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오병남 한국미학회 2001 美學 Vol.30 No.-
The purpose of this paper is to explain aesthetically the essence of an statue of Buddha in Silla era. I select the Principal Statue of Buddha at Sukgulam in Gyungju because it is representative of statues of Buddha in Silla. It is a symbolic icon of Buddha. This is because its sculptor could not see the Buddha in order to make the latter's image. It is evidently different from other statues of Buddha. Then, what is the model of this statue of Buddha? I argue that it is an ideal human image that was longed for by Silla people. The statue of Buddha is a symbol in which buddhist nature and human nature are characteristically and holily harmonized. Because of this, we experience a humanized charitable Buddha through the image on the one hand and a virtuous human sublimated to a Buddha on the other hand. Two things must be presupposed for this conclusion. One is personal aesthetic intuition for the statue of Buddha and the other is aesthetic thought with which such an insight is justified. If personal intuition is not supported by justification, it is a mere subjective impression. I examine H. Wo¨fflin's theory of styles and E. Panofsky's iconology. I find E. Cassirer's philosophy of symbolic forms a more effective method in explaining the essence of the statue of Buddha. In short, the Principal Statue of Buddha is an expression of a symbolic form in which human nature and buddhist nature are profoundly harmonized.