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이규복 한국금융연구원 2014 주간 금융 브리프 Vol.23 No.18
농신보 제도개선이 실효성을 거두기 위해서는 법인 및 대형경영업체에 대해 보증을 지원할 수 있는 평가역량을 갖추도록 유도해야 함. 또한 예비 및 전문농림어업인의 창업, 투자지원 등을 확대하기 위해서는 사후관리, 경영 및 기술관련 컨설팅 제공 능력 등의 역량이 배양될 필요가 있음. 한편 대형업체에 대한 보증확대로 단기 부실확대 가능성이 높아지는 만큼 운용배수의 경우 다른 보증기관보다는 보수적으로 유지할 필요가 있을 것임.
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수용–전념 치료(ACT)가 대인불안이 있는 대학생들의 주장성과 대인불안에 미치는 효과
이규복,손정락 한국디지털정책학회 2019 디지털융복합연구 Vol.17 No.4
The purpose of this study was to explore effects of acceptancecommitment therapy on assertiveness and interpersonal anxiety of university students with interpersonal anxiety. Twelve students are selected of three hundred thirty students who completed an assertiveness sacle and a social anxiety scale, and finally six students were assigned to an experiment group and the others to a control group. ACT program consisting of 8 sessions twice a week approximately 120minutes is provided for experiment group, on the other hand, nothing is provided for control group. All participants completed an assertiveness sacle, a social anxiety scale at pretest, posttest, and 6 weeks followup periods. In the experimental group, the assertiveness score was improved after ACT program but not in the control group. The improvement observed in the experimental group was maintained until the follow-up test. In the anxiety test, the experimental group showed a larger decrease than the control group, and the difference was also found in the follow-up test. Finally, the implications and limitations of this study, along with suggestions for future study were discussed. 본 연구는 수용전념 치료가 대인불안이 있는 대학생의 주장성과 대인불안에 미치는 효과를 알아보기 위한 것이다. 4년제 대학생 330명을 대상으로 대인불안, 주장성 척도를 실시하였으며, 이를 토대로 12명의 대학생을 치료집단에 6명, 통제집단에 6명씩 배정하였다. 치료집단에는 주 2회, 약 120분씩 총 8회기로 구성된 수용전념 치료 프로그램이 실시되었으나, 통제집단에게는 어떠한 처치도 행해지지 않았다. 모든 참가자들은 프로그램 시작 전과 종료 직후 그리고 6주 후에 주장성, 대인불안 척도에 응답하였다. 치료집단에서 수용전념 치료 프로그램 후 주장성은 향상되었으나, 통제집단에서는 그렇지 않았다. 치료집단에서의 이러한 향상은 추적조사까지 유지되었다. 대인불안 검사에서, 치료집단은 통제집단 보다 더 큰 감소를 나타냈고, 이러한 차이점은 추적조사에서도 발견되었다. 끝으로 연구의 의의, 제한점 및 후속 연구에 대한 제언이 논의되었다.
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금융 포커스 : 최근 미국 CFPB의 고금리대출 규제안 및 시사점
이규복 한국금융연구원 2015 주간 금융 브리프 Vol.24 No.25
미국 금융소비자보호국(CFPB)은 최근 금융소비자들이 고금리대출로 인해 부채함정에 빠지지 않도록 유도하는 제도개선 방안을 제시함. 우리나라의 경우 고금리 대출에 대한 규제의 초점이 비용부담 완화에 맞추어져 왔는데, 이와 함께 차입자들이 전반적으로 부채함정에 빠지지 않도록 유인할 수 있는 제도적 방안 마련에도 관심을 가질 필요가 있음.
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금융 포커스 : 최근 영국의 부가보험상품에 대한 규제강화 논의 및 시사점
이규복 한국금융연구원 2015 주간 금융 브리프 Vol.24 No.12
최근 영국은 지급보증보험 등 부가보험상품의 불완전판매 증가를 억제하기 위하여 부가보험상품시장에 대한 면밀한 분석과 함께 사후동의조건 부여, 가입을 디폴트로 설정하는 계약 금지, 손해율 공개 의무, 비교공시 강화 등의 제도개선을 제안함. 우리나라의 경우에도 카드 채무면제ㆍ유예상품 등 부가보험상품 불완전판매에 대한 논란이 존재하고 있으므로 부가보험상품 구조 및 판매과정에 대한 면밀한 분석과 함께 대응방안을 선제적으로 마련하여 소비자 피해가 발생하지 않도록 노력할 필요가 있음.
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이규복 원광대학교 2006 論文集 Vol.36 No.-
The 18th and 19th centuries are called the age of actual state in which a glorious improvement was made by revealing Chosun's traditional colors as much as possible. The calligraphy also had its indigenous handwriting boom in this age during the latter part of Chosun dynasty with so called Okdong Special Essay as its starting point. These footholds had laid cultural foundation with Sukjong era as their basis and prospered at Young·Jeongjo era. These trends are clearly shown on various cultural aspects over this period as a whole. For example the national painting style called "Jingungsansu" and the national writing style called "Donggukjinche" had appeared. For these interests for the culture as a whole, the calligraphy was not an exception. Jeongjo had made his dedicated efforts to recover "Wangheeji" as he criticized the scattered and impure letter shape of those times with the usage of calligraphy and these features can be found at "Restoration of Calligraphy" which had been attempted in addition to the "Restoration of Literary Style". He also thought that only with the human race who consider academics as their foundation, one's true character could be seen through handwriting and he had tried to purify the human nature through the handwriting.
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이규복 원광대학교 2005 論文集 Vol.35 No.-
In China, the Wei-Jin and the South-North Dynasty was the time when art and literature had been begun to follow its own way breaking off with the incipient aspect that form and substance were not free from the stereotyped subjects and conventionalization functioning as the subsidiaries of politics or education. Yuan Ji and Ji Kang' s music, Tao Yuanming and Xie Lingjun' s poetry, Cao Pi and Liu Suo' s literary theory, Wang Yizhi and Zhong Yao 's calligraphy and Xie Si' s portrayal vaulted into artistic reality. Likewise, it is no exaggeration to say that the foundation and spirit of Chinese artistic ideology was established concurrently with the advance of artistic theory. The reason why art and literature were advanced so much in the Wei-Jin and the South-North Dynasty may be the influence of current ideology and social trend. Namely, Xuanxue (a Chinese philosophy based on Laozi' s ideology; hereinafter referred to as "metaphysics") and personal criticism, which were being prevalent in those days, potently influenced on art and literature. In particular, the prevalence of metaphysics made artists freely express their art instinct it conspicuously differed from those of two Han Dynasties. In addition, the prevalence of personal criticism inspired persons, including not only artist but also general public, with aesthetics. Thanks to such ideate and social currents, it has been recognized that Chinese art and literature could be maximally prospered in the Wei-Jin and South-North Dynasty in spite of turbulent national situation. The present paper was focused on ascertaining the influence of personal criticism on poetry and calligraphy in the Wei-Jin and South-North Dynasty. Firstly, the personal criticism was analyzed in two facets such as the prevalence of metaphysics and the transition of official appointment system. Lastly, the method of personal criticism was observed centering on Renwuzhi (a book written to criticize major persons, by Liu Shao in Wei Dynasty) and Shishuoxinyu (a book written to gather the anecdotes of celebrities, by Liu Yiqing in Song Dynasty) in order to consider correlation with poetry, calligraphy and portrayal. As a result, it was known that poetry, calligraphy and portrayal all quoted the method of personal criticism as those are, as well as such experiences and methods were absorbed into literary criticism. Particularly, the criticism based on Jin (muscle), Gu (bone), Rou (flesh), Ji (skin), Xie (blood), Xing (physique) and Shen (spirit) remarkably influenced on not merely Chinese critical literature but the concept of aesthetics.
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