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      • KCI등재후보

        호서·호남지역 송국리형 주거지 연구

        김규정 원광대학교 인문학연구소 2010 열린정신 인문학연구 Vol.11 No.1

        The habitation site of Songgukri-type is one of those that are classified by presence and location of oval pits and holes dug for pillars. Songgukri-type habitation sites surveyed in the Hoseo (Chungcheong provinces) and Honam (Jeolla provinces) areas were found to have IIAtype > IA-type, with the oval pits of A-type occupying 83% of them, which signifies that A-type is the most prevalent one in the areas. Whereas, however, B-type constitutes just 5% of all types of habitation found in Hoseo and Honam areas in contrast with Yeongnam (Gyeongsang provinces) area where it constitutes more than 90%, indicating that it is the most prevalent type in that area. With regard to the types of oval pits, a research into the remains in Guseong-dong, Daejeon Metro City suggested that the forms of oval pits had changed from B- to A-type, while such change was found to have taken place in inverted manner from B to A in Gagok-dong, Suncheon City, which witnesses that the difference between A- and B-type should be regarded rather as regional than timely one. Habitation sites of D-type on the circular plane found in Dongcheong-dong, Daegu Metro City were believed to belong to the latest type of such kinds because there were no oval pits anymore. But it may also be viewed to be of the earliest type among circular-type sites for habitation since earthenware pots with upright tip found characteristically in early types have been unearthed there once in while. It is thus assumed that each of Songgukri-type habitation sites was formed independently in the beginning and started to spread to other vicinities gradually as A- and C-types are mostly distributed in Hoseo and Honam areas while B- and D-types are found mainly in Yeongnam area. Considering the characters of geographical distribution of each type, it is proposed to classify IA as Hyuamri-type, IIA, circular one, as Songgukri-type, B as Geomdanri-type, and D as Dongcheonri-type. C-type is not specifically connected with the regional features and thus must be studied later separately. The emergence of Songgukri culture seems to have functioned to change the then society as a whole. One example is the change from long, narrow and oblong sites of habitation on the plane in the initial stage to small size and oblong shape in general. In the southern part of the country, Songgukri-type habitation made an entrance unifying the types of habitation, it was found.

      • KCI등재

        만경강유역 점토대토기문화의 유입과 그 변화

        김규정 호남고고학회 2020 湖南考古學報 Vol.65 No.-

        만경강유역은 한반도 점토대토기문화가 가장 융성했던 중심지로써 대규모 군집묘와 여러 유형의 분묘가 조사되었고, 다양한 청동유물과 이른 시기의 철기가 출토되었다. 만경강유역 점토대토기는 원형과 삼각형점토대토기가 모두 확인된다. 전주·완주 혁신도시 일대에서는 대규모 군집묘와 함께 祭儀와 관련된 수많은 溝들이 조사되었지만, 생활유적인 취락은 거의 확인되지 않았다. 점토대토기문화기 분묘가 가장 많이 조사된 전주·완주 혁신도시 일원은 이른 시기의 점토대토기문화는 확인되지만, 만경강유역에서 가장 많은 수를 차지하는 송국리취락은 거의 확인되지 않았는데 이는 송국리문화가 확산될 당시 혁신도시 일원에는 이미 점토대토기문화 집단이 선점하고 있었던 것으로 볼 수 있다. 만경강유역 점토대토기문화 유입 시기는 방사성탄소연대와 주거지 출토 유물로 볼 때 적어도 기원전 5세기 원형점토대토기가 처음 유입되어 송국리문화와 접촉이 이루어지고 일정기간 공존하다 점토대토기문화가 본격적으로 유입되는 기원전 3세기를 기점으로 원천·조촌천 일대에 대규모 (목관)토광묘가 축조되기 시작하면서 만경강유역의 중심문화가 송국리문화에서 점토대토기문화로 대체된다. 기원전 2세기에는 준왕의 남천을 계기로 철기가 유입되면서 송국리문화는 완전히 소멸하고 기원전 1세기를 전후하여 만경강유역에서 점토대토기문화는 더 이상 발전하지 못하고 그 중심이 서남해안지역과 영산강유역으로 옮겨간 것으로 볼 수 있다

      • KCI등재후보

        원위부 전대뇌동맥에 발생한 다발성 뇌동맥류- 증 례 보 고 -

        김규정,서범석,이종수,윤석훈 대한신경외과학회 2003 Journal of Korean neurosurgical society Vol.33 No.4

        Saccular aneurysms of the distal anterior cerebral artery are relatively rare, ranging from 1.5 to 9.2% of all intracranial aneurysms. A 61-year old woman presented with headache and nuchal rigidity. Cerebral angiographic image demonstrated multiple aneurysms of the distal anterior cerebral artery. We report a case of multiple aneurysms of the distal anterior cerebral artery without other vascular anomalies. Key words:Multiple aneurysm;Distal anterior cerebral artery.

      • KCI등재후보

        뇌수두증환자에 대한 프로그램 밸브의 사용 경험

        김규정,강종술,서범석,이현성,이종수 대한신경외과학회 2003 Journal of Korean neurosurgical society Vol.33 No.2

        Objective:The goal of this study is to establish the value of the programmable valve system. Methods:The authors conducted a single center retrospective study of 41 consecutive patients who had undergone ventriculoperitoneal shunt with programmable valve for hydrocephalus of various etiology from March 1999 to February 2002. Results:In 10 patients(24%), valve pressure adjustment was required at least 3 times or more for the reason of underdrainage or overdrainage. The range of pressure reprogramming was 10 to 120mmH2O. The clinical symptoms improved in 37 patients(90%). The radiologic improvement was obtained in 88%. Shunt was minimally functioning in 3 cases without any clinical effect at the pressure of 30mmH2O. Conclusion:The programmable valve has been particularly useful in changing ventricular size for the correction of overdrainage or underdranage by the easy control of valve pressure without any invasive procedure. The authors' preference is to use the programmable valve system for all conditions. Key words:Hydrocephalus;Programmable valve;Overdrainage;Underdrainage.

      • KCI등재

        영상미디어 예술에서의 시간과 공간

        김규정 한국미학회 2002 美學 Vol.32 No.-

        Space and time are components that artists consider when they create works of art.. The way in which contemporary artists manipulate space within and around an art piece has undergone numerous changes. With the development of new video and computer related technologies, the traditional notion of two and three dimensional works in a static exhibition space has been broadened. In interactive multimedia installation art, viewers are no longer passive observers, but rather, they are active participants in which time and space become malleable in video installation art and this creates an art which moves and bends as it never could before. Finally, the exhibition space is transformed and becomes an element in the aesthetic event. These major shifts in expression require new paradigms of construction, interpretation, analysis, and response. In the case of the interactive multimedia installation, the concept of time and space, viewer interaction, artistic intent, and synergistic art effects need to be examined to grasp the impact of this new aesthetic event. Therefore, an investigation of the use of new media in interactive multimedia installations is beneficial in furthering our understanding of some of the complexities inherent in exploring such aesthetic processes, not only for the viewer, but also for the artist as well. This aesthetic inquiry examines the various manner in which artists use media in order to determine the changing nature of the relationship between the viewer and the art work in terms of space and time. The study examines the relationship between multimedia installations and traditional visual media, such as painting and sculpture; describes how artists use video and computer related media to expand their use of the concept of space and time; examines how artists develop a connection or relationship between several media and the actual exhibition space; and examines how the viewer, as an experiential subject, interacts with an environment created by multimedia installation.

      • KCI등재

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