중국문화 원류로서의 동이문화 고찰

이인택 중국어문학회 2000 中國語文學誌 Vol.7 No.-

This paper deals with the existence and position of Dong-yi culture in ancient China viewed from mythic and linguistic perspective, and investigates that Dong-yi culture has played a considerably important role as the origin of Chinese culture. Basically, ancient China had formed the coexistence structure of pluralistic and diverse culture such as civilization of Yellow River, Yangzi River and Liaoning Province, and also consisted of multiple races such as Dong-yi, Hua-xia and Miao-man tribes, among which Dong-yi tribe, as major group, had presumably played an active part for more than thousands of years since prehistoric time. In conclusion, we can assume that Dong-yi culture has a couple of characteristics as follows: shaman culture, worship of sun and bird and so on. Moreover, Dong-yi's altaic language had effected on the structure of word order of ancient Chinese, which means the power of influence of Dong-yi culture. For example, it is easy to find the word order pattern of S+O+V of altaic language in Confucius Analects, Book of Songs, Sayings of Zuangzi, etc. In brief, ancient China had not formed a mono culture made by Han tribe only, but consisted of multiple cultures including Dong-yi culture.

T3 복막 외 직장암에 대한 복강경 절제술

이인택,최규석,조민정,전수한 대한외과학회 2006 대한외과학회 학술대회 초록집 Vol.2006 No.11

唐代變文『妙法蓮華經講經文』的文學化過程硏究 - 以與漢譯『妙法蓮華經』比較探?爲中心

이인택 한국중국학회 2007 國際中國學硏究 Vol.0 No.10

R과 Rstudio를 활용한 공간자료의 동적인 시각화

이인택 대한지리학회 2016 대한지리학회 학술대회논문집 Vol.2016 No.6

중국 창조 신화의 비교학적 분석

이인택 한국중어중문학회 1999 中語中文學 Vol.25 No.-

타이완 원주민 인류기원 모티프 신화 분석- 排灣族, 卑南族, 魯凱族 신화를 중심으로 -

이인택 한국중국언어문화연구회 2013 한중언어문화연구 Vol.- No.33

This article deals with the characteristics of myths of Paiwan, Lukai and Beinan resided in Taiwan, and also tries to make a search for the relation among these tribes more deeply, based on the mythic stories. There are few world creation stories in Taiwan alpine tribe’s myths, but on the other hand there are plenty of myths related with the human origin. Accordingly, this article is mainly focusing on the creation of humankind, especially the progenitor of the tribes. Generally speaking, these three tribes have the common mythic patterns, which show us their strong blood and culture relation. At the same time, each tribe has different mythic elements, due to the frequent exchange with the other tribes besides these tribes in a tiny island. Especially, the coexistence of diverse patterns like birth by stone or bamboo and incubation of egg by the sun or snake in a tribe’s myths reflects the influence of the mutual relation or unity between tribes with different totems. And we can presume that the formation of Taiwan alpine culture originated from the culture of southern areas such as Indonesia, Philippine on the one hand, and the culture of southern China on the other hand, through the research on the bamboo myth and the close relation between Taiwan alpine language and Indonesian language, and in the light of the partial similarity of Taiwan alpine myth and Chinese one. Meanwhile, the pattern of egg birth by the sun in Taiwan alpine myth is slightly different from the type of oviparity by sunbird, which is popular in the cultural area of east sea including Dong-yi culture.

A study of Mutianzizhuan - focusing on content and dating -

이인택 한국중국학회 2005 國際中國學硏究 Vol.0 No.8

The dating of Mutianzizhuan which is different between the Spring & Autumn Period and the War States Period, depending on opinions of scholars, is also a disputable issue. It is necessary to study the dating of the book because the dating is an important factor to judge whether or not the value of the book is as a mythic or historical source. This paper deals with Mutianzizhuan by further discussing its historical and mythic value mainly from a linguistic point of view, focusing on the content and dating. I have studied the linguistic features of Mutianzizhuan composed of 6,622 Chinese characters, especially the usage of numerals and measure words, the ratios and word orders of the preposition ‘yu(于)’ and ‘yu(於)’, and personal pronouns to resolve the problem of dating. In conclusion. Mutianzizhuan is a work made during the late Spring & Autumn and Warring States Periods, and it was indeed also mixed with ancient Chinese mythic elements. Therefore it is very difficult to say whether or not it was an authentic work of King Mu's period in terms of time gap and content. However, it is also hard to conclude that it is a complete forgery with no background, It is worth researching such aspects as the ancient geographical situation, the mutual friendly relationships between the Eastern and Western world, administration on horseback as well as the information about animals, plant. It is also a primary material book worthy of reference about ancient Chinese myths.

A Comparative Study on Cosmology of Chinese and Korean Myths

이인택 한국중국학회 2004 國際中國學硏究 Vol.0 No.7

Ancient myths refer to the most basic problems of human life, for they are concerned with the ultimate meaning, not only of our own existence, but of the entire cosmos as well. This paper deals with the outlook on the universe, the type of creation of each country, and the mutual influence of the two countries on each other, focusing on Chinese and Korean myths. This article is subdivided into two sections: chaos and creation of the world, and cosmos after creation. In the Chinese case, some fragments of creation myths remain in the form of both written records and oral traditions. By contrast, some vestiges of creation myths can be found in Korean shaman songs.Concerning cosmology we can summarize as follows: (1) Conditions before the beginning of the world - Chaos in both countires; (2) Creator-gods - Pan Gu and Nu Wa in China; Hwan In, Miruk in Korea; (3) Methods of creation - Transformation, or spontaneous generation in China; Partial transformation, creation by a creator, or spontaneous generation in Korea (such motifs as chaos and pillar are common in both myths); (4) The creation of a human being out of yellow clay in both countries (the motif of the transformation of a super being into human beings is found only in the Chinese myth); (5) a clear-cut difference between the two myths is that later on the relationship between heaven and humans in Chinese myth suddenly stopped, whereas the rift between the two worlds never occurred in Korean myth.

청대 소설의 신화 운용 고찰 - 『聊齋志異』,『紅樓夢』을 중심으로

이인택 중국어문학연구회 2005 중국어문학논집 Vol.0 No.35

Chinese myths have influenced the later fiction to some extent. Under such a background, this paper deals with analyzing how and why the ancient myths have been applied and transformed in Chinese fiction of Qing dynasty, especially focusing on Liaozhaizhiyi and Hongloumeng. In conclusion, the writers of Qing dynasty applied in their works such mythic motifs as transformation, rebirth, stone, quest hero, and discard motif as well as such mythic materials as dragon, water god, Xiwangmu, queer country, Yi, and Heng-e. And we can summarize how the myth is applied or transformed in fiction as follows: the addition of imagination, the intentional combination of different mythic stories, the diverse application of mythic motifs, and the exaggerative or changed description of mythic feature or image. We can also presume what Chinese writers intend to do by applying myths as follows: the exposure of official corruption, the expression of hatred and emotion, the pursuit of ideal world, the description of hope for immortality, the ridicule of unreasonable social phenomena, the appeal of sexual equality and the expression of dissatisfaction. In summary, the writers of Qing dynasty expressed their feelings and ideals through using diverse mythic materials. Accordingly, we can reassure that Qing dynasty was a period of reproduction of myths, playing an important role as a bridge connecting the tradition using myths as fiction materials to modern literature.

中國 神話에 나타난 石頭 모티프의 比較 分析

李仁澤 韓國比較文學會 1999 比較文學 Vol.23 No.-

Myths contain unique features worthy of study, and also they, as an origin of literature, affect the later literature in many respects. Recently, mythology tends to make a comparative study, because some results acquired from the comparative study of myth often lead us to re-investigate each myth individually to learn more about its relationship to other myths, its origin, and its individual characteristics. This paper deals with search for beliefs and myths related to stone out of various motifs in China, Korea, and some other countries and investigation of their types, relation, and common symbols of stone which can be said to be primitive men's way of thinking. According to my own research, the stories of stone are very popular almost everywhere in the world, and most of them are quite similar to some extent. Stone motifs can be divided into the following eight categories: birth by response of stone, personification of stone, world creation related to stone, medicine stone, stone looking for husband, stone as a test instrument in flood myth, stone related to rebirth, stone related to animal and so on. In conclusion, stones appearing in myth symbolize life force, reproduction, generation, rebirth, abundance, fertility, healing, prediction, representative of god, immortality, eternity, and so on.