서남해안지역(西南海岸地域)의 지형발달(地形發達)에 미친 지질조건(地質條件)

김서운,Kim, Suh Woon 대한자원환경지질학회 1971 자원환경지질 Vol.4 No.1

The geotectonics and geomorphic structure of Korea resulted from the Song-rim Disturbance and the Daebo orogenic movements. Afterward this mountainous peninsula underwent several geological changes on a small scale, and it was also claimed that the steady rising of the elevated peneplain of the eastern coast and the submerging of the southwestern coastal area are largely due to the tilted block movement. These views have been generally accepted good in several ways, but they are limited in range or lacking in theoretical integration. The present writer investigated the geology of the Mt. Chi-ri-san and the Honam coal mining area for a geological map in 1965, respectively. The results of these studies convinced the present writer that the conventional views, which were based upon a theory of lateral pressure should be reconsidered in many respects, and more recent studies made it clear that the morphological development in the southwestern area can be better explained by the orogenic movement and rock control. The measurement of submerging speed of the western coastal area (Pak. Y. A., 1969) and a new account on the geology and tectonics of the Mid-central region of South Korea (Kim O.J., 1970) act as an encouragement to a new explanation. The present writer's researches on the extreme southwestern portion of the peninsula show that the steady submerging of this area cannot be attributed to a simple downthrown block phenomenon caused by block movement. It is no more than the result of the differential movement of uplifting in the eastern and western coastal areas and the rising of sea-level in the post-glacial period. This phenomenon could be easily explained by the comparison of the rate of rise in sea-level and amount of heat flow between Korea and other areas in the world. The existance of the erosional planes in the Sobaik-San ranges also provide an evidence of an upheaval in the western coast area. Though the Sobaik-San ranges largely follow the direction of the Sinian system. They consist of the numerous branches, whose trends run more or less differently from their main trend because of the disharmonic folding, are converged into Mt. Sobaik-San and Chupungryung. The undulation of the land is not wholely caused by orogenic movements, where as the present writer confirmed that the diversity of morphological development is the direct reflection of geological conditions such as rocks and processes which constitute the basic elements of geomorphic structure. An east-west directed mountain range which could be named as Hansan mountain range, was claimed to be oriented by the joint control. The geological conditions such as a special erosion and weathering of agglomerate and breccia tuff usually produce pot-hole like submarine features which cause the whirling phenomenon at the southwestern coast channel.

초기 중국영화 내러티브 연구-문명희(文明戲) 대본과의 관계를 중심으로-

김서운,이효인 한양대학교 현대영화연구소 2018 현대영화연구 Vol.14 No.3

During the modernization period of China, the inflow of western ideology and the reversal of roles in the traditional four classes of society (scholars, farmers, artisans and tradesmen) greatly changed not only China’s society but also its cultural environment. Chinese films, in its earliest stages, were also deeply influenced by previous art narratives such as literature as well as foreign films. Chinese Opera (戲曲) is a traditional Chinese performing arts and has enjoyed a broad public support for hundreds of years. During the period of modernization, Traditional Chinese Opera became a new means to enlighten the citizens and appeared as a new form called ‘Wenming Xi’(文明戲), influenced by ‘Hundred Days Reform’(維新運動) and the ‘New Culture Movement’(新文化運動, May Fourth Movement). As a newborn art, early Chinese films were forced to turn their attention to the already systematized traditional art, which was Chinese Opera. Thus Chinese films went from <The Battle of Dingjunshan 定軍山>(Qingtai Ren, 1905), the first Chinese film that recorded a Chinese Opera performance, to <Die for Marriage 難夫難妻>(Shichuan Zhang, 1913), the first drama film that embraced ‘Wenming Xi’ which involved enlightenment philosophy, and ended the early period of film in the late 1920s, proceeding to the era of modern films. In the transition period from feudal society to modern society, ‘Wenming Xi’ captivated the public audience with its social enlightenment characteristics. The early films also embraced ‘Wenming Xi’ multi-dimensionally, including aspects of scenarios and ideology, as a means to secure the audience. The first drama film of 1913, <Die for Marriage> was largely influenced by the narrative of Wenming Xi, as it was the first narrative of Chinese films. This writing divides the earliest influential Chinese films into three phases, namely, “Chinese Opera film era”. “Wenming Xi film era” and “Mandarin butterfly film era”, and analyzes characteristics and the interaction between the text of the play script and the film of the Wenming Xi film era. Especially, it aims to understand the narrative characteristics of early Chinese films, focusing on the ‘desires of a character’, ‘enlightening speeches’ and ‘conclusion’. 근대화 시기 중국은 서구사상의 유입과 사농공상(士農工商) 서열의 뒤바뀜으로 사회는 물론, 문화 환경까지 커다란 변천에 직면했다. 초창기 중국영화도 다른 나라 영화와 마찬가지로 문학 등 기존의 서사예술로부터 깊은 영향을 받았다. 희곡(戲曲)은 중국의 전통 공연 예술이며, 수 백 년 동안으로 폭넓은 대중적 기반을 누리고 있었다. 근대화 시기 전통 희곡은 유신운동(維新運動)과 신문화운동의 영향으로 시민을 계몽하는 도구가 되어 ‘문명희(文明戲)’라는 새로운 형태로 등장하였다. 신생 예술인 초창기 중국영화는 이미 체계화 된 전통 예술인 희곡에 눈을 돌릴 수밖에 없었다. 따라서 중국영화는 희곡 공연을 기록한 중국의 첫 영화 <딩쥔산 定軍山>(任慶泰, 런칭타이, 1905)부터 계몽사상이 내포된 문명희를 수용한 첫 번째 극영화 <난푸난치 難夫難妻>(張石川, 장스촨, 1913) 이후 1920년대 후반의 초창기 시대를 끝내고 현대영화 시대로 나아갔다. 봉건사회에서 근대사회로 향하는 과도기적 역사 단계에서 문명희는 그 사회계몽적 경향으로 대중을 사로잡았다. 초창기 영화 또한 시나리오 측면은 물론, 사상적 측면에서도 관객을 확보하기 위한 도구로 문명희를 다차원적으로 수용했다. 1913년의 첫 번째 극영화 <난푸난치>는, 중국영화 최초의 서사인 만큼, 문명희 서사로부터 큰 영향을 받았다. 이 글은 중국영화에 깊은 영향을 끼친 초창기 중국영화를 ‘희곡 실록영화 시대’, ‘문명희 영화 시대’, ‘원앙호접파 영화 시대’ 등 3 단계로 나눈 후 문명희 시대의 특징 및 희곡 대본 텍스트와 영화와의 상호작용을 분석하였다. 특히 ‘인물의 욕망’, ‘계몽적 화법’과 ‘결말’ 등을 중심으로 초창기 단계인 중국 극영화의 내러티브 특징을 파악하고자 한다.

인터넷 의류쇼핑몰 상품 사진의 표현형식과 배경이 소비자의 지각에 미치는 영향

김서운 ( Seo Yun Kim ),백기영 ( Gi Yeong Ba다 ),최자은 ( Ja Eun Choi ),이현화 ( Hyun Hwa Lee ) 한국의류학회 2014 한국의류학회지 Vol.38 No.4

This study examined consumer responses of photos used in Internet shopping malls. The content analysis conducted a preliminary study of the top 100 online shopping malls to investigate current website practices. Stimuli based on the preliminary study. The present study was a 2×2 factorial design that evaluated two independent variables of product presentation and background. We analyzed 410 responses derived from the descriptive analysis, factor analysis, and covariance analysis through SPSS 20.0. The results showed that a product presentation was significantly different in attractiveness, informativeness, satisfaction, and repurchase intention after controlling apparel items and model. This product presentation in everyday life had greater mean values than product presentation with the posing model. The background had a significant mean differencein all consumer responses expect for attractiveness. Overall product presentation in everyday life and indoor cases were evaluated as most positive by the respondents. The findings provide practical implications for online shopping malls integrating product presentation.

초창기 중국영화의 스타일 연구 -<라오꽁즈아이칭>(勞工之愛情, 1922)과 문명희(文明戱)의 비교-

김서운 ( Jin Shu Yun ),이효인 ( Yi Hyo In ) 한양대학교 현대영화연구소 2017 현대영화연구 Vol.13 No.3

근대화 시기 중국에는 민권사상의 고양과 함께 이를 위한 도구로써 신극운동 역시 고조되었는데 이 과정에서 중국 사회는 전통 희극과는 다른 새로운 희극 형식을 필요로 하게 되었다. 이러한 신극운동의 발전 과정에서 ‘문명희’라는 희극 양식이 나타나게 된다. ‘문명희’는 사회의 폭넓은 공감대를 얻었고 전통 희극의 주도적인 위치를 차지하게 되었다. 초기 중국영화는 이미 체계화된 자신들의 고유한 예술 장르에 눈길을 돌릴 수밖에 없었다. 그 중에서 희극은 중국 초기 영화가 참고할 수 있는 유일한 예술 형식이었다. 따라서 희극의 내용(내러티브)과 형식(스타일)을 토대로 하면서 이를 영화적 재구성함으로써 자신 만의 영화 언어를 탄생시키게 되었다. ‘문명희’는 희극의 무대 세팅 측면 대단한 발전을 가져왔으면 초창기 중국영화의 세트 형식에도 커다란 양향을 끼쳤다. 이 글은 <라오꽁즈아이칭>(勞工之愛情, 노동자의 사랑, 장시추안, 1922)를 통해서 초창기 중국영화와 희극과의 관계, 그리고 초창기 중국영화의 희극적영향이 짙게 배어있는 ‘세트의 도상’, ‘무대형 미쟝센’과 ‘희극적 연기’ 측면을 주목하여 초창기 중국영화의 스타일을 분석한다. 그렇게 함으로써 초기 중국영화의 문화적 배경과 맥락을 파악하고자 한다. During the modernization period of China, as the civil rights ideology was uplifted, the New Drama movement as a tool for this was also heightened. In this process, Chinese society needed a new drama form different from traditional drama. In the process of developing this new movement, the new dramatic style called ‘Wenming xi’(文明戱, ‘Civilized drama’, an early form of Western-style theatre in China) appears. The ‘Wenming xi’ has gained wide consensus of society and has become the leading position of traditional drama. Early Chinese films were forced to focus on their own unique artistic genre. Among them, the new drama was the only art form to refer to in early Chinese cinema. Thus, based on the content (narrative) and form (style) of the ‘Wenming xi’, it was reconstructed by cinema to create its own film language. ‘Wenming xi’s stage setting aspect of the comic had a great impact on the set format of the early Chinese film. This article explores the relationship between the early Chinese cinema and ‘Wenming xi’ through the film Love of the Workers (Zhang Shichuan, 1922), ‘iconography of setting’, ‘Stage-shaped Mise-en-scene’ and ‘dramatic acting". By doing so, I want to understand the cultural background and context of the early Chinese film.

忠南 西海岸 地域의 縞狀 片麻岩

金瑞雲 陸軍士官學校 1968 한국군사학논집 Vol.6 No.-

체격과 체력과의 상관 관계에 관한 비교 연구

김서운(Kim Seo Woon) 한국여성체육학회 1988 한국여성체육학회지 Vol.2 No.-

I was study as comparative with to correlation of physique (height, weight, chest) and physical strength(100meter run, standing board jump, hang on crook arm, raise up upper body, throwing, 800meter long run) out of the body form main cause. It was produced result as following ; The main cause in physique (height, weight, chest) was showed so closely bound up with tall figure students, and 100 meter run and standing bound jump, two events from six-events physical strength cause, were only showed static interrelation. Besides among all : measure event in their physical strength bear no relation with each other.

니탄자원의 다목적 활용에 관한 연구

金瑞雲,元翊煥 陸軍士官學校 1975 한국군사학논집 Vol.14 No.-

A Study on the Terraces Along the Southeastern Coast (Bang-eojin-Pohang) of the Korean Peninsula

Suh Woon Kim(金瑞雲) 대한지질학회 1973 지질학회지 Vol.9 No.2

西南海岸地域의 地形發達에 미친 地質條件

Suh Woon Kim(金瑞雲) 대한자원환경지질학회 1971 자원환경지질 Vol.4 No.1

The geotectonics and geomorphic structure of Korea resulted from the Song-rim Disturbance and the Daebo orogenic movements. Afterward this mountainous peninsula underwent several geological changes on a small scale, and it was also claimed that the steady rising of the elevated peneplain of the eastern coast and the submerging of the southwestern coastal area are largely due to the tilted block movement. These views have been generally accepted good in several ways, but they are limited in range or lacking in theoretical integration. The present writer investigated the geology of the Mt. Chi-ri-san and the Honam coal mining area for a geological map in 1965, respectively. The results of these studies convinced the present writer that the conventional views, which were based upon a theory of lateral pressure should be reconsidered in many respects, and more recent studies made it clear that the morphological development in the southwestern area can be better explained by the orogenic movement and rock control. The measurement of submerging speed of the western coastal area (Pak. Y. A., 1969) and a new account on the geology and tectonics of the Mid-central region of South Korea (Kim O.J., 1970) act as an encouragement to a new explanation. The present writer’s researches on the extreme southwestern portion of the peninsula show that the steady submerging of this area cannot be attributed to a simple downthrown block phenomenon caused by block movement. It is no more than the result of the differential movement of uplifting in the eastern and western coastal areas and the rising of sea-level in the post-glacial period. This phenomenon could be easily explained by the comparison of the rate of rise in sea-level and amount of heat flow between Korea and other areas in the world. The existance of the erosional planes in the Sobaik-San ranges also provide an evidence of an upheaval in the western coast area. Though the Sobaik-San ranges largely follow the direction of the Sinian system. They consist of the numerous branches, whose trends run more or less differently from their main trend because of the disharmonic folding, are converged into Mt. Sobaik-San and Chupungryung. The undulation of the land is not wholely caused by orogenic movements, where as the present writer confirmed that the diversity of morphological development is the direct reflection of geological conditions such as rocks and processes which constitute the basic elements of geomorphic structure. An east-west directed mountain range which could be named as Hansan mountain range, was claimed to be oriented by the joint control. The geological conditions such as a special erosion and weathering of agglomerate and breccia tuff usually produce pot-hole like submarine features which cause the whirling phenomenon at the southwestern coast channel.

신경회로망을 이용한 산업용 로봇의 역보정에 관한 연구

김휘동(Hwi-Dong Kim),서운학(Woon-Hak Seo),한성현(Sung-Hyun Han) 한국공작기계학회 1999 한국공작기계학회지 Vol.8 No.2