결과는 다음과 같이 정리할 수 있다. 마르크스는 노동을 인간적인 생명활동 즉, 인간의 보편적 본성을 발전시키기 위한 수단으로 파악한다. 그러나 자본주의 사회에서의 노동은 인간적 본질을 상실하고 소외되기 시작하는데, 그 구체적인 양상을 노동생산물로부터의 소외, 생산행위, 곧 생산 활동으로부터의 소외, 인간으로부터의 인간의 소외, 유적 존재로부터의 소외 4가지로 분류한다. 조세희의 『난장이가 쏘아 올린 작은 공』은 1970년대 산업화 사회의 구조적 모순과 그로 인한 도시 빈민 노동자의 비참한 모습과 인간성 파괴를 마르크스의 소외양상을 통해서 사실적으로 표현하고 있다. 프로소설을 비롯해 한국의 민중문학과 노동문학 계열의 소설들은 마르크스의 인간 소외 양상을 통해 자본가에 의한 노동자의 수탈이라는 현실고발에 치중한 나머지 문학적 경직성에서 벗어나지 못한 것에 비해, 『난장이가 쏘아 올린 작은 공』은 인간 소외양상을 통해 사회구조적 모순이 인간성을 어떻게 파괴시킬 수 있는가에 대한 문학적 성찰을 효과적으로 표현함으로써 문학의 사회성과 예술성의 조화를 이루었다. 여기에 조세희 소설의 가치와 의의가 있으며, 조세희 소설의 이와 같은 성과는 한국 리얼리즘 문학의 예술성 확보에 의미 있는 시사점을 제공해 줄 수 있다. The purpose of this study is to analyze the forms of alienation implied in Cho Se Hee’s a series novel, 『A Small Ball Shot Up by A Dwarf』 by using Marx’s theory, ultimately determining the aesthetic value of the novel. According to Marx, labor is a life activity based on humanity or, in other words, the means of developing human nature that people inherently have. But as capitalism become a social mainstream, labor began to lose humanity and cause isolation which is classified into four, alienation from labor products, alienation from production behaviors or activity, alienation from species being and alienation from human being. So far, Korean realistic novels have mainly focused on two of the forms of alienation suggested by Marx, that is, alienation from labor products and from human being, in order to reveal and criticize social absurdities. But those novels have been less successful in representing the aesthetics of literature because putting too much emphasis on social consciousness, though they have played the social roles of literature enough. The above series novel has social consciousness and aesthetics naturally balanced with each other by representing alienation from species being literally. In literature, purity and engagement should be not confrontational with each other, but mutually complementary, contributing to forming the very sound basis of literature. Cho Se Hee’s novel as mentioned above shows a successful balance between purity and engagement, in which the aesthetic value and significance of that novel lie.

World Tour of Public Design with Dr. Jeong, Hee-jeong - 공중화장실

정희정(Jeong Hee-jeong) 현대건축사 2010 (월간)Maru Vol.- No.100

Hepatic Cirrhosis Occurring in a Young Woodchuck(Marmota monax) Due to Vertical Transmission of Woodchuck Hepatitis Virus(WHV)

Kyu-shik Jeong,정원일,Jae-yong Chung,Mi-young An,Chae-yong Jung,Gyoung-jae Lee,Jong-soo Kang,Byeong-cheol Kang,Young-heun Jee,Bruce H Williams,Young-oh Kwon,Da-hee Jeong 대한수의학회 2003 Journal of Veterinary Science Vol.4 No.2

Cirrhosis Occurring in a Young Woodchuck (Marmota monax) Due to Vertical Transmission of Woodchuck Hepatitis Virus (WHV)Da-hee Jeong, Won-il Jeong, Jae-yong Chung, Mi-young An, Chae-yong Jung, Gyoung-jae Lee1, Jong-soo Kang1, Byeong-cheol Kang2, Young-heun Jee3, Bruce H Williams4, Young-oh Kwon5 and Kyu-shik Jeong*College of Veterinary Medicine, Kyungpook National University, Daegu 702-701, Korea1Shinwon Scientific Co., LTD, Research Institute, Suwon, Korea2Clinical Research Institute, Seoul National University, Seoul 110-744, Korea3College of Veterinary Medicine, Jeju National University, Jeju 690-756, Korea

대학생 흡연자의 금연경험에 따른 건강신념차이

구정일,김민정,김동희,백정희,안현실,은가희,우혜령,이명희,이수현,김수지 이화여자대학교 간호과학대학 2003 이화간호학회지 Vol.- No.37

It has been generally known that smoking is one of the worst factor increasing disease and mortality in human health since in 1950's and nowadays. But regardless of various proofs about social or economical problems due to smoking, current smoking rate has not been decreased in our country. Until now, most of tobacco use and its addiction researches have been focused on the adolescent or adult women smokers not on the university students. Therefore, the purpose of this study was to investigate smoking cessation of university smokers and analyze the health belief-perceived sensitivity, severity, benefits and barriers- difference, then to provide basic data for effective smoking cessation strategy for university smokers. The subjects were comprised of 181 university smokers from 15 universities in Seoul. The data were collected by structured questionaires. The questionaires were designed to measure general characteristics, smoking cessation and health belief, based on Ahn(2003)'s result on the Study of Smoking attitude, Behavior and Smoking Cessation of Adult Male and Lee(1987)'s result on Relationships Between the Health Belief Model and Smoking Habits. The data were collected from May 5 to 16. The collected data were analyzed by SPSS program. The actual number, percentiles, means, standard deviation, t-test and ANOVA were done. The result of this study were as follows; 1. The general characteristics of the subjects of this study The range of age was from 18 to 34 and the averaging age was 23. The subjects of this study were 141 males and 40 females. The religions were Christianity 25.4%(46), Buddhism 12.7%(23), Catholic 23.2%(42), no religion 37.0%(67). The residential forms were living with family 59.1%(107), cooking food for oneself 28.7%(52), dormitory 5.0%(9), boarding house 1.7%(3). Smoking starting age were university 43.1 %(78), high school 29.8%(54), middle school 14.9%(27), in the army 6.1 %(11), elementary school 1.1 %(2). 2. The smoking cessation of the subjects 80% of current smokers showed quitting smoking decision and 20% have not tried. The frequency of quitting smoking decision were from 1 to above 8 and mean was 3.06. As for smoking cessation plan, 54.7%(99) current smokers answered yes, 3.9%(7) said no, 35.4%(64) had no idea and 6.1 %(11) didn't answer. As for the reason of never quitting smoking decision, 71.42%(25 among total 35) have no need to quit smoking and the others said difficulty of smoking cessation. As for the main reason of smoking cessation decision, 54.7%(99) answered for the health, 7.2%(13) family advice, 15.5%(28) girl/boy friend's advice, 1.7%(3) to save money. As for the reason to fail smoking cessation, 56.7%(68) were will-lack, 17.5%(21) stress, 15%(18) smoking mood, 10%(12) withdrawl symptom. As for the smoking cessation method, 85.0%(125) were oneself-will, 2.7%(4) way acquired by mass-media, 2%(3) doctor's prescription, 2%(3) religion's help, 0.7%(1) smoking cessation school. As for the difficulty in smoking cessation, 42.2%(62) were drinking meeting, 23.1 %(34) no alternative of stress release, 12.2%(18) withdrawl symptom, 11.6%(17) having nothing to do, 7.5%(11) friend's encouragement. As for the most difficult cigarette to quit, 67.8%(99) were all-day smoking except the first smoking in the morning, 32.2%(47) the first smoking in the morning. 3. Health belief as for general characteristics Gender - The total point in benefits showed higher in male(28.5177) than female(26.6750). There was significant difference(t=.778, p<.05). The total point in health belief showed higher in male (105.8298) than female(l00.5000). So there was significant difference(t=.345, p<.05). Age - There was significant difference in benefits between age(10's-25.83, 20's-28.39, 30's-32.00)(F=3.73, p<.05). Smoking starting age - There was significant difference in total point of sensitivity and health belief(sensitivity F=4.00, p<.Ol, health belief F=2.843, p<.05). As for sensitivity, subjects who started smoking in the army showed the highest(33.36) and ones in high school showed the lowest(26.96). The total point in health belief showed the highest in elementary school(l19.00) and the lowest in high school(100.98). 4. Health belief as for smoking cessation There was significant difference in health belief as for smoking cessation(t=0.189, p=0.OO2). Sensitivity point showed higher in smoking quitting trial smokers(29.2) than non-trial smoker (26.9). Severity point showed higher in trial smokers (30.7) than non-trial smokers(28.9). Benefit point showed higher in trial smokers(28.6) than non-trial smokers(26.2). There was no significant difference in barriers point.

주의 만찬에 대한 바울의 권면

정복희(JEONG Bok-Hee) 장로회신학대학교 기독교사상과 문화연구원 2018 장신논단 Vol.50 No.3

정류 이상근 박사는 고린도교회의 주의 만찬에 관한 본문(고전 11:17-34)을 주석하면서 사회-역사적 접근을 시도하면서도 조직신학적 접근을 보여준다. 이런 그의 접근 방법은 바울이 주의 만찬에서 보여준 권면의 사회적 맥락을 놓치게하는 한계를 가진다. 또한 정류는 바울의 권면을 믿는 자들의 개인적 회개로 이해함으로써 본문의 내용을 제한시키는 오류를 범하기도 한다. 그럼에도 불구하고, 정류가 주의 만찬에 관한 주석에서 성찬의 수평적, 수직적 교제에 대해 강조하고 이들이 서로 별개가 아니라고 주장한 것은 탁월한 해석이다. 바울은 고린도교회의 주의 만찬에서 발생한 분열은 교회를 부끄럽게 한 것이며 ‘주의 만찬’을 ‘자기의 만찬’으로 만든 것이라고 책망한다. 바울은 고린도 교인들 간의 수평적 교제를 손상시킨 것은 주와의 수직적인 교제를 훼손한 것과 다르지 않다고 말한다. 그러고 나서 바울은 주의 만찬에서 ‘가지지 않은 자들’과 ‘가진자들’의 수평적 교제와 고린도 교인들과 ‘주(主)’와의 수직적 교제를 회복하도록 권면한다. 그러므로 바울이 고린도 교인들을 향해 “자기를 살피고”, “서로 받아들이라”고 한 것은 주의 만찬에서 수평적 교제의 회복을 의미하는 동시에 ‘주(主)’와의 수직적 교제에 대한 회복을 의미한다. 지금까지 한국 교회와 교인들은 성찬을 “개인적이고 영적인 구원의 도구”로 이해하는 오류를 범하여왔다. 이런 시점에서 주의 만찬의 수직적 그리고 수평적 교제의 중요성을 강조한 정류의 주석은 오늘 한국 교회의 성찬의 의미를 회복하기 위한 해결방안을 제시한다. In his commentary on the text of the Lord’s Supper (1 Cor 11:17-34), Dr. Sang-geun Lee takes both a systematic theological approach and a socio-historical one. This tendency may cause him to lose sight of the social context in which Paul addressed his advice at the Lord’s Supper. In addition, Dr. Lee tends to limit the text’s meaning by merely interpreting the Eucharist as the individual repentance of each believer. Despite those problems, Dr. Lee’s outstanding contribution lies in his understanding of the features of horizontal and vertical fellowship in the Lord’s Supper, and particularly in his explanation of the inseparability of the two dimensions. In the text, Paul points out that the problem of the Corinthian Church’s practices at the Lord’s Supper was that they despised God’s church by misunderstanding “the Lord’s Supper” as “his own supper.” Paul rebuked the idea that ruining the horizontal fellowship would harm the vertical fellowship with the Lord. Moreover, based on the tradition of the Lord’s Supper, Paul exhorted the Corinthians to restore the horizontal fellowship between “those who have nothing” and “those who have,” and to recover the vertical fellowship between the Corinthians and the Lord. When Paul suggested to “examine oneself” and to “receive each other” at the Lord’s Supper, he was offering practical advice to restore the horizontal and vertical fellowships. In the context of Korean Christianity, Korean churches and Christians have traditionally understood the Eucharist as “individual and spiritual means of salvation.” Given this, Jeong-ryu’s interpretation of the Lord’s Supper proposes a solution for today’s Korean churches and Christians. Stressing the importance of the horizontal and vertical fellowships in the Lord’s Supper, Jeong-ryu asks for the recovery of Ecclesiology and Christology in the Eucharist today.

유성기음반에 나타난 합주 <청성곡> 연구

정소희(Jeong, So-Hee) 한국국악교육학회 2016 국악교육 Vol.41 No.41

청성곡은 한국음악에서 가장 많이 연주되는 정악독주곡인데, 20세기 초의 유성기음반에 따르면 세악합주 · 양소병주 · 단소병주 · 장고반주의 단소독주 · 무반주 대금독주 등 다양한 형태의 음악으로 연주되었다. 본 논문은 합주편성의 청성곡 음원인 《아악정수》의 <요천순일지곡>과 ‘빅타’판 양소병주 <청성곡>의 음악요소를 분석하고 편성 악기의 선율관계를 조명하여, 청성곡이 현행의 독주곡이라는 인식을 벗어나 다양한 연주형태로의 가능성을 모색하는데 연구의 목적이 있다. 세악합주 편성의 《아악정수》 <요천순일지곡>은 총 5각 2박으로 이루어 졌고, 장고가 편성되면서 가곡과 같이 일정한 한배로 합주하였다. 생황 · 단소 · 해금이 같은 옥타브에서 유니즌(Unison)으로 연주하였는데, 특히 단소는 다양한 꾸밈음을 첨가하여 선율을 연주하였다. 대금은 현행의 대금독주 <청성곡>과 다르게 한 옥타브 아래인 저취(低吹)에서 연주하는 베이스의 역할과 선율악기의 역할을 동시에 하였다. 양소병주 편성의 빅타판 <청성곡>은 총 4각 11박으로 구성되어 있고, 장고가 11박+5박의 가곡 장단을 연주하였다. 단소는 독주 <청성곡>과 동일하게 화려한 선율로 양금의 여백을 채우며 주도적으로 선율을 연주하고 있었다. 양금은 ‘♩.’ 의 단순한 리듬으로 골격음을 연주하며 보조적인 역할을 하였는데, 동일음을 반복할 때 같은 음을 연주하지 않고 옥타브를 상하행하며 연주하였다. 요컨대 두 개의 합주 <청성곡> 모두 가곡과 같은 장단과 짜임새로 구성되었는데, <청성곡>이 가곡에 원류(原流)가 있기 때문이라 할 수 있겠다. 합주 <청성곡>의 선율분석을 통해 대금이 저취 · 평취 · 역취의 다양한 음역대를 연주할 수 있는 악기이기 때문에 베이스의 역할과 선율악기로서의 역할을 동시에 하고 있다는 점을 알 수 있었다. 단소는 세악합주의《아악정수》<요천순일지곡> 보다 양소병주의 빅타판 <청성곡>에서 더욱 화려하게 선율을 연주하였는데, 세악합주보다 양소병주 악기편성에서 단소의 역할이 확대되고 있는 양상으로 볼 수 있다. 20세기 초에는 동일한 <청성곡>에서 합주 편성에 따라 각 악기들의 선율을 다르게 운용하였다는 점을 알 수 있었다. ‘Chung-Sung-Gok’ was one of the most popular Korean traditional solo music, according to gramophone records in early 20th century, it was played in the various forms of musics such ‘Se-ag’ ensemble, ‘Yang-so’ duet, ‘Dan-so’ duet and ‘Dan-So’ solo accompaniment with ‘Jang-go’ as ‘Dae-gum’ solo. I’d like to suggest that the recognition of ‘Chung-Sung-Gok’ as a solo playing should be changeable to the various instruments playing through this thesis, by analyzing musical elements and lighting ‘Yocheonsunilgigok’ in ‘A-ag Jeong-su’ which was an origin of ‘Chung-Sung-Gok’, and analyzing ‘Yang-so’ duet ensemble of ‘Victor’ records. ‘Yocheonsunilgigok’ in ‘A-ag Jeong-su’ was composed 5 times with 2 beats In addition of ‘Jang-go’ it was played a tempo like Gesang. And ‘Saeng-whang’. ‘Dan-so’ and ‘Haegum’ was played at the same octave, especially ‘Dan-so’ was played with various ornaments. ‘Daegum’ had the role of base and melody which was played in a low sound with one down octave deferantly with current ‘Daegum’ solo ‘Chung-Sung-Gok’. ‘Yang-so’ duet ensemble of ‘Victor’ record was composed total 4 times and 11 beats, and ‘Jan-go’ was played on a ‘Gesang’ rythem with 11 times plus 5 beats. ‘Yanggum’ had subsidize role playing with a simple rhythem ‘ ’. When a music was playing with the same rhythem it’s octave was changed on one octave high or low. In short, two of the ensemble songs of ‘Chung-Sung-Gok’ consists of the same tune and texture, because this song’s headwaters was origined by ‘Gesang’. Analyzing the melody relatations of ‘Chung-Sung-Gok’ in each instruments, I found that ‘Daegum’ had not only the role of base and but melody, because it is a good instrument which is played in row, middle and high sound level. ‘Dan-so’ melody was played more splendidly on ‘Chung-Sung-Gok’ than ‘Yocheon-Soonil’ in ‘A-ag Jeong-su’ with ‘Se-ag’ ensemble. It is because the role of ‘Dan-so’ was so increased in ‘Yang-so’ duet than in ‘Se-ag’ ensemble. It seems that the melody of several instruments was played deferantly on the same ‘Chung-Sung-Gok’ play, in early 20th centry, depend upon composing of the instruments.

오정희 소설의, 욕망하는 주체와 경계의 글쓰기

정연희(Yeon Hee Jeong) 한국현대소설학회 2008 현대소설연구 Vol.- No.38

This study try to research that the characters of the novel 『the Fire on the River』 are the Subject of a desire. The novels of the writer O, Jeong-Hee always expresses the desires which cannot be true in the real world. But the characters of the novel never give up their over-desire. Because of that, her novels don`t show a normal, a common sense sometimes. The writer O introduces a certain discussion that implies a view of others. In that context, her novels got trouble to give a consistent meaning. That mean a lack of narrative in her text. Because of that, she introduces poetical expression. The characters of the novel are the subject of a desire, as mentioned before. They miss something to desire. But they never reach the goals. They are a kind of `Splitted Subject`. They ask `Who I am`, `What I want` to themselves always. So, they are expressed as a being in front of the Window of Fantasy. The Window of Fantasy means a bother between the Symbolic and the Real. The characters are a Splitted Subject in the bother. In that meaning, we can call O`s novels as a symptom of realism which orient a unification and order. The creative writing of O is `a Writing in the Bother`. Writing in the Bother has a trouble to express storyline normally. The writer O overcomes it`s limitation with poetical expression. The Writing in the Bother is good for showing some will and tension against a life which means vulgarity and emptiness.