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초산모의 어머니 역할수행에 대한 자신감과 만족도에 관한 연구
정은순,한명은 여성건강간호학회 1999 여성건강간호학회지 Vol.5 No.1
This study examined the correlation between of self-confidence anal satisfaction in maternal role performance among primiparas. The subjects were 144 mothers, who were recruited from four General hospitals in Pusan. The data were collected from May 1, to August 31 in 1997. Self-confidence in ability to cope with tasks of motherhood and mother's satisfaction with motherhood and infant care were measured by the scales developed Lederman and associated(1981). Percentage, t-test, ANOVA, and Pearson Correlation Coefficient were obtained by using SPSS program. The results of the study were summarized as follows, 1. The degree of self-confidence in maternal role performance was above average with a mean score of 2.60. 2. The degree of satisfaction in the maternal role performance was above average with a mean score of 3.20. 3. There were positive correlations between the degree of self-confidence and the degree of satisfaction in the maternal role performance (r=.3035, p$lt;.001). In conclusion, since self-confidence in maternal role performance is positively related to maternal satisfaction in the role performance, nursing intervention to improve maternal role performance may lead mother's increased maternal self-confidence and satisfaction in maternal role performance. Further research is needed to prove the causality,
정은순 여성건강간호학회 2001 여성건강간호학회지 Vol.7 No.4
This study aims at examining relationships between body mass index and perceived body shape and image. Using a purposive sampling method, 404 female college students were recruited from three universities located in Busan from April 2000 to June 2000. To classify the levels of obesity, Broca's method was used. Secord & Jourard's Body Cathexis Scale(1953) modified by Kim mi ok(1997) was also used to measure body image. The collected data were analyzed with the percentages, Mean, Standard deviation, T-test, and Pearson correlation Coefficient. The results of this study were as follows. 1. 56.4 % of subjects were under weight, and 42.1% were normal for BMI. 2. 55.9% of subjects were very satisfied with their body shape and 15.1% were satisfied. 3. The mean values of perceived body shape according to the BMI were 3.0 for the overweight group, 2.65 for the normal weight group, and 2.21 for the low weight group, the mean differences among three groups were significantly satisfied (F=21.42, P =.000). 4. The mean scores of body image according to the BMI was 160.21 for low weight group, 155.57 for the normal weight group, and 140.0 for overweight group. The mean differences among the three groups were not significantly satisfied. 5. The mean scores of body image according to perceived body shape were 178.19 for the satisfaction group, 161.08 for the moderate group and 150.82 for dissatisfied group. The mean differences among the three groups were significantly satisfied (F=35.72. P =.000). 6. There were high positive correlations between BMI and perceived body shaper (r= .317) and between perceived body shape and body image (r =- .415).
M. Ravel의 두 대를 위한 피아노곡 Rapsodie Espagnole에 관한 고찰
정은순 全南大學校 藝術硏究所 1997 藝術論集 Vol.2 No.-
Maurice Joseph Ravel(1875-1937) is one of the most important composers who are representative of France Impressionism as well as Claud Achille Debussy(1862-1918) Impression in music was a musical movement to begin in France, early 20c and Ravel took an active part from the end of 19c to the beginnig of 20c. He was in a turning point to new music. He accomplished new idiom by means of Impressionistic method that was based on the traditional musical form. He composed objectively and used to use Chinese and Arabic modes, systematic, regular rhythms and clear melodies. Therefore we can find an exotic mood in his works, but the guality of his music was based on a firm, classical styles. <Rapsodie Espagnole> was composed in 1907 when he reached maturity. Generally speaking, it is considered that this work represents Impressionism by the Spanish music on the base of a kind of classic structures, - that is - so to speak - his individual style. This work includes four parts as follows: Ⅰ. Prelude a la nuite Ⅱ. Malaguena Ⅲ. Habanera Ⅳ. Feria [Prelude a ia nuite] is a three parts form with an introduction and cadence. The end of second and third parts have individual cadence. [Malaguena] is a two parts form, but, <en Recit> and cadence develop freely. [Habanera] is A-B-A, simple three parts form, but it is an important point that it has typical rhythm of Habanera. The final, [Feria] is a three parts form composed of A-B-A_Coda and it is the longest and the lagest style. As the result of this study, I can realize his Impressionism based on the classicism and can grap his musical idea. For excellent performance, we have to be able to represent his objective impression and delicate feeling by the subtle technics.