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최두식 한국고시가문학회 2005 한국시가문화연구 Vol.0 No.15
In Kumkang-yuramga, the author creates the beauty of consensus, looking at Mt. Kumkang in the viewpoint of Buddhism or in the viwpoint of Zen, or in his own viewpoint of art. The author's aesthetic expression only gets near the approximation of absolute beauty, at its maximum. The absolute beauty is like the word "tob" in Hebraic bible. It doesn't mean the common visual beauty seen by human, but it means "It was good.", which refers to the perfect beauty seen by God. The original Hebraic biblical word for "It was good" is "tob". Before they became corrupted, men reached the state of "tob", the world of absolute beauty, but after they became corrupted they went blind and have been chasing after their own beauty ever since, looking at the other things in the viewpoint of various ideas. They even ended up looking at the state of God in the wrong viewpoint.
최두식 韓國比較文學會 1994 比較文學 Vol.19 No.-
Korea and china have shared the genere of historical poetry which is centered on Chinese history(詠史詩). Chinese characters are used in both poetries, not to speak of identical forms and materials. Historical poetry in the ShiJing(詩經) has the nature of ritual myth, wich has had a great effect on Korean historical poetry. During the period of late T'ang Dynasty, Tu Mu(杜牧) and Ll ShangIn(李商隱) were progressive poets, who tired, by means of the allusion to past historical facts, to eliminate the injustice and corruption of the then ruling class. The two poets' works which have the tendencies of social reform in them influenced Korean poetry. However, Korean historical poetry did not imitate them but prepared for the critical domain on her own. With the advent of Hang ul, the Korean phonetic characters, Korea came to develop her own original historical poetry. It has chiefly been composed in accordance with the form of a long poem The materials of Korean historical poetry have been changed from the conventional stress on Chinese history to the emphasis on Korean history.