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『八月的 鄕村』의 時間構造 分析과 그 韓ㆍ中關係史的 意義
백완,김귀석,송진한 한국중국소설학회 1999 中國小說論叢 Vol.10 No.-
本論文通過以朝鮮(韓國)人爲題材的中國現代小說作品之一的『八月的鄕村』中所采用的時間結構因素(其中的"順序", "持續"), 着重就中國現代小說在體現主題的過程中, 以朝鮮(韓國)人爲題材的作品所起的作用, 進行了考察. 從Anachronies Narratives的時間結構分析(部分的豫辯法或后辯法)的角度來看, 朝鮮(韓國)女性安娜在作品中被描寫爲, 把9ㆍ18當時受壓迫的中國東北地區最下層農民們用來解決現實矛盾的自然産生的抗日反滿(被認爲是進行剝削的國內人)意識, 升格到更有理想, 有根源, 有目的, 有組織, 有政治革命和無産階級解放意識的主導人物(protagonist). 安娜的這種有階級革命意識幷起主導作用的劇中形象, 同時也可以適用于作品中, 包括七嫂在內的其他男性革命隊員, 卽9ㆍ18事變以后在東三省土生土長的所有中國人身上. 換句話來說, 作者通過作品中的豫辯法和后辯法技巧, 對朝鮮(韓國)女子安娜所具有的'女性'和'外國人'特征, 進行了最大限度的衛星事件化. 總而言之, 在把抗日救國的主題性(可以認爲是對現實矛盾的執着)擴大和深化到無産階級解放和政治革命化主題性的一系列過程中, 這些豫辯法和后辯法爲對朝鮮(韓國)人安娜這一劇中人物(major character)的主導性進行核事件化, 起到了 事技巧的裝置作用. 比起從鴉片戰爭到1919年新文化運動時期, 以"韓ㆍ中之間垂直關系的認識觀", "對同樣處在亡國命運的中國起敎訓作用的韓國觀", "作爲憐憫對象的朝鮮人(韓國人)的認識觀"等來描寫人物的其他以朝鮮人爲題材的中國文學作品, 『八月的鄕村』中的朝鮮(韓國)女性安娜的這種形象和認識觀, 在形成韓ㆍ中兩國之間更緊密關系方面,無疑反映了作品題材更上一層樓的一片段.
冥婚小說의 主題具現方式 考察 : '持續'技法을 中心으로
白 浣 건국대학교 인문과학연구소 2000 인문과학논총 Vol.34 No.-
This study reviewed the phase of subject which was embodied in love estories in the Chosun Dynasty according to the analysis of time structure. In the World Transcendental Type, the male and female characters' love story of underground became core event by means of treating it with speed reduction. On the other hand, their love story in this earthly world became sub event by treating it with relative speed acceleration. In the Standards Transcendental Type, the event of male and female characters' acquisition of the existence of standard transcendence in terms of religious violation or selling their honors became core event by treating it with "description with speed reduction." And the stories of religious commandment and the maintenance of feudalistic order became sub event. In the Interest Transcendental Type, the love story of interest transcendental relation between male and female who were major leading characters became core event by means of treating it with speed reduction. On the other hand, it could be seen that the selfish love story of sub featured male and female characters became sub event.