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鷄龍山 鐵畵粉靑에 關한 硏究 : EDAX分析 結果 中心으로
金鐘兌 淸州大學校 1993 淸藝論叢 Vol.7 No.-
Korea has three typical porcelains, which are celadon porcelains, white porcelains, and iron-painted porcelains. The iron-painted porcelain appears dark-brown or black when we paint a porcelain white and draw a picture with a color which is rich in iron. The iron-painted porcelain has much artistic merit, for it isn't scratched or sculptured like other porcelains but drawn a picture with a brush. It shows all things in nature with various designs. The designs express them schematically, abstractly, or humorously, but they show the humor of a free human being on the whole and go with the sense of modem times. In the iron-painted porcelain, Kyeryongsan has the biggest kiln site in our country and it shows the characteristic structure, But, regreffably, we haven't inherited ceramic tradition from here, instead it has developed sucessfully in Japan. The potter, Lee Sam-pyo˘ng, in Kyeryongsan was taken to Japan in the Japanese invasion of Korea in 1592. He built arita, a ceramic village in Japan and the great reputation of its ceramic art extended to Europe Afterwards, the Japanese descendants of the potter from Choso˘n erected a monument to the memory of their ancestor, Lee Sam-pyo˘ng at parkjo˘ngja in Kyerongsan. Now, we don't carry out briskly its researches in Korea, but, in Japan, they have lively researches and many ceramic works. Therefore, I want to revive the iron-painted porcelain by the scientific analysis and build the true character of the potters in Choso˘n.
19種의 顔料를 利用한 色素地 硏究 : 白磁素地 中心으로
金鍾兌 淸州大學校 1994 淸藝論叢 Vol.8 No.-
There are several methods to produce colors for ceramics ; for instance, pigments, glaze, and clays can influence the color of ceramics. The concentration of this research paper is to explain about the coloring of ceramics with the pigments. There are many things that can be used as a pigment : tiles, ceramic, crayons, ceramic pencils, playthings, coloring matter clyas, and table wares. Up to the present, the pigments have been researched throughly. However, the pigments which are artificially manufactured through the using of raw substances and mixing of metrials have been widely studied and recently developed. The pigments are not dissolved, when they are in a porcelain-kiln under a high temperature. In addition, because the pigment's caricteristics do not combine with the glazes chamically in a kiln, it is widly recomended as one of the best coloring materials to make elean and pure color for ceramics. I wish that this research paper will be helpful for artists uho make ceramics and factories which produce pigments for domestic production.
김종태 대동철학회 2007 大同哲學 Vol.38 No.-
알 수 없는 세계와 진리가 있고, 그 다음에 신(神), 이데올로기, 언어가 있었다. 개념과 이념이든, 아니면 실재(實在)이든 신, 이데올로기, 언어는 세계와 진리를 드러내는 얼굴들이었다. 르네상스에서 시작해서 계몽주의를 지나 19세기말의 허무주의로 끝나는 유럽의 근대와 모더니즘은 차례로 신과 인간, 언어를 해체하였다. 이 글은 유럽의 현대시에서 언어해체의 모습을 보여 주고자 한다. 언어해체의 결과로 나온, 구체시에서의 사물화된 언어, 언어에 대한 극단적인 회의와 절망에서 나온 고뇌의 언어, 인간을 구원으로 이끌 수도 있는 언어가 어떻게 서정시로 나타나는가가 이 글의 주제이다. 언어철학과 언어학에서 이미 개념으로 언어비판을 하고 있지만, 이 글은 이미지와 직유, 은유를 사용하는 서정시를 통해 개념적 비판의 틈을 메꾸어 보고자 한다. 나아가 순수하고 진실된 언어, 유토피아의 언어로 올바른 현실과 새로운 세계를 획득하고자 하는 시인의 노력을 이 글은 보여주고자 한다. Nihilismus bezeichnet sich als "Sinnlosigkeit". Diese erfolgt Sprachskeptismus und die Verzweiflung an der Sprache. Mit der nihilistische Sparchaufl철sung hängt Sprachbewußtsein bzw. Sprachkritik der modernen Lyrik ab. Die moderne Lyrik zielt auf die neue Wirklichkeit durch Sprachkritik und Spracherneuerung ab. Die moderne Konkrete Lyrik reduziert die Sprache auf ihre materiale Konkretheit. Aus diesem Reduktion entsteht die konkrete Poesie, die reine Sprache ist, P. Celan reduziert die Sprache auf Blut und Asche. In dem Blut und der Asche blüht Purpurwort und Zeugnis. R. M. Rilke reduziert die Sprache auf den Totenreich bzw. Schattenreich, Wie orphische Gesang wird die Sprache die Rose und die Spieglung im Teich, die rein und sch철n sind. Die Konkrete Sprache, das Purpurwort, die orphische Sprache, alle diese Sprachen sind Schattensprachen, die aus dem Tod der Sprache und dem Schweigen kommen. Die Schattensprachen seien die Stimmen des Schweigens. Die moderne Lyrik als solche Sprachen wird die radikalste Form der Sprachkritik.
김종태 한국사회학회 2016 韓國社會學 Vol.50 No.3
Drawing on the insights of discourse theorists and constructivists, this paper aims to examine the notable identities and representations of North Korea and the U.S. constructed on Fox News in the period of U.S. President Barack Obama’s first term. Through the analysis of Fox News opinion columns, this paper finds some notable conceptual clusters around which the negative identities of North Korea are constructed, such as “rogue,” “nuclear,” “despot,” “criminal,” “enemy,” “unpredictability,” “danger,” “problem,” and “importance.” In relation to North Korea, the U.S. tends to be identified and represented as the most indispensible, respectful, and generous country leading the world for democracy and freedom against growing global threats. The contrasting identities of North Korea and the U.S. on Fox News are a discursive ground on which tension and conflict are justified and instigated. Raising a need for relativism about the assumption of one’s moral superiority over the other, this paper argues for paying more attention to the ways of deconstructing antagonistic identities and representations between them.