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      • 神話的 觀點에서의 MOBY DICK硏究

        安武承 大田大學校 1984 論文集 Vol.3 No.1

        Herman Melville was eager to find, in myth, the most profound truths and the literary expression in mythic form. Moby Dick is being shown from a grand sperm whale into a mysterious being by the process of making myth with a veil of rumor, superstition, scholarship and legend. As a result, Moby Dick is transformed from a white whale into a metaphysical symbol and a grand creation of mythic imagination that one can finally accept as a visible symbol of the god-like in nature. Melville is trying to convince us that it is natural for the white whale with divine qualities to be regarded as a God invested with divinity. The whitenese of Moby Dick symbolizes the sublime Deity on the ground of many mythological factors. At last, Melville shows Moby Dick is the incarnation of God with divinity by a myth-making way. Though Ahab is, at first, an ordianry whale-hunter, he becomes a great hero as equally as Moby Dick. His heroic stature is achieved by the mythic investitures. His human spirit is wrenched and his humanity is perverted owing to his physical mutillation caused by Moby Dick. His enthusiastic monomania to chase Moby Dick as his antagonist is taken for a truth by himself. Ahab's attempt to defeat Moby Dick God ends in a terrible tragedy. Mobe Dick shows us that HUman Abhb's truth is mocked and defeated by Moby Dick God.

      • 모험을 통한 인간 생존의 긍정 : The Adventures of Augie March를 중심으로

        안무승 大田大學校 1988 論文集 Vol.7 No.2

        Mexico에서 독수리 Caligula가 창공을 나르는 것을 바라보는 Augie의 모습은 생명의ㅣ다른 순환기 즉, 미래를 예상하려고 Aldebaran별을 관찰하던 Aztec 점성가를 연상시킨다. Augie라는 이름은 Latin어 Augur에서 유래한 것으로 새가 나르는 것을 보고 미래를 점치던 성직자를 의미한다. Dangling man의 Joseph이 사회참여를 결심하고 The Victim의 Leventhal이 사회적 책임의식을 각성케 한 다음 Saul Bellow는 Augie의 모험적인 인생 체험을 통해 현대사회의 인간생활이 살아 갈만한 가치가 있는지 확인하고 Augie March를 통해 정당화시킬 수 있는 작가로서의 새로운 인생관을 제시하려고 한다, 복잡해진 현대사회는 개인이 견디기 힘든 무서운 힘으로 인간의 운명을 압도하려 하기 때문에 Bellow는 무엇보다도 생존 투쟁에서 개인은 인간의 운명을 위압하거나 패배시키려는 힘에 대항하여 자신의 인생을 확립시킬 수 있는 힘을 갖추어야 한다고 생각한다.

      • 神話的 立場에서 본 Billy Budd

        安武承 大田大學校 1983 論文集 Vol.2 No.1

        Few writers regarded concerned with myth as significant subject, form and symbol like Melville in American Literature. Melville treated myth as a powerful means and used it as dominant metaphor for his literary works. Though Billy Budd is not a long novel, it has its own peculiar implication from mythological point of view. Melville recognized that Christianity was the center of universal order. He finally gave up his defiant attitude to God, and returned in obedience to God. He creates a new myth named Billy Budd and makes Billy an idol. The central intention of Billy Budd is to show a new myth formation and retell a christ story by means of his new obedient attitude to God. Melville introduces Billy as innocent Adam before the fall by the serpent. He is illiterate, and ignorant of earthly wisdom and knowledge of world, for he is an archetypical human being. He has, however, a vocal defect which intimates an important symbolic meaning. The vocal defect is the symbol which gives rise to Bill’s natural depravity. Billy’s antagonist, Claggart says to Captain Vere that Billy is going to conspire a dangerous mutiny on the Bellipotent. Billy, at last, committs an original sin owing to his natural depravity. He slays Claggart who is a Devil incamate. Claggart can be compared to the serpent that symbolizes Satan. Billy is compared to Celtic Apollo, God of Victory because of succeeding in slaying the serpent, Satan. Captain Vere, however, immolates Billy as a sacrificial victim as if Abraham was going to make his son Issac a ritual offering to God. Billy i transformed from an innocent Adam to a scapegoat hero, Christ by whose sacrifice the sins of his world are taken away. His soul is deified through crucifixion on the yardarm in the Bellipotent. Billy is transformed as Christ through his death. His death is, therefore, not a defeat which ends in his ruin, but a mythological ceremony showing victory over Satan for salvation. Billy ascends to the heaven through hanging. Billy Budd is Melville’s last myth which shows us a victory of innocence and goodness.

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