Accompanimeny for Animal Rhythms

한경순 상명대학교 논문집 1972 상명대학교논문집 Vol.2 No.-

Every has rhythm. It is visible in all people and all of nature. When muscular coordination is present, we are always of the rhythm, but whether this coordination is visible or not, rhythm impulses are dresent. The development of muscular coordination of the youngchild leads to more enjoyment of rhythmical actrvities. Natural rhythmic activities should be eneourged in the young child because of the enjoyment and benifits the child derives from them. Rhythms develop muscular coordination, and thus skill in all phases of recreation is developed. All animalc have a natural grace and rhythm, and after enperience with fundamental rhythms, children will readily enjoy portraying the rhythm of familiar animals. The purpore of presenting this article is to provide accompanists with the pieces that covered animal rhythms, suck as lion, bear, forg, sqoirrel, donkey, snake, horse duck, raffit, peal, camel, kangaroo, and elephant. The pieces are composed to provide musical materical that would be improvised for the benifit of pianists who are unable to improvise themselves. Each piece has beem composed with one particular musical feature in mind which should be broght out in the movement. Each piece has also been composed with a view to suggesting a particular type of movement. The writer wishes that the pieces could well belong to more than one categorg and could therefore be used in different ways. For enample, music for“squirrel” might well be thought suitable for“quick and light mivement”;music for “elephant”might equally do for “heavy and slow movement.

衣服着用과 衛生과의 關係

韓京順 順天鄕大學校 1978 의대논문집 Vol.3 No.-

衣服着用과 衛生과의 關係

韓京順 朝鮮大學校 醫學硏究所 1978 The Medical Journal of Chosun University Vol.- No.-

흡연 중학생의 흡연에 대한 태도 유형

한경순,문선영,최용희,오복창,김신정 지역사회간호학회 2002 지역사회간호학회지 Vol.13 No.3

The purpose of this study was to understand and analyze the subjective structure of attitude The method was based on a Q-Methodological approach. The results of this study, there were four categories of smoking middle school students' attitude about smoking. The first type named Self Belief type that this type didn't sensible of their surrounding persons when they were smoking and they also were responsible for strong opinion at their behavior. The second type named Other's Awareness type that they were seen the behaviors they always have to see other person when they were smoked, but if they didn't smoke or have tobaccos they feel heavy and are restless. The third type named Solving of Anxiety type. They first used to smoke when they wanted to solve their anxiety, stress, awkwardness and angry. The fourth type named. A Sense of Belonging Group type. This type followed if their friends were smoking they also did it with them. As to grasping of their motivation to smoking of middle school of students with smoking, they felt some intimacy and same quality each other. In consideration of various types of attitude about smoking, it was very necessary important to grasp the meaning because we were known about attitude, belief etc. And then Through getting hold of the meaning, we could understand with their thought and value of Students in middle school. Besides, as a substitute for the students were depending on smoking purposelessly will fix right selfconfidence.

우리나라 사회교육 기관의 형태분류에 대하여

한경순 江南社會福祉學校 敎育學科 1986 敎育學硏究 Vol.- No.2

이동형 치과 X선 발생장치 사용실태와 위험지각

한경순 한국치위생과학회 2014 치위생과학회지 Vol.14 No.4

The aim of this study was to analyze perception of risk and using status of hand-held dental x-ray unit among dental hygienists in metropolitan area. This research was based on perception of risk and using status of hand-held dental x-ray unit survey in 257 dental hygienists from July 7 to 31, 2014. Data were analyzed with t-test, one way ANOVA, and multivariable logistic regression analysis using SPSS Windows 21.0 program and significance level was set at p<0.05. The hand-held dental x-ray unit to cover all type patients was 24.8%. The 62.6% of patients and 81.3% of operator doesn`t wear lead apron, the experience rate of radiation education was 40.1%. The average of risk perception was 3.08 points. The associated factors of risk perception were career, number of radiation exposure per day, and possession of fixed x-ray unit. The increased of accumulated dose when the occupationally exposed work continues, it is necessary to effort of defense against dental radiation.

나는 불량아예요

한경순 열린전북 2006 열린전북 Vol.2006 No.7

중국 明代 寺觀壁畵 製作技術에 관한 연구

한경순 한국불교미술사학회 2013 강좌미술사 Vol.41 No.-

It is believed that wall paintings was essential element in the most buddhist temples since the first temple was constructed in the 4th century in Korea. However the earliest remaining paintings are the ones of the 14th or 15th century due to the traditional practice of renewing wall paintings in the process of rebuilding or repairing a timber building. Therefore, most buddhist wall paintings remained in Korea are the ones which was produced in the 17th century or later periods so that it has been difficult for the present conservators to understand the production techniques of earlier wall paintings. The purpose of this study on the production techniques of wall paintings during the Ming period, is to identify that of Korean buddhist wall paintings. Compared to the lack of the Korean one, there are many remaining examples of the buddhist wall paintings of the Ming's in China along with the related records so that they can be useful referencing information to study of the Korean one. Considering such circumstances the author had examined the periodical characteristics of production techniques of the Chinese buddhist wall paintings in the Shanxi province(The Journal of , Vol 26, 2006). As a next step to focus on a specific period this study has examined the wall painting techniques of the Ming period. Based on the field survey in 20009, it has studied production techniques and the materials applied to the wall paintings of the Ming period, aiming at deducing that of Korean buddhist wall paintings during the early of the Joseon Period. Murals in temples of the Joseon era were produced with wooden materials for characteristics of a wooden structure. Wall production had the horizontal material, cornice, crossing of column to column, and wooden material, called the "reinforcing post", installed as vertical material. With the completion of frames for central walls, straight and sturdy tree branches were set in a cross shape and this is called lath strips, and the basic frame was completed with the knotting of the area with straw rope. On the traditional coloring method of murals in temples, it is generally referred to as the Secco Technique, the opposite concept of the Fresco Technique. This is the expression applied from the western-style mural production technique, but Korea's production technique of mixing the pigment and medium on the dried wall is sufficient. For the medium, glue and fish glue are mainly used, as described earlier. Once the painted wall is completed, the ocher soil or noe-rok is used for the base painting. Then, the painted side, namely the ground, is made. The ground painting is not a work to be finished all at once, but involves several repetitions of 3~10 times on the thickly-made ground color to build up a stable and soft ground painting. The painting is drawn on a ground color such as this, and small holes are made following the preparatory drawing on paper. This preparatory drawing is attached to the wall and a powder bag, with the face powder or red pigment powder, is pounded in order for the powder to disperse out of the holes to show the sketch of the painting on the wall. This is referred to as pounced drawing. The painter then draws lines with a brush along it, and the coloration is applied to finish the painting. However, a skilled painter would not go through the pounced drawing, but would draw the sketch directly in Chinese ink. The method of coloring to obtain the color of the desired density by several applications would suffice, and conservation lasts very long as well. The sequence of painting has the first application of a dark color such as red, green, or blue, and the bright colors that tend to become discolored easily, such as yellow or white, is applied later. If the simple painting is repeated, it can be simply processed in work divisions for each process. 4세기에 불교의 전파로 많은 사원과 관련벽화가 제작되었을 것이다. 현존하는 사찰벽화로 그 시기가 이른 것들은 高麗 末 朝鮮 初인 14, 15세기이며 대부분의 사찰벽화는 조선 후기인 17세기 이후에 제작된 것 들이다. 중국 明代의 사관벽화 제작기술에 관한 연구의 궁극적인 목적은 수가 적어 연구의 어려움이 많은 이른 시기의 한국 사찰벽화의 제작기술을 규명하는 것이다. 적은 양이 남아있는 우리의 현실에 비해 동시기인 중국 명대에는 남아있는 사원은 매우 많다. 필자는 최근까지 중국 산시 성을 중심으로 명대의 사관벽화의 제작방법과 재료적 특징을 조사하였다. 선행연구로 산서지역 전체 사관벽화의 분포현황과 시대별 사관벽화의 제작기술에 대한 특징을 연구(강좌미술사, 26호, 2권, 2006)하였고 이번 연구는 명대를 중심적으로 조사한 내용들을 정리하였다. 중국 전체에 남아있는 명대의 사관벽화는 과거에 비해 화면의 구도나 인물조형 등이 매너리즘에 빠진 작품들로 평가되는데 필자가 살펴본 명대 사관벽화는 전대의 금이나 원대 벽화에서 느낄 수 있는 생동감을 계승하였고 어떤 면에서는 발전시켰다고 평가한다. 이번 연구를 통해 명대의 독특한 채색기법을 꼽는다면 두 가지라 할 수 있다. 첫 번째로 서양의 템페라 종교화에서 볼 수 있는 입체선 제작에 금박으로 마무리한 점이다. 명대 이전과는 비교 할 수 없는 보다 화려하고 섬세해진 점이다. 또 다른 하나는 명대의 서양식 음영기법이라 할 수 있는 윤곽선 바림기법이라 할 수 있다. 과거의 선적인 묘사와 평면적인 채색에서 음영을 이용한 입체효과를 일반회화가 아닌 종교벽화에서 표현한 점이다. 중국의 사관벽화를 조사하면서 보존성에 놀랐는데, 벽체제작에 사용된 흙벽돌이나 날벽돌로 쌓은 벽은 계절별 온, 습도변화에 적응력이 우수하다는 점이다. 습기와 열기가 벽체 내부에 쉽게 흡수되고 발산되는 구조적, 재료적 장점을 갖고 있다는 것을 알 수 있다. 흙벽돌이나 날벽돌로 쌓은 벽의 수축률은 벽 외부를 마감한 벽체의 진흙과 가깝기 때문에 벽체 층간에 수축률이 달라 생기는 균열과 박락을 막아주며 자연스러운 통기가 가능하다. 이로 인해 벽체가 오랫동안 보존될 수 있어 벽화도 수명이 길수 있음을 알 수 있었다. 중국 고대의 사관벽화를 지금도 볼 수 있는 이유가 이러한 과학적이고 합리적인 벽체제작기술이 이유일 것이다. 현재 남아있는 이른 시기의 한국 사찰벽화에 대한 제작기술 관련연구는 중국에 비해 한계점을 갖고 있다. 그는 남아있는 절대수가 매우 적은 탓일 것이다. 그로 인해 전통재료와 제작기술에 대한 세세한 연구의 한계는 있으나 명대 사관벽화에 비취 볼 때 우수한 기술이 국내에서도 존재했을 가능성은 높다. 한국의 경우, 외부 물리적 피해가 없었더라면 많은 사찰벽화가 남아있었을 것이다. 그러나 적은 수의 사찰벽화에서도 명대벽화의 우수한 토벽기술을 발견할 수 있으며 오랫동안 보존이 가능한 점에서 명대 또는 그이전의 기술을 계승 발전하였다고 할 수 있다.

금산사미륵전 외벽화 보존처리된 벽체의 분석 연구

한경순,이상진,이화수 한국문화재보존과학회 2010 보존과학회지 Vol.26 No.4

1993년에 해체 및 보존 처리된 금산사미륵전 벽화는 현재 박락과 균열, 박리와 같은 심각한 손상이 진행된 것으로 조사되었다. 금번 분석조사는 향후 진행될 금산사 미륵전 벽화 보존처리를 위하여 과거에 처리된 벽체의 재료적 특성을 파악하기위해 진행되었다. 손상이 가장 심한 남측 벽의 벽체를 대상으로 하였으며 시료는 남측 2층 외벽의 불벽과 포벽화의 마감벽, 중벽, 배면 보강부의에서 박락된 벽체시료를 채취하여 미세구조와 화학성분 , 결정상, 그리고 입도분포를 중심으로 분석하였다. 분석결과, 불벽과 포벽의 마감벽은 유사한 풍화토를 사용하였고 중벽 또한 유사한 모래와 풍화토를 사용하였으며 비교적 균일한 크기와 모양의 광물 입자들의 집합체로 구성되어 있으나, 과거 보존처리 과정에서 벽체의 보강을 위해 사용한 아크릴 계열의 경화제의 영향으로 광물 입자들이 응집되어 매우 단단한 응결체 (aggregate)를 형성하고 있는 것으로 확인되었다. 벽체의 배면 1차 보강층과 배면 2차 보강층은 석고(CaSO4 · 2H2O)가 주 결정상인 것으로 분석되었으며, 모래와 점토광물이 소량 함유되어 있는 것으로 판단된다. 향후 보존처리는 부분적으로 경화된 벽체후면에 대한 조치와 1, 2차보강층의 제거가 우선적으로 진행되어야 한다.

시스틴 소성당 미켈란젤로 벽화의 보존학적 비평

한경순 서양미술사학회 2002 서양미술사학회논문집 Vol.17 No.-