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유아 자아개념과 가족상호작용이 유아 지능에 미치는 영향
추은희 열린부모교육학회 2019 열린부모교육연구 Vol.11 No.3
본 연구는 유아 자아개념과 가족상호작용이 유아 지능에 미치는 영향력을 알아보는 것을 목적으로 한다. 이를 위해 육아정책연구소의 한국패널 6차년도(2차심층조사)K-WPPSI 자료와 6차년도 조사 자료를 사용하였으며 60~66개월 319명의 유아를 연구대상으로 한다. 연구대상의 인구·사회학적 배경은 빈도분석을 하였고, 검사도구의 신뢰도는 Cronbach’s α로 검증하였으며 각 변인들은 Pearson 적률상관분석과 단계적 중다회귀분석을 통해 검증되었다. 연구결과, 첫째. 유아 전체 IQ와 가족상호작용 간에 정적상관관계가 있는 것으로 나타났고, 유아 전체 IQ와 유아 자아개념 간에는 유아 자아개념의 하위요인인 중요성과 정적상관관계가 있는 것으로 나타났다. 둘째. 유아 자아개념의 하위요인인 영향력(power)과 중요성(significance)이 유아 동작성 IQ를 예측하는 유의미한 예측변인으로 나타났고, 유아 자아개념의 하위요인인 중요성(significance)과 가족상호작용의 하위요인인 모응집성(cohesive)이 유아 언어성 IQ를 예측하는 유의미한 예측변인으로 나타났다. 또한 가족상호작용의 하위요인인 모유연성(flexibility)과 유아 자아개념 하위요인인 중요성(significance)이 유아 전체 IQ를 예측하는 유의미한 예측변인으로 나타났다. 본 연구 결과를 통해 유아 지능과 관련된 예측변인을 파악하고 유아 지능에 대한 이해를 높이기 위한 방안에 대한 시사점을 얻을 수 있었다.
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萩原朔太郞論 : “氷島”를 中心으로 한 人間과 作品 “氷島”를 中心으로 한 人間과 文學
秋恩姬 淸州大學校 1982 論文集 Vol.15 No.1
新體詩以後 近代詩が現代詩にと變遷するまでの時代的變化の中で, 只一すじ詩にのみ生きつくした詩人. 萩原朔太郎, 彼は正常で, 普遍的人生を步んだのではない. 病的なまでに纖細な詩人の感覺は初期の作品 "月に吠之る", "靑猫" 等の獨特の幻想性から末期の氷島に至っては, 彼のとりまく現實の孤立に追いこまれた一種の病的現狀を見ぬく事が出來る. 初期作のすなきった純粹性が深まれば, 深まる程, 彼におかぶされた現實と未來は, 暗膽のそのものであった. 主に, この論旨においては, 萩原朔太郎の現實とのあいだにおこる不和音のぎしり叫び聲がくが “氷島"の詩的生活を主軸にした. 彼の孤立する人間生活, 詩的生活においての究極の叫びは叫この一群の "氷島"に集められた. 朔太郎は, "氷島"の諸詩篇をつらぬく具體的な動機について語っているように, 「この詩集に收めた少數の詩は, すくなくも著者にとっては, 純粹こペッシヨネ一トな詠嘆時であり, 詩的情熱の最も純一の集奮だけを, 素朴直?に表出した. 一略一單に「心のままに」自然の感動に任せて書いたのである」と述べている. 初期の作品において試園した口語詩の限界をおどろくべき高さにまで持っていったが, 晩年の "氷島" においては未熟生硬の言語―卽ち文語の道に隨ちてゆくけれども, 結局彼の詩精神はこの不滿足な詩語の外に, 他にゆくべき道をすら持たない狀態にまでいった. 無力な人生, 常にあてなく深流する魂の叫びを集めるには憤怒と, 憎惡と, 寂寥と, 懷疑, その一切の烈しい感情だけであった. これは彼の "氷島" において文語文章で書いた理由の中にはっきりと述べているように生活は, 生活の破産と共に精神の危機に直面した詩人の意識にあるのは, 生きつづける爲におこる生活の經驗, その銳い不협和音中においてのみ詩を發想した. これは確かに詩人の本質的な不幸であるといえるけれど筆者は, この不幸をして 偉大なる詩を生きた朔太郎の詩的精神を高く評價したぴ, 普遍的な人間にとっての不幸は人をして奈落のどんぞこに減亡させてしまうけれど, 彼の高貴な詩的精神は, これらの不幸を循にして純粹なる藝術の行く道を表わしてくれた. この詩集の全薦に流れる眞の "絶叫" の意味を解く事は難しい. だが藝術の, 人間の內部においての假聲ではなく, 眞に迫った切實なる根源的な生そのものに肉迫していく問答であればこそ, その徹底した詩精神な高く評價したい. 裕福な家庭に生れ育ちながら, 平凡幸福そのものに背を向けて一人淋しく步みゆく詩人の人間と作品, 特に晩年の "氷島" を中心にして萩原朔太郎の文學の世界を一べ瞥した. 初期の作品のしめやかな幻想性は後の宿題に殘して眞實に生きた一人の詩人の高き藝術の世界, "氷島" の世界に見られる絶望を詩の場にした努力が, 亦新たな詩的思想を表出させたと筆者は考える.
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李箱文學의 斷絶意識과 波壞的 要素 : 李箱의 人間과 文學
秋恩姬 淑明女子大學校 1976 論文集 Vol.16 No.-
Literary traces left behind by a writer Lee Sang, who lived only for 20 years from 1910 and 1937, are so great. Real artists are to take the lend on the extremity of an age and be focused on by all consciousness, which is a word applicable to the writer Lee Sang. The Literary characteristics that enchanted this author a lot during her studies of his literary works, poetry, novels and essays was his confrontation to himself, which implies a complete fatalistic loneliness of the contemporary age. Living in earnest, floundering amid a life and watching so heartlessly as much ghastly painful traces in his fragments of a life torn to pieces, the writer Lee Sang felt even a pleasure over human nakedness. He was only such a writer, and as one of unique intellect and sense, he was so enthusiastic over representing his own stances of literature. Although he was not brought to fruition of a certain cause which an artist has to accomplish, he was building a literary world of his own uniqueness that rejects any immitations from others. Even when society and reality were tuning the face aside from him, he found himself profound depth of literature and was bringing down ruin upon a life. His character-A bankrupt and deformed life crippling in reality. Physically experiencing, his literary stage was drawn seriously into the whirlpool of the classic and modernity. His traces as an enthusiatic practician cannot be wiped out from the history of literature, even if the modernity that his sharp literary spirit planted in this land is quite strange to us. The writer of this thesis studied Lee Sang's humanity reflected in his works. Always keeping away from a real life, he repeated painful literature, in which he accumulated aesthetics of contradiction. Nihil, suffering from loneliness and sense of being estranged with which the writer Lee Sang lived make all the readers shudder, but the fragrancy of decadency emerging from his profound literature, which cannot be neglected, becomes an absolute concern to all the students of his literature until these days. At the sacrifice of himself, the writer Lee Sang, so his life wholly exercised in literature, could not evade a disjoined destiny on the bridge extending from the old to the new culture. The writer Lee Sang who thought living as daily rehearsal ground toward death ended before accomplishing a glorious sunshine of a new life again. But the individuality of his literature is still presenting us many questions. As a criterion of the modern Korean literature, his literature emerging from his unique personality had no other way but to disrupt fatalistically. However, it would be significant for us to re-examine the meaning of why the artistic fragrancy eomerging from his complete denial of human spirit is embedded in tht mind of so many literary students now and future.
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