헤어스타일의 변천에 관한 연구

권대순 공주영상정보대학 2000 논문집 Vol.7 No.-

The relationship between culture and life style of human being and hair is distinctively aware by experiences and events of the history. Further the hair art can be expressed through other sources such as political ideology, religious doctrine, sense of value, and ethics. The hair art is one of most expressive cultures which can show a society and common life style because the concept of beauty in certain period or culture strongly influence the hair. In this regards, this thesis selects a process of change of the hair style as a subject and aims at analyse the hair style, based upon paintings, Pictures, and various references of a target period. Prior to the main subject, the period is necessary to be divided into an ancient, a middle age, a modem age, and a present. The characteristics of each age are as follows: The hair of the Ancient age, according to "Pyeonbal" in the Tangun mythology demonstrates that an interest of hair was common and prevalent. In the era of Three Kingdoms, the hair style was shown by records and old tombs. There were a variety of hair styles such as the Eonzun hair-style, Chogzin hair-style, Pungimyeong hair-style, Mugeun-jungbal hair-style, and Ssangsangtu hair-style in Koguryo dynasty which were found in many wall paintings of old tombs. In accordance with records of the "Buksa" and "Juseo," married women divided their hair into two parts and single women braided hair in the Baekje dynasty. Further, some documents of China witnessed that the art of "Gache" in the Silla dynasty, fairly estimated was exported to China. In the early stage of the Koryo dynasty, the hair style of the Silla was generally inherited, but people followed a pigtail hair-style under the an assimilative policy of the Y?n dynasty after the Koryo, 18th years of the King Gong was surrendered to the Mongolia. In the Chosun dynasty, the Chogzin, Pungimyeong, Braided, Mugeun-jungbal and Ssangsangtu hair had been inherited since the Ancient age. However, Gache with Eonzun hair became popular in the middle of dynasty. Finally, Gache was prohibited because it caused problems of Gogye. In the civilized period in 19C, an Eonzun, Chogzin, Pigtail Ribbon hair-style were continuously general, in the mean time a new trial of Pampdoor, Pompadour was sometimes made. In addition, a Tre hair, a Cheopsi, hair were looming up a popular style during the Japanese imperialism. A shoulder length hair, also boomed in this period made a new word of "Modem Girl." After independence in 1945, a perm hair which had been limited since inception became widely spread and women preferred Uchimaki (inner curling) and Sodomaki (external curling). A short cut hair-style adapted by Audrey Hepburn in the Roman Holiday started attracting young women Rapidly growth of the national economy and distribution of TV encouraged women to have a strong interest of beauty and search for unique characteristics in 1970s. A beggar cut and a shoulder-length mushroom cut were spreading and men started a long or perm hair style or both through the trend of a unisex. In 1980s, a wide variety of cutting style with scissors, razor, and clipper expressed kinds of touch and a straight perm, started in 1984 influenced school girls and young housewives because this hair-style can stress a volumed touch of natural hair and easily take care of making waived hair straight. Recently, a dyed hair-style and colored coating perm has been popular and in order to express characteristics strongly, regardless of age. More importantly, the collective hair care system to take a good care of skin of head and hair has been adapted so widely that new information, and specialized system are updated consistently. In 21st century, hair art will not only free from convention or formal styles, but pursue creative characteristics including enhancement of antinomy which coexists simplicity and variability. Mentioned above, a brief history of the hair art is introduced. Definitely to say, a vogue reflects culture and tradition of each period and the present hair art, one of important portions of culture faces globalization which facilitates simultaneous fashion between the East and the West through development of internet and telecommunication. Therefore the Korean hair art will be globally recognized if our traditional hair art is harmonized to the modem concept with recreativeness and development.

철강제 사방댐 설계,관리 지원 시스템 개발

권대순,정주상 한국산림과학회 2004 한국임학회 정기학술발표논문집 Vol.2004 No.-

위암에 의한 위출구 협착에서 막미부착형 인공관의 효용성

권대순,고평곤,황세웅,남관우,문희석,정재훈,성재규,정현용 대한소화기내시경학회 2008 Clinical Endoscopy Vol.36 No.6

목적: 악성 종양에 의한 위출구 협착이 있는 환자에서 수술 절제가 불가능할 경우 고식적인 치료법으로 금속제 인공관 삽입이 현재 널리 사용되고 있다. 본 연구는 위암에 의한 위출구 협착이 있는 환자에서 막미부착형 자가팽창성 금속제 인공관 삽입의 유용성 및 안정성에 대해서 알아보고자 하였다. 대상 및 방법: 02년 10월에서 06년 12월까지 위암으로 진단을 받고 위내시경에서 위출구 협착이 확인되어 막미부착형 인공관 시술을 받았고 추적관찰이 가능했던 36명을 대상으로 의무기록을 토대로 후향 연구를 시행하였다. 막미부착형 자가 팽창성 금속관인 Hanarostent (uncovered pyloric/duodenal stent, M.I. Tech Co., Ltd.)를 사용하였다. 시술의 성공률, 임상증상의 호전여부, 합병증에 대해서 평가하였다. 결과: 인공관 시술의 성적은 기술적 성공률이 97.2% (n=35/36)였고 임상적 성공률이 91.7% (n=33/36)였다. 인공관 삽입 후 dysphagia score는 평균 2.44에서 0.92 (p=0.048)로 의미있게 감소하였다. 시술 후 입원기간의 중앙값은 10일(2∼77일)이었고 평균 추적기간은 91일(7∼854일)이었다. 추적기간 동안 13명의 환자가 사망하였으며 이들의 시술 후 평균 생존기간은 70일(7∼308일)이었다. 시술 후 합병증은 8명(22.2%)에서 발생하였는데 재협착 11.1%, 출혈 5.6%, 통증 2.8%, 인공관의 이탈 2.8%이었다. 2차 시술을 요하였던 경우는 총 3명이었고 모두 재협착 때문이었다. 전체 환자 중 시술과 관련된 사망은 없었다. 결론: 위암에 의한 위출구 협착에서 막미부착형 인공관 시술은 보존적인 치료로서 성공률이 높고 효과적이며, 비교적 안전한 시술이다.

GIS 기반 영림계획 전산체계의 개발

권대순,김형호,정주상 한국임학회 2004 한국임학회 학술발표논문집 Vol.2004 No.-

학술연구 발표논문집 : 토목,기계,GIS,휴양 분야 ; 상주대학교 4호관 308-2호 : 사방댐 관리를 위한 COM Component 개발

권대순,정주상 한국임학회 2003 한국임학회 정기학술발표논문집 Vol.2003 No.-

Demodex Folliculorum 기생률 및 관련요인 연구

권대순 한국피부과학연구원 2009 대한피부미용학회지 Vol.7 No.4

In The goals of this study are to identify the ratio of Demodex folliculorum. parasitism for persons with hair loss vs. persons with no hair loss, to investigate the possible relative variables of D. folliculorum. have with the personal traits of those with hair loss, and to conduct a survey on the current parasitism ratio, a questionnaire survey. The survey on the current ratio of D. folliculorum parasitism was conducted among 76 persons with hair loss and 72 with no hair loss, the questionnaire survey was conducted among 502 customers who had used hair & scalp treatment center. The whole study was conducted from Feb 15, 2006 through Jun. 20, the same year. The D. folliculorum parasitism ratio of those with hair loss was about three times higher than that of those with no hair loss, and D. folliculorum parasitic among the two groups according to age showed a statistically significant difference. However, D. folliculorum parasitic in men (50%, 48/96) vs. women (40.4%, 21/52) showed no statistically significant difference. The study showed that as the subjects were older, the parasitic rate became higher, and a number of the occurrences of D. folliculorum were found on oily scalps. It was also found that, as the cycle of washing hair got shorter, the parasitism ratio became lower. However, D. folliculorum parasitism at p<0.05 in regards to sex, a family and relatives' history of hair loss and the types of shampoos used showed no statistically significant difference. 본 연구의 목적은 탈모인과 비탈모인 간에 Demodex folliculorum에 대한 기생 정도를 파악하고, 탈모인의 특성과 D. folliculorum의 관련성을 분석하고자 기생률 실태조사, 설문지조사를 병행하여 연구하였다. 기생률 실태조사는 탈모인과 비탈모인 각각 76명, 72명이 대상이었고, 설문지조사는 두피관리실을 이용하는 고객 502명이 대상이었다. 연구기간은 2007년 2월 15일부터 6월 20일까지 진행되었다. D. folliculorum의 기생률은 탈모인(69.4%)이 비탈모인(25.0%)보다 2.5배가량 높게 나타났으며, 나이에 따른 두 집단 사이의 D. folliculorum 기생은 통계적으로 유의한 차이를 보였다(p<0.05). 한편 남성(50.0%)과 여성(40.4%) 사이의 D. folliculorum 기생은 통계적으로 유의한 차이를 보이지 않았다. 연구대상자의 특성과 D. folliculorum의 관련성은 연령이 높아질수록 D. folliculorum 기생비율이 높았고, 지성두피에서 많이 발견되었으며, 모발세정의 주기가 짧을수록 기생비율이 낮았다. 그러나 성별, 가족 및 친척의 탈모에 대한 가족력, 모발세정제의 종류별로는 D. folliculorum의 기생이 통계적으로 유의한 차이를 보이지 않았다.

신주액(腎主液)에 관한 연구(硏究)

권대순,윤창열 대한한의학원전학회 2005 대한한의학원전학회지 Vol.18 No.3

毛髮의 明度變化 硏究 : 시간, 열, 호일, 재도포 등을 중심으로

권대순 공주영상정보대학 2001 논문집 Vol.8 No.-

본 연구에서는 시간의 변화에 따른 탈색의 명도와 외부조건이 탈색에 미치는 영향 등을 실험하였다. 이러한 연구를 위해 2레벨의 친수성모와 분말타입의 탈색약 등을 사용하여 일정한 시간을 정하여 시술을 하였고, 시술결과를 사진촬영을 하였다. 본 연구결과를 통해 나타난 결론은 다음과 같다. 1. 시간의 변화에 따른 탈색의 명도는 일정시간(15분 이내)동안에는 색상의 밝기를 확연히 느낄 수 있었으나, 그 이후에는 시간이 흘러도 명도의 변화를 거의 느낄 수 없었다. 2. 외부의 조건에 따른 모발의 명도변화는 열처리를 한 것이 가장 밝았으며, 10분 후 재도포, 호일, 자연방치의 순이었다. 그러나 일반적으로 예상한 것과는 달리 10분 후 재도포와 호일을 싸서 자연방치, 자연방치의 색상의 차이가 거의 없었다. 따라서 20분이라는 시간의 제약속에서는 굳히 외부조건은 별다른 의미가 없다. 그러나 열처리를 한 모발의 명도는 색상의 차이를 뚜렷히 느낄 수 있었으며, 이를 통해 탈색의 명도변화에 온도가 매우 큰 영향을 미친다는 사실을 확인할 수 있었다. 그러나 본 연구는 2레벨의 친수성모발을 대상으로 하였고, 약의 선정에 있어서도 특정약을 선정하였기 때문에 전체적인 모발에 위의 실험 결과를 적용한다는 것은 한계가 있다. 따라서 앞으로의 연구에서는 발수성모발과 다공성모발에도 시술을 하여야 하고, 여러 가지 탈색약과 농도, 온도 등의 변화를 주어 다양한 실험이 이루어져야 할 필요가 있다.

경량골재의 함수상태에 따른 가압 전·후 경량골재 콘크리트의 특성에 관한 연구

권대순,김세환,전현규,김상헌,서치호 大韓建築學會 2012 大韓建築學會論文集 Vol.28 No.8

<P> The application of lightweight aggregate can be a solution for improving concrete performance. Its adoption will derive improved functions such as decrease of dead load and the improvement of insulation and sound absorption. But, according to previous studies of lightweight aggregate concrete, the structure of lightweight aggregate is a porous body so that it shows a faster and higher absorption performance than normal aggregate, and thereby it causes hardship for workability, durability, quality control and pumpability. As this study is a fundamental study for activation of lightweight aggregate concrete, the concrete has been manufactured by varying the amount of contained water in lightweight aggregate. Moreover, through concrete pressurization tests, quality of concrete are measured before and after pressurization. And consequently the following conclusions are obtained. As increasing the amount of contained water in lightweight aggregate, values of slump flow and unit weight are increased, values of air content, strength and frost resistance are decreased. As pressurization on lightweight aggregate concrete, values of slump flow and air content are decreased, values of unit weight, strength and frost resistance are increased. </P>

조선시대 쪽머리의 연구 및 재현

권대순(Dae Soon Kwon),김명희(Myeong Hee Kim) 한국인체예술학회 2010 한국인체미용예술학회지 Vol.11 No.1

This study is a consideration on jjokmeori(Chignon) which is the most ancient hair style for married woman among the traditional hair styles of Korean women. The historical change in its shape and position from the origin to the present is searched, and six jjokmeoris from the important points of time are reproduced to attempt the grafting of tradition and modern. In the early age of Joseon, both of jjok and binyeo were small. But, since the custom of gache(wig) started, the jjok began to be bigger. It was because the jjok was necessary to connect or support the gache. Under the rules of King Yeongjo and jeongjo, the gache was prohibited and the jjokmeori also suffered a great change. It was because the government recommended the use of jjokmeori and binyeo. During those days, the recommendation was almost coercive. In this process, the jokduri came to be in disuse because of its inconvenience and the chubjimeori instead of it was prevalent. But, it was the case of royal and noble classes.For ordinary people, the jjokmeori became common and was reckoned as a custom since the middle age of King Sunjo. Even until those days the position of jjok was rather arbitrary and gradually went down. While the ancient society fell down later, the jjok went up again to the center of back head. And it became the hair style that every woman could have regardless of her social status till now.