죠르지오 아감벤의 “시의 끝”으로 본 김명미와 오규원의 시세계

김대중(Daejoong Kim) 한국동서비교문학학회 2017 동서 비교문학저널 Vol.0 No.39

This paper explores and examines philosophical meanings and significance of ‘the end of poem’ utilizing Giorgio Agamben’s poetics in his The End of the Poem as a theoretical scaffolding. The paper delves into two poetic worlds: a Korean American poet, Myung Mi Kim’s avant-garde poetic world and a Korean poet, Oh, Kyu-Won’s philosophical and satirical poetic world. Agamben, tracing the genealogy of poetic meanings of conflict between sound and sense, enjambment, caesura, and the end of the poem in Western, especially Italian poems, claims that enjambment is a mark of existential significance of poem and that the end of poem signals the end of sound and meter as well as the beginning of philosophical thoughts. Accordingly, the paper claims that Myung Mi Kim in Penury unfolds the philosophical dialectic of the sound and the sense, which disinters a skeleton of fragmentary words saturated with speaker’s painful experience of war and exploitations perpetrated by global capitalism and xenophobia. Meanwhile, Oh, Kyu-Won’s poems reveal philosophical meanings of the clash between pure language and reified language which results in philosophical inquiries of the meaning of the end of poem.

논문 : 『시경(詩經)』『큰 쥐(碩鼠)』와 김시습의 「큰 쥐」 비교 연구

김대중 ( Dae Joong Kim ) 민족문학사학회·민족문학사연구소 2013 민족문학사연구 Vol.51 No.-

본고는 김시습(金時習, 1435∼1493)의 「큰 쥐(碩鼠)」와 『시경(詩經)』 「큰 쥐」의 비 교 연구이다. 김시습의 「큰 쥐」는 『시경』「큰 쥐」에 바탕을 둔다. 따라서 김시습이 『시경』의 어떤 전통을 자각적으로 계승했는지, 그와 동시에 어떤 창의적인 전변(轉變)을 이루 었는지, 김시습의 「큰 쥐」는 『시경』「큰 쥐」에 비해 어떤 변별적인 특징을 갖는지 등등을 구체적으로 밝히기 위해서는 두 작품 간의 비교 고찰이 필요하다. 비교 연구의 궁극적인 목표는 현실 비판시를 새롭게 인식하기 위한 연구 방법을 모색하는 것이다. 과거에 민족문학론이 힘을 얻었을 때 현실 비판시에 대한 연구는 활기를 띠었지만 이제는 그렇지 않다. 본고는 이런 상황에서 현실 비판시를 『시경』이라는 고전적 전통과의 관계 속에서 재인식하기 위한 시도이다. This is a comparative study on Kim si-seup(金時習, 1435∼1493)`s ``Big Mouse``(碩鼠) and the poetry of the same title included in the Book of Poetry(詩經). Kim`s ``Big Mouse`` is based upon ``Big Mouse`` of the Book of Poetry. Therefore, it is necessary to compare these two works in order to explain how Kim appropriated the literary tradition of the Book of Poetry, and what the peculiarity of Kim`s ``Big Mouse`` is. The ultimate aim of this study is to investigate new methodology which can help new understanding of critical poetry written in classical Chinese during Choseon period. When the realistic literary theory based on counter-nationalism got wide consent, many scholars studied the critical poetry written in classical Chinese during Choseon period. But such studies are seldom found nowadays. This study is an attempt to reconsider critical poetry written in classical Chinese during Choseon period in relation to classical tradition.

강용흘의 『동양, 서양으로 가다』에 나오는 코스모폴리탄 멜랑꼴리아

김대중(Dae-Joong Kim) 한국동서비교문학학회 2014 동서 비교문학저널 Vol.0 No.30

This paper aims to explore Young Hill Kang’s East Goes West with thematic inquiries of so-called cosmopolitan melancholy. East Goes West, written in 1937, has been acclaimed as a harbinger of Korean American fiction though in numerable aspects it has raised serious questions of its themes and characters due to dominating geographical, ideological judgments. This paper, avoiding falling into the pit of politically bipolar understanding, maintains that the characters, Chungpa Han and Dowan Kim, are allegorical figures unfolding their cosmopolitan melancholia as political unconsciousness persevering in the most capitalistic urban space in the U. S. Alienation, reification, exile, diaspora, and melancholia form a constellation of allegory reflecting characters’ unstable identity, resistance to assimilation to capitalistic culture, and interstitial obscurity confronting imperialism and intricate machine of capitalism in the U. S. as well as global space. As theoretical scaffoldings, to explore melancholia as both creative force and ideological fantasy, this paper uses Sigmund Freud’s idea of the difference between mourning and melancholia, Walter Benjmain’s understanding of Baudelaire’s themes?flaneur, poetic hero?and melancholia as galvanizing source of creativity. Embracing these themes and theoretical ideas, the paper consists of three parts: First, it throughly analyzes Chungpa’s melancholia using Freud’s theory of melancholia focusing on ideological fantasies of cosmopolitanism; In turn, using Benjamin’s understanding of flaneur in Baudelaire’s poetry, it delves into the limit of Chungpa’s recognition of capitalistic system as a symptom of his melancholia; Last, focusing on Dowan Kim’s eternal exile and his suicide, the paper suggests power of melancholia as creativity.

한국계 미국인 남성 작가 소설들에 나타나는 식민지/탈식민주의 정체성 탐색

김대중(Daejoong Kim) 한국동서비교문학학회 2016 동서 비교문학저널 Vol.0 No.37

This paper aims to explore how Korean American male writers construct and deconstruct the Korean American male subjectivity by closely reading and analyzing three novels: Richard Kim’s Lost Names, Younghill Kang’s East Goes West, and Chang Rae Lee’s Gesture Life. These fictions are selected on purpose to reflect chronological changes of Korean male subjectivity in literature. As theoretical scaffoldings, I used postcolonial theories, especially Homi Bhabha’s concept of ambivalence. In Lost Names, an unnamed Korean boy, the protagonist and the narrator of the novel, experiences colonial violence to find his way of forming decolonial subjectivity by resisting it; yet, this subjectivity cannot but embed the fragility of the subjectivity imbued by nationalism. Kang, Younghill’s East Goes West critically deconstructs cosmopolitan dream of a Korean American male, Chungpa Han, by showing how farcical it is regarded in American society where colonialism is contextualized with racism and capitalism. Last, Chang Rae Lee’s A Gesture Life reveals how Korean American subjectivity is compromised by postcolonial ambivalence that lacks its resistance, which transforms Hata, the protagonist, into a pathologically faked life, mere gesture without authentic humanity.

고정층 흡착탑에서 유기용제의 흡착 거동

김대중,문희 ( Dae Joong Kim,Hee Moon ) 한국화학공학회 1995 화학공학의이론과응용 Vol.1 No.1

국제 표준화회의 참가보고 - 3GPP 제80차 TSG 기술총회

김대중,이혜영,Kim, Dae-Jung,Lee, Hye-Yeong 한국정보통신기술협회 2018 TTA저널 Vol.2018 No.-

Special Report - 5G 표준화 추진 동향 및 전망

김대중,정용준,이혜영,Kim, Dae-Jung,Jeong, Yong-Jun,Lee, Hye-Yeong 한국정보통신기술협회 2018 TTA저널 Vol.2018 No.-

국제 표준화회의 참가보고 - 제22차 아태무선그룹(AWG-22) 국제회의

김대중,Kim, Dae-Jung 한국정보통신기술협회 2017 TTA저널 Vol.2017 No.-

당뇨칼럼-당뇨병과 약

김대중,Kim, Dae-Jung 사단법인 한국당뇨협회 2007 당뇨 Vol.214 No.-

2.1GHz대역에서 LTE-Advanced 서비스를 위한 인접대역과의 간섭평가 및 양립방안 연구

김대중,정광수,Kim, Daejung,Chung, Kwangsue 한국정보통신학회 2014 한국정보통신학회논문지 Vol.18 No.1

현재 이동통신3사가 보유한 총 주파수는 390MHz에 이르지만 LTE 데이터 트래픽의 경우 1년 기준으로 약 6배가량 증가하고 있는 상황에서 폭증하는 트래픽을 감당하기 위해서는 좀 더 많은 주파수 확보가 필요하다. 2.1GHz 대역은 주파수 특성, 대역의 연속성 측면에서 이동통신용 주파수로 이용할 가치가 있다. 본 논문에서는 2.1GHz 대역을 LTE-Advanced로 활용하기 위해 인접 지역과의 양립을 위한 국제법규를 분석하였다. 또한, 간섭평가를 실시하고 그 결과 값 도출을 통해 인접 대역과 양립 가능함을 증명하였다. Currently, the three major Korean mobile operators hold a total of 390MHz of bandwidth, but at the current data traffic increase of almost 6 times per year, more frequency bandwidth should be secured in order to meet the exploding data traffic in the future. It is believed that 2.1GHz frequency band is suitable for mobile communication in the light of frequency characteristics and continuity of the band. In this paper, we perform compliance analysis with the international radio regulation for coexistence with the adjacent region in order to use 2.1GHz band for LTE-Advanced. In addition, we verify that 2.1GHz band can coexist with the adjacent band by conducting an interference evaluation.