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- 주제어 : Me Before You (검색결과 2 건)
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세 영화에 재현된 안락사 담론: <밀리언 달러 베이비>, <유 돈 노우 잭>, <미 비포 유>
한애경 신영어영문학회 2020 신영어영문학 Vol.76 No.-
This paper investigates the discourse of euthanasia in three films: the 2004 film about a boxing trainer who helped the mercy killing of a boxer, <Million Dollar Baby>, the 2010 TV biopic about suicide-assist doctor Jack Kevorkian, <You Don’t Know Jack>, and the 2016 romantic drama about a paralysis patient who travels to Switzerland for assisted suicide, <Me Before You>. Though these films are similar in that they deal with euthanasia, they are a little different in their situation. The first film tells Frankie, a trainer who assisted the euthanasia of Maggie who was in an incurable vegetative state because of her injury in a world championship title match. The second film tells the story of Michigan pathologist Dr. Kevorkian, who over the course of his controversial career helped 130 people−all of them terminally ill−end their lives comfortably and humanely with an instrument that he made. Despite the gratitude his patients felt, his work sparked a national debate about the morality of euthanasia in humans and he was vilified by some prosecutors. The third film, <Me Before You>, is a fictional story of a wealthy young man in London, Will Traynor, who is left suddenly paralyzed by a road accident. In the end, Will decides that life without physical freedom isn’t worth living in spite of his love for Louisa Clark, his care-giver and he travels to Switzerland to die, leaving enough money to give Louisa the financial freedom to pursue her dreams. Will’s generous final act may confirm Elizabeth Kubler-Ross’s belief “Everyone should growth until one’s death.” The process of euthanasia thus prompts us to consider preparing for a good death, and, possibly, a good life for those we leave behind.
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한애경(Han, Aekyung) 신영어영문학회 2018 신영어영문학 Vol.71 No.-
This article adopts the perspective of Elizabeth Kubler-Ross, who proclaimed that the only purpose of life is growth, in analyzing the deaths and legacies of Edward Casaubon and Peter Featherstone in George Eliot’s Middlemarch (1871-72) and Will Traynor in Jojo Moyes’s Me Before You (2012). There are two deaths and subsequent legacies at the center of Middlemarch. The patriarchal Casaubon belittles his wife as an excuse for his egoism and incompetent scholarship during his life, and endeavors to control her freedom after his death through his conditions of inheritance. meanwhile, Featherstone directs most of his estate to his illegitimate child, Joshua Rigg, though he was expected to leave his relatives a considerable legacy. Thus the deaths in both cases frustrate the growth of their survivors. An imminent death is also at the center of Me Before You, in which Will, a wealthy general paralysis patient, falls in love with his poor care-giver, Louisa. While she tries to reverse his decision to be euthanized, he encourages Louisa to widen her horizons. After being euthanized in Switzerland, Will continues to support Louisa through his legacy, which covers college tuition and living expenses. In conclusion, these deaths and their consequences lead us to ask Kubler-Ross’ question: “How much do you love and serve others?”.
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