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이인성,Lee, In-Seong 한국건강관리협회 1983 건강소식 Vol.7 No.2
이번호부터 새로 연재되는 의학상식 시리즈는 세계적 권위기관인 국제임상세포학회 평의원이며 미국임상병리학회 평의원인 이인성 박사가 집필해 주시기로 되었습니다. 이 박사는 또한 건협에서 실시하고 있는 자궁암검진사업의 판독을 담당하고 있는 권위자 입니다.
이인성,Lee, In-Seong 한국건강관리협회 1983 건강소식 Vol.7 No.3
지난 호부터 새로 연재되는 의학상식 시리즈는 세계적 권위기관인 국제임상세포학회 평의원이며 미국임상병리학회 평의원인 이인성 박사가 집필해 주시기로 되었습니다. 이 박사는 또한 건협에서 실시하고 있는 자궁암검진사업의 판독을 담당하고 있는 권위자 입니다.
이인성,권민희,최현미 이화여자대학교 생활환경대학 인간생활환경연구소 2005 인간생활환경연구소 논집 Vol.- No.3
Facing the early digital age, a variety of technologies has been developed to reconcile the computer's functions with clothing ever since a combination of the two very different elements, computer and clothing. With the advance of hi-tech and information industry, desire for something smaller and lighter has encouraged the development of wearable computer and smart-wear that harmonizes the computer and clothing. Such function-oriented combination is now moving forward to a human-friendly one that emphasizes the design in the wearable computer. The constant advance and interaction of biotechnology, computer technology, fiber engineering, indjstrial design and fashion design will conquer new territories where we are free from restraints such as material, weight and volume. Thus it will expand the development of wearable computer and digital clothing which will satisfy our sense of the aesthetic, will satisfy our sense of the aesthetic.
일상적으로 의복에 사용되지 않는 소재와 테크닉에서 살펴본 의상창작과 예술 : 1960년대 의상을 중심으로
이인성 한국의류학회 1996 한국의류학회지 Vol.20 No.1
We can see the relationship between Fashion creation and Art through the characteristic of clothings at Fashion Collections such as the round, abstractive motive, optical effect, symetric line, atc. This relationship between Fashion creation and Art brings the affective image and the aesthetic shock to open the door to imagination. Art-related people such as artist, fashion designer share the creativeness, new vision and artistic fever. We can see the link and cowork between art and fashion creation all over the 20th centary. Specially it reached its peak in 1960s when Paco Rabanne, Andre Curreges, Pierre Cardin and Yves Saint-Laurent introduced their works. This study includes not only the influence of the art but also the relationship between the art and fashion creation to analyze the way and the reason of the influence of the art in terms of the form, technique, material and process. Doing this, I try to ask and answer the question "through what form and at what situation fashion creation can be considered as an art." The study reaches the conclusion that fashion designer is the creator, technician and transferer if the the art.
현대 패션에 나타난 펑크패션에 대한 연구 : 혼성모방을 중심으로
이인성,김현정 이화여자대학교 생활환경대학 인간생활환경연구소 2005 인간생활환경연구소 논집 Vol.- No.3
The times we live in now are very much diversified and multifactorial. Modem society has been changing far more rapidly than any other former ages since the advent of the mass media and computers. And diverse and blended cultural phenomena, which do not just display the characteristics of one particular style, have emerged predominantly. The objectives of the study are to develop new ways of expression in dress by diversifying design approaches in blended and multifactorial styles with the method of copying and combining the external characteristics of 'Punk Fashion' that is a subordinate culture, and to propose competitive design solutions that could meet the needs of the times-individuality and variety. In conclusion, punk fashion has been a method for creating ideas to improve things of the past by taking advantage of its external characteristics and details through the means of hybrid imitation that is a predominant phenomenon in contemporary fashion. In the course of the study, the new ways of expression in dress were developed, and competitive design approaches that could meet the needs of the times-individuality and diversity-were proposed.
李仁星 서울大學校 人文學硏究所 1981 人文論叢 Vol.7 No.-
L'action gesticulaire et scenique etant l'une des proprietes theatrales, le theatre de Beckett nous invite a regarder des acteurs qui ne bougent pas. c'est de ce phenomene paradoxal de leur immobilisation que notre etude s'efforce de degager certaine signification dynamique. L'espace scenique qui ne permet point l'acte d'en sortir, force les acteurs a prendre conscence de la situation d'existence claustree dans un lieu delimite par ici. De la resulte leur acte qui va en s'immobilisant. Une analyse psychique ne pourrait-elle pas lire par la une sorte de nostalgie au retour a la Mere? En une sens si, pourtant ce desir interieur est egalement bloque par la censure consciente de l'homme condamne a vivre non pas au-dela imaginaire, mais ici existentiel. Ainsi lui reste-t-il a n'exister que par et a travers la parole permettant la seule maniere de vivre. En voila un sens cache de l'immobilite beckettienne.