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서영숙 한국민요학회 2014 한국민요학 Vol.40 No.-
This paper investigated the methods of type classification of Korean traditional folk narrative songs and Anglo-American ballads after surveying the methods of type classification performed in each genre. It has been done as the basis work to compare the Korean traditional folk narrative songs with the Anglo-American ballads. It’s possible to classify the Korean traditional folk narrative songs and Anglo-American ballads by the same criterion, because they are songs that have narrative stories. I surveyed the family relation songs at first, because it was impossible to classify all the types in this paper. I investigated the type classification methods of Cho Dong-il, Kang Deunghak, Lee Junga and Suh Youngsook in the Korean traditional folk narrative songs and the works of F.J. Child, G. List, D. K. Wilgus in the Anglo-American ballads. The type classification methods of Korean narrative songs have been focused on the analysis of structure, but the methods of Anglo-American ballads have been focused on the thematic differences of each version. I suggested the 4 step system as the general type classification that could be adjusted to two genres commonly as follows. 1)Upper categories:They are divided according to the role relations between actors. 2)Types:They are decided into the songs that have the core incidents commonly. 3)Subtypes:They are divided according to the difference of auxiliary incidents. 4)Versions:They are differentiated according to the cohesion aspects of narrative paragraphs. These works need to analyze all the narrative songs and database them first, then to set up the classification system of the role relation and themes. 이 논문에서는 한국 서사민요와 영미 발라드의 심층적 비교를 위한 기반 작업으로서, 두 장르의 기존 유형분류방안을 검토한 뒤 두 장르를 아우를 수 있는 보편적인 유형분류방안을 모색하였다. 한국 서사민요와 영미 발라드는 둘 다 서사적 스토리를 갖춘 노래라는 점에서 동일한 기준에 의한 분류가 가능하며, 이는 앞으로의 비교 연구를 위해 반드시 필요하다. 다만 한국 서사민요와 영미 발라드의 모든 유형을 분류하는 것은 불가능하므로 우선적으로 가족 관계 유형을 추출하여 이들을 대상으로 유형분류방안을 제시하였다. 한국 서사민요의 유형분류방안 중 주요한 성과로는 조동일, 강등학, 이정아, 서영숙 등의 방안을 검토하였다. 영미 발라드의 유형분류방안으로는 F.J. Child, G. List와 D. K. Wilgus 등의 방안을 검토하였다. 한국 서사민요의 유형분류방안이 대체로 유형구조의 분석에 의한 유형, 하위유형의 분류에 중점을 두고 있다면, 영미 발라드에서는 유사 유형에 속하는 각편들의 주제 차이를 밝히는 데 중점을 두고 있다. 이에 보편적 유형분류방안으로 다음과 같이 분류할 것을 제시하였다. 1) 상위범주:행위자들의 역할 관계에 따라 카테고리를 정한다. 2) 유형:핵심사건을 공유하는 노래를 동일 유형으로 설정한다. 3) 하위유형:부수적 사건(특히 핵심 사건에서 나타난 갈등의 해결 단락)의 차이에 따라 설정한다. 4) 각편:각 서사 단락의 구체적 내용에 대한 별도의 내용 분류를 마련해, 서사단락의 결합 양상에 따라 구별한다. 이를 위해서는 이후 지금까지 조사된 서사민요의 모든 각편들에 대해 철저하고 세심하게 분석하여 데이터베이스화하고, 이를 바탕으로 서사 단락의 내용별, 역할관계별 분류체계를 마련하는 작업이 수행될 필요가 있다.
Polyester Double Jersey의 力學的 皮勞와 帶電性에 關한 硏究
徐英淑 경북대학교 교육대학원 1977 논문집 Vol.8 No.-
This study was carried out to investigate the dynamic fatigue and electrostatic properties of polyester double jersey. Dynamic properties related to the shape stability of fabrics are elongation, compression and stress relaxation etc. In this thesis, dynamic fatigue of polyester double jersey was investigated chiefly in elasticity and shearing. Tensile strength, duration of elongation, number of elongation, number of washing and non-isotropic characteristics are regarded as important factors. Uniaxial, polyaxial, shearing deformation and elastic recovery have been tested under above conditions. Static electrical properties of polyester double jersey which gives fabrics dust absorption, electric shock and other problems of health have been tested on surface resistivity and charge density by friction of fabrics. The results were as follows. 1. In uniaxial, polyaxial elastic recovery and modulus of shearing ratio of double jersey, established factors were all significant. ① The more elongation ratio, duration of elongation and number of elongation increased, the more deformation appeared. ② Deformation and its recovery were proved to show an-isotropic characteristics, its order is Fc, F_60, F_30, F_w. ③ In 50% elongation ratio, permanent deformation also shows non-isotropic characteristic within 6%. ④ Modulus of shear increases rapidly according to the number of shearing and shows much lower elastic ratio after washing than that of non-washing. 2. On clothing construction, course direction cutting is reasonable at the parts of clothes demanding much deformations, and it is necessary to manage permanent deformation ratio within 6%. 3. Surface resistivity of resin finished fabrics is less than that of the gray fabrics in polyester fabrics. In washing, most of antistatic agent is washed out by the first washing.
徐英淑,蘇珠姬 慶北大學校 師範大學 1987 敎育硏究誌 Vol.29 No.-
The basic mechanical properties of Ramie before and after cleaning-dry cleaning (D.C), wet cleaning (W.C) and wet cleaning after dry cleaning (D.C→W) was measured by using the KES-F system, and changes of these properties and the fabric hand values were investigated. The result was that Dry cleaning was better method than any other method on maintenance of original properties of Ramie.
서영숙,손유림,성기월 노인간호학회 2011 노인간호학회지 Vol.13 No.1
본 연구의 목적은 농촌 여성노인의 죽음에 대한 태도를 파악하고, 죽음태도에 영향을 미치는 변인을 확인하여 죽음 준비교육을 위한 기초자료를 마련하고자 함이며, 구체적인 목적은 다음과 같다. 농촌 여성노인의 죽음태도와 자아통합감, 우울, 사회 적 지지 정도를 파악한다. 농촌 여성노인의 일반적 특성에 따른 죽음태도의 차이 를 파악한다. 농촌 여성노인의 죽음태도와 자아통합감, 우울, 사회 적 지지 간의 관계를 파악한다. 농촌 여성노인의 죽음태도에 영향을 미치는 변인을 파 악한다.
서영숙 열상고전연구회 2009 열상고전연구 Vol.29 No.-
이 글에서는 서사민요 중 처가식구와 사위와의 관계를 다루고 있는 서사민요를 택하여 그 구조적 특징과 서술방식을 분석하고 이를 바탕으로 이들 노래에 나타난 향유층의 의식과 의미를 고찰하였다. 처가식구—사위 관계 서사민요에는 <자형에게 항의하는 처남> 유형과 <장인장모를 깔보는 사위> 유형 두 가지가 있다. <자형에게 항의하는 처남> 유형은 자형이 누이를 내버려두고 장기바둑과 다른 여자에 빠져있자 처남이 누이를 데려오고 자형에게 항의하는 내용이고, <장인장모를 깔보는 사위> 유형은 지체 높은 가문의 사위가 낮은 가문의 장인장모를 깔보아 인사도 하지 않고 오자 아내가 항의하는 내용으로 되어 있다. 두 유형 모두 처가식구와 사위 관계에서 빚어지는 갈등을 노래하되, 사건의 발단과 전개 과정만 제기할 뿐 뚜렷한 해결을 제시하지 않는 ‘양면복합형’으로 이루어져 있다. 이는 사위와의 관계에서 늘 열세에 놓여 있던 처가식구나 시집간 여자의 현실을 있는 그대로 보여주면서, 시집간 여자들이 그러한 현실의 변화에 대한 ‘기대’와 변하지 않는 현실에 대한 ‘좌절’을 함께 지니고 있음을 드러낸다. 한편 이들 노래는 대부분 서술자의 설명보다는 인물들 간의 대화를 통한 직접적인 장면 제시 방법으로 사건을 서술하고 있으며, 이때 사위의 목소리는 거의 나타나지 않고 아내를 비롯한 처가식구의 목소리가 중심을 이루고 있다는 공통점을 지니고 있다. 이는 이들 노래의 주향유층인 시집간 여자들이 노래 속 인물인 처남과 아내의 목소리를 통해 자신들의 남편에 대한 불만과 기대를 표현하고자 했기 때문에 나타나는 양상이라 할 수 있다. 즉 여성들은 처가식구—사위 관계 서사민요를 통해 자신에게도 자신을 아껴주는 든든한 후원자인 친정식구가 있음을 표현했고, 남편이나 시집식구가 자신의 가문이나 친정식구를 천대하는 것을 절대 받아들일 수 없다는 자존감과 비판의식을 드러냈다. This paper concerns about the structural characteristics and meaning of folk ballads about relation between man and his wife's family. Folk ballads about relation man and his wife's family consists of two types. (1) A man who makes a protest to his sister's husband against his unfaithfulness to his sister. (2) A man who looks down on his wife's parents. In the type (1), a man doesn't care of his wife. The brother in law brings his sister to his home. The man asks his brother in law to meet his wife. But the brother in law refuses it and makes a protest to his sister's husband against his unfaithfulness to his sister. So the structure is composed with the desire and frustration mixed type, because the conflict between a man and his brother in law has been not solved even though his brother in law made a protest. In the type (2), A man in high class is married with a woman who is in low class. He is passing by them meanwhile his parent's in law is working in the field. The man doesn't bow them and passes away. When he comes back home, his wife and kids makes a deep bow. His wife makes a protest to him against his looking down on her parents. The structure is composed with the desire and frustration mixed type, because the conflict between a man and his parents in law has been not solved even though his wife in made a protest to him. The meaning and consciousness of women abstracted from the structural characteristics of these folk ballads about relation between man and his wife's family are as follows; 1) These songs are made of dialog between a man and his family in law, but mainly composed with the voices of his family in law. It is the reason why these songs are sung by women. Women express their mind through the characters in song. Therefore voices of women are penetrated in the voice of brother in law and wife in song. Women ask for their husbands's love and make a protest against their looking down on their family indirectly through voices of character 'brother in law' and 'wife' in songs. 2) The origin of an affair starts from the fault of the son in law. In the type A man who makes a protest to his sister's husband against his unfaithfulness to his sister The sister's husband doesn't take care of his wife. In the type A man who looks down on his wife's parents, he doesn't make a bow to his parent's in law. Therefore these songs exhibit the consciousness to criticize these wrong reality. 3) The structure is composed with the desire and frustration mixed type. The conflict between man and his wife's family is not solved even though the brother in law and wife make a protest to him against his fault. This shows the reality that the distance between man and his wife's family in law is very long and their conflict is not solved easily. These songs are composed of a dramatic narrative story and contains the frankness in women's consciousness. They could, therefore, be got very important valuation in literal estimation. We ought to study all types of folk ballads delicately and investigate the nationwide aspects of transmission throughly.