프랑스어 및 한국어 구강모음의 비교연구 : 컴퓨터 단층 촬영 및 디지틀 음향분광기를 사용하여 by means of Computed Tomography and High-speech Analysis System

김찬양,신효근,홍기환,김연희,김현기 全北大學校 語學硏究所 1994 어학 Vol.21 No.-

The methods of the Computed Tomograph and the High-speed Speech analysis system were used for the comparative study of French and Korean oral vowels. Three male native speackers of French and three Korean speakers were selected for these articulatory and acoustic characteristics. The speech materials were the simple French oral vowels / i, e, ε, a, u, o, ??, a / and the Korean oral vovels / i, e, ε, a, w, u, o /, respectively. The results of these studies are as follows : (1) In the case of articulation, the aperture of Korean closed front unrounded vowels is larger than that of French vowels and the Korean back closed vowel /u/ and the half-closed vowel /o/ did not show significant differences with the corresponding French high vowel /i/. But the aperture of the Korean half-open vowel /??/ is smaller than that of French vowel and in this case, the place of articulation for Korean vowel /??/ is more advanced than that of French vowel /??/ (2) By means of spectrographic analysis of the French and Korean vowels, the first formant of the Korean high vowel /i/ is higher than that of French high vowel /i/. This means that the aperture of the Korean high vowel is larger than that of French high vowel. The second formant of French back vowels are lower than those of Korean back vowels. This result shows that the projection of French back vowels is greater than that of Korean back vowels.

括數根 水溶性 蛋白質의 細胞毒性

殷載淳,鄭甲基,梁在憲,權鎭,吳贊鎬,全焄 又石大學校 1995 論文集 Vol.17 No.-

The purpose of this research was to investigate effect of water-soluble protein of Trichosanthes kirillowii(TKP) on the proliferation of human tumor cells. TKP inhibited the proliferation of HeLa cells and KHOS-NP cells. The inhibitory activity of doxorubicin on HeLa cells and its of mitomycin C on KHOS-NP cells were increased by the combination of TKP. TKP did not affect on the proliferation of Balb/c 3T3 cells, but inhibited the proliferation of mouse spleen cells and human lymphocyte at 1 ㎍/ml. These results suggest that TKP bas the cytotoxicity on HeLa and KHOS-NP cells, and increase the cytotoxicity of doxorubicin or mitomycin C.

특수 언어발달 장애 환아의 임상 및음향음성학적 특성연구

김연희,박세훈,신용일,김찬양,김현기,김정수 大韓再活醫學會 2000 Annals of Rehabilitation Medicine Vol.24 No.1

Beckett and the Hypertextual Age: An Aesthetical Enquiry

Gi Chan Yang 국제언어인문학회 2010 인문언어 Vol.12 No.2

Beckett and the Hypertextual Age: An Aesthetical Enquiry Gi Chan Yang (University of Suwon) The values of literature and the identification of what can be constituted as a work of literature is a problem that is widely acknowledged in the domain of literature today. Distinguishing between what can be considered as literature and what is not literature lies at the very core of the identification process. The problem of identification faced by the academia today, in essence, deals with how to define the changes and the corresponding expansions in the field of contemporary literature today. In a wider perspective, this identification process of literature in hypertextual age is a question related to and founded on the very differences that one finds in each and every society since what is accepted by the said society defines the very nature and the subject of what is accepted as literature, be it text, audio or images. The question of how to discern what can be, or should be defined as belonging to the domain of literature in the strict sense of the meaning might seem somewhat obscure in the light of the changes and developments we are witnessing in today’s literary domain. Therefore distinguishing the very nature of literature in the hypertextual age is a question that should be answered through a theoretical approach, which will lead to relevant parameters from which to judge and identify literature in this hypertextual age. The paper will develop the argument through examining the relevance of Beckett’s works in respect to the hypertextual age. Becketts writings can be defined as being the first serious literature that opened the doorway to the hypertextual age in literature. This paper will try to discern the hypertextual aspects in Becketts works. Becketts works are actually referred to as belonging to the spectrum of modernity to post modern depending on the Researchers. The identification of the volubility that we find in Becketts works will lead to the identification of literature in the hypertextual age that we live in today. Defining what is literature is largely based on from what perspective one approaches the said materials that can be suggested as being literature. Becketts works in perspective not only narrows this field and is suggestive of the literature in the hypertextual age. Finally, the perspective of how to discern literature in this hypertextual age needs an objective approach rather than a subjective one, because the corresponding dilemma of discerning and locating literature in the hypertextual age of today has become a problem confronting not only the individual but also the subtle changes that one witness in today’s society.

Perspectives on the Parameters of Fictional Reality in Drama

Gi Chan Yang 국제언어인문학회 2012 인문언어 Vol.14 No.1

Perspectives on the Parameters of Fictional Reality in Drama Gi Chan Yang (University of Suwon) The definition of what is ‘fictive’, ‘fiction’ and thus ‘fictional’ today is a definition in constant change. Traditionally, the definition of fictive and what may constitute as fictional, is whether the suggested and proposed is ‘accepted’ as real or the suggested and proposed is ‘considered’ as real. This paper proposes to discern how fictional reality manifests in a dramatic environment, especially in that of the Avant-garde environment. In traditional fictional reality the fictive image that was presented as ‘being’ real was comprehended as such, but in the dramatic reality fictive image created is more psychologically based. In the Avant-garde theater the fictional reality manifests in a different manner, the reality is based on psychology. The fictional reality depends on the universalism in creating on stage the actualness needed. Comparing what is accepted and what may be accepted as real may be suggestive of the difference between traditional fictional reality and dramatic reality: acceptance through recreation of minute details of an actual reality to psychological acceptance of a fictive representation. Avant-garde theaters in this sense opens a new door in the parameters of fictional reality that goes against the traditional methods of defining the fictional reality.

Mystification and Demystification and the Subtext

Gi Chan Yang 국제언어인문학회 2013 인문언어 Vol.15 No.2

Mystification and Demystification and the Subtext Gi Chan Yang (University of Suwon) Mystification and demystification are rhetorical tools and manifest through the subtext which convey the underlying message of the author to the audience/reader. Modern fiction use subtext for many different rhetorical reasons. These uses of subtext are closely related to the metaphorical rhetorics and allegorical inferences that one finds abundant in today’s fictional environment. Mystification tries to entrance the audience/reader to think that what is actually a fabricated imagery is based on actual reality while demystification on the other hand proposes to lay bare and to remove the symbolizations associated with narratives. This paper looks at the use of mystification and demystification as a rhetorical tool and their application in the modern drama. The symbolizations and the meanings underlying what is presented on stage and through text can generally be accepted as the theme that the author is trying to convey to the audience/reader and it can be quite different from what is actually presented and not represented.

Literary study in representation of city images in contemporary theater: A Comparative study of Modern American and Modern European Theater

Gi chan Yang 국제언어인문학회 2005 인문언어 Vol.7 No.-

The difference between presentation of cities in the European modern drama and its counterpart the American modern drama denotes and comes from two very different images of cities. While the European modern drama presented cities that were desolate and fantastic to certain measure, the American modern drama presented the images of actual cities that can be identified by the spectators and readers. Although one cannot ‘actually’ identify any actual representation of cities in both the European and the American dramas, the images of cities can be discerned in the dialogues of the characters in the plays themselves. In this perspective the images of cities that are represented in any work of modern drama are actually represented through metaphors and connotations. The images in this instance rests and can only be identified within the boundaries of psychology. The dialogues are means through which the author communicates with the spectators. Because drama is above all categorized as being a work of text before representation, deciphering drama also falls in to same cadre as any other literary texts. Through the means of ‘décontextualisation’ the reader/spectator identifies with the associated images that the text proposes.

The Postmodern Rhetoric in the Pre-1900 Korean Tales and Folklores: The Postmodern rhetoric hi Choonhyangjeun

( Gi Chan Yang ) 한국비교문학회 2006 比較文學 Vol.40 No.-

Perspectives on Modern Drama

Yang, Gi-Chan 국제언어인문학회 2002 인문언어 Vol.3 No.-

The paper develops the arguments as to how one should perceive modem theater and how one should categories it, not to mention how one may identify the traits of modern theater. The Contemporary Theater has changed in a way that it is no longer possible to define the genre relying on conventional definitions that we associated with it in the past. The paper in this regard proposes a perspective which by addressing the evolutions that one has seen in the theories of reception and other relevant literary fields may define the very nature of the theater as we Cow it today. The paper is largely based on the aesthetics of reception and the objectivity theory which is based on the decontextualisation, recontextualisation and contextextualisation method that is being more and more commonly used in the field of literary academics of today. The relevancy of this paper rests with the hypothesis that it is by and through using various theories of reception that it is the only true solution as to defining and identifying the characteristics of modem theater.

Hamlet, Tragic Hero or Self-indulgence

Gi chan Yang 국제언어인문학회 2014 인문언어 Vol.16 No.2

The paper explores, examines and reinterprets the text Hamlet from a psychoanalytic point of view that has been suggested but has not been explored in detail. The paper tries to discern whether the actions of Hamlet truly qualifies as a revenge or if the associated tragic connotations are simply from family fallouts, disagreements and misunderstandings that lead to subsequent tragic actions due to Hamlet’s oedipal complex. Hamlet’s obsession and his self-indulgence seems to be key to his ‘actions’ in the play. The paper shows as to why Hamlet should be regarded as a story about petty ‘revenge’ and as to why Hamlet as a traditional tragic hero fails, based on the arguments on the actuality of the Ghost not to mention the actuality of the circumstantial situation represented Hamlet is not a traditional tragic hero for the simple reason that he does not satisfy the aesthetical reasons to be labeled a traditional tragic hero because the reasons for his actions are more for personal satisfaction then noble or honorable. Finally, Hamlet is a personnel vendetta story, a Prince who takes vengeance for something that he cannot posses, mainly his mother. The Oedipal complex is why and where the tragedy starts and ends in Hamlet. It is not something that is Epical in nature but personnel.