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- 저자 : 유경철(YU Kyung-Chul) (검색결과 2 건)
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유경철 ( Kyung Chul Yu ) 한국중국학회 2012 중국학보 Vol.66 No.-
The current paper discuss Chang Che`s martial arts films? which basically had filmed stories of the legendary martial artists in Southern China in mid to late 1970s (e.g., Hung Hei Gun, Fong Sai-Yuk, etc.)-- exploring 1) how the films were made; 2) what they meant to the audience; and 3) finally, what was the underlying politics of the martial arts in the films. The major characteristic of the films can be judged as the localized Hong Kong martial arts films. Specifically, in genre perspective the films were born in Chang Che`s attempt to overcome the dark age of martial arts film after Bruce Lee`s death and in socio-cultural perspective the films were made in response to Hong Kong people` acceptance of their identity as Hong Kongers instead of the old Chinese in 1970s. Chang Che`s martial arts films highlight the martial arts and artists in southern China making a contrast with the northern martial arts. The martial arts in each part of China symbolize the political situations of the area (i.e., the capitalism of Hong Kong and the communism of the mainland China), and the films were somewhat related to the anti-communism atmosphere of the society. The quality of the films seems to fall short of the director`s previous films. However, the films clearly demonstrate how the director, Chang Che, tried to maintain and develop the genre of martial arts film after Bruce Lee`s death. Therefore, by reviewing the films, Chang Che`s significance and contribution to the martial arts genre can be understood.
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유경철(Yu, Kyung-Chul) 한국중어중문학회 2013 中語中文學 Vol.54 No.-
One of the critical characteristics of Pingjiang Buxiaosheng’s Jindai Xiayi Yingxiong Zhuan (The Stories of Modern Chivalrous Heroes) is the aspect that Huo Yuanjia, a chivalrous fighter, goes to Shanghai and experience the modern city. In the city, he goes through a number of unfortunate disasters including his own death. Despite all the tragic events, his life in Shanghai cannot be judged as a complete failure. Serving the needs of his mother country, he contributed himself to the project of modernizing Chinese martial arts. Through the thorough examination of Huo Yuanjia’s modernizing processes, the current study suggests the aesthetic uniqueness of Jindai Xiayi Yingxiong Zhuan and highlights the excellence Pingjiang Buxiaosheng’s realistic writing styles. Additionally, the study illustrates the writer’s effort to relocate the chivalrous fighter from the ancient context to the modern one, suggesting the recontextualization is basically related to the birth of martial arts novels.
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