Seduction of Masquerading Signs : Aphra Behn's Authorship and The Rover

( Seung Hee Roh ) 한국영어영문학회 1995 영어 영문학 Vol.41 No.4

Facile synthesis and characterization of silver nanoparticle/bis(o-phenolpropyl)silicone composites using a gold catalyst.

Roh, Sung-Hee,Cheong, Hyeonsook,Kim, Do-Heyoung,Woo, Hee-Gweon,Lee, Byeong-Gweon,Yang, Kap-Seung,Kim, Bo-Hye,Sohn, Honglae American Scientific Publishers 2013 Journal of Nanoscience and Nanotechnology Vol.13 No.1

<P>The generation of silver nanoparticle/bis(o-phenolpropyl)silicone composites have been facilitated by the addition of sodium tetrachloroaurate or gold(Ill) chloride (< 1 wt% of NaAuCl4 or AuCl3) to the reaction of silver nitrate (AgNO3) with bis(o-phenolpropyl)silicone [BPPS, (o-phenolpropyl)2(SiMe2O)n, n = 2,3,8,236]. TEM and FE-SEM data showed that the silver nanoparticles having the size of < 20 nm are well dispersed throughout the BPPS silicone matrix in the composites. XRD patterns are consistent with those for polycrystalline silver. The size of silver nanoparticles augmented with increasing the relative molar concentration of AgNO3 added with respect to BPPS. The addition of gold complexes (1-3 wt%) did not affect the size distribution of silver nanoparticles appreciably. In the absence of BPPS, the macroscopic precipitation of silver by agglomeration, indicating that BPPS is necessary to stabilize the silver nanoparticles surrounded by coordination.</P>

Gift and Its Dis-contents in King Lear

Seung-Hee Roh(노승희) 한국셰익스피어학회 1998 셰익스피어 비평 Vol.34 No.-

접경지대 여성의 몸

노승희(Seung-Hee Roh) 도서출판여이연 2003 여성이론 Vol.- No.9

『릴리쓰의 아이들』에서 읽는 포스트페미니즘 의제들

노승희(Seung-Hee Roh) 한국영미문학교육학회 2007 영미문학교육 Vol.11 No.2

  Seeing differences among women as being constitutive of the category of sexual difference, Postfeminism starts to work with the issues left unresolved by Feminism; it purports to address the complicated operations of power and violence on women, taking account of differences among women seriously. Postfeminism is thus less concerned with the question what woman is or desires. It is more engaged in working through the multiple nodes of power and inventing the strategic vocabularies that would bring the agency of women across the borders of multiple differences into the making of a better world for each and every woman"s subjective becoming. The agenda of Postfeminism is well articulated in Octavia Butler"s SF trilogy Lilith"s Brood that depicts a world of posthuman, interspecies creation, in which differences matter in individual as well as collective becomings. Lilith"s Brood starts with a warning against the human, especially men"s, hierarchical behaviors, which are intolerant of differences and thus endanger the continuity of the human species and its civilization. Eventually Butler"s trilogy envisions an alternative style of life in which such radically heterogeneous beings as the Oankali, an alien species, and the humans come together in building a mutually enabling symbiotic alliance. Here what matters is "body knowledges," to use Butler"s words. The body is not a fixed entity but a mutable form, constructed of heterogeneous elements which are assembled and reassembled by genetic modifications in intra-species crossbreeding. The body knowledge principle is explored first in Lilith"s role of a monstrous mother and again with the "Constructs" like Akin and Jodahs, who are posthuman hybrid subjects in Lilith"s Brood. For them, the self and the other do not remain exclusive to each other; they form a mutually enabling symbiotic bloc, allowing each other to become and grow. Butler"s xenogenetic characters exemplify the politically enforced collective subject which Rosi Braidotti advocates as the ethical agent of Postfeminism that generates metamorphoses beyond gender politics. Life surely changes as the body changes.

코먼웰스의 주체와 국가성 ―『헨리 사극』 사부작을 중심으로

노승희 ( Seung-hee Roh ) 21세기영어영문학회 2021 영어영문학21 Vol.34 No.4

This paper examines the evolution of national consciousness in the second tetralogy of Shakespeare’s English history plays in the context of early modern commonwealth discourses. Standing for a state, the word “commonwealth” in sixteenth-century England was invested with polemical meanings, for its earlier historical usages were associated with popular uprisings. Speaking of the commonwealth, not the kingdom, implied a political positioning and preference for a more democratically-oriented constitution against the Tudor ideology of absolute monarchism. Thus, the commonwealth became the imagined target of the discursive projects that seek to reform social imbalances and promote commonality. Such projects included Shakespeare’s drama as well as the works of progressive thinkers, such as Thomas More’s Utopia and Thomas Smith’s De Republica Anglorum. While More’s utopian treatise remains a revolutionary thought-experiment, Smith’s depiction of the commonwealth particular to England is more situated in real circumstances. In Smith’s text, the commonwealth is a contratual and corporate entity of people who are united in common accord and common prosperity. This concept of the commonwealth is similarly voiced in Shakespeare’s drama. The working class characters of Richard II and Henry IV proffer their commonwealth ideals by commenting on the wrong doings of the self-interested ruling block. The passionate speech of Henry V eloquently gives a vision of the commonwealth nation in which all the subjects are united in brotherhood and mutually responsible for the safety and wellness of one another. Henry’s identification of himself as a common soldier gives a finishing touch to the Shakespearean design of an egalitarian nationhood.

舍巖鍼法 經驗篇에 대한 小考 : 治療篇과 比較를 중심으로

노승희(Seung-Hee Roh),차웅석(Woong-Seok Cha),김남일(Nam-Il Kim) 한국의사학회 2012 한국의사학회지 Vol.25 No.1

Present Saam acupuncture can be divided into two types of Therapeutic part that is composed of physiology, pathology, classification of the symptoms, treatment and Experiential part that is composed of clinical case. Therapeutic part is authored by Saam and experiential part is authored by Ji-san. Experiential part is based on therapeutic part, but it has been changed. So, Measuring 「chapter10. Saam acupuncture(apply to therapeutic part)」 against 「chapter11. Clinical case of Ji-san(apply to experiential part)」 Author get to know that experiential part of Saam acupuncture has been changed. 「chapter10. Saam acupuncture(apply to therapeutic part)」 and 「chapter11. Clinical case of Ji-san(apply to experiential part)」 belong to 『TaeHanUiHakJeonJip·Acupuncture part』 that is similar to manuscript of Saam acupuncture. The following is changed situation of Saam acupuncture. First, While the theory of Jeong form is already established in therapeutic part, the theory of Seung form is established in experiential part. So, In experiential part, they are equal in their relations. Second, In experiential part, the term that is named 'prescription of ○○' has been used since experiential part. Third, Some of spots on the body suitable for acupuncture mentioned in therapeutic part are omitted in experiential part. And to conclude, experiential part playa large role in the establishment and change of early Saam acupuncture.

초기 근대 영국의 미각의 질서 -셰익스피어 희곡의 음식 기호와 사회적 유동성

노승희 ( Seung Hee Roh ) 한국영어영문학회 2011 영어 영문학 Vol.57 No.1

Shakespeare`s plays deploy an interesting array of food signs in a way to illuminate the historical process of what Stephen Mennell has described as “the civilizing of appetite”-a process in which the changes of food choices and eating habits took place in response to the changes in people`s way of life and personality structure over the long-term modern period since the middle ages. Shakespeare`s plays suggest that the civilizing of appetite in early modern England was heavily affected by the forces of social mobility as well as the nascent market economy. The Capulets` costly preparation of Juliet`s wedding banquet is a showcase of conspicuous consumption which was a structural necessity for the ruling class in Shakespeare`s time. Some fifteen years later, the same kinds of foodstuffs are included in a shepherd`s shopping list for the sheepshearing festival in Winter`s Tale. This is a significant coincidence to prove that food was an important source of emulation and contest among different social classes; and that the rich diet of the upper class gave impetus to social mobility. The Elizabethan subjects, especially among the elite noblemen, were interpellated by the ideology of food that equated the quality of food and the eater`s social identity. Faced with bankruptcy as a consequence of his extravagant consumption habit, Bassanio in The Merchant of Venice testifies to the gripping ideology of food onto early modern people, while Poor Tom in King Lear presents a comic parody of the rich people`s conspicuous waste. Also in Coriolanus and The Merry Wives of Winsor, Shakespeare uses food as a metaphor for class-motivated social struggles.

『베니스 상인』에서의 교환의 정의와 사회적 적대

노승희(Roh, Seung-Hee) 미래영어영문학회 2018 영어영문학 Vol.23 No.1

셰익스피어 시대 영국의 국민주의와 음식

노승희(Seung-Hee Roh) 한국셰익스피어학회 2013 셰익스피어 비평 Vol.49 No.4

The building of a nation-state in Tudor England was an uneven process in which a whole spectrum of historical agents got involved; as such, it never remained a monarchical project. Instead, nation defined as an imagined community, a term proposed by Benedict Anderson, began to take shape through complex negotiations among people who felt the need for a shared political identity while seeking to promote self-interests. Among the multiple factors that mediated the historical process, Englishness was most prominent. It served as a common anchorage in the development of a collective national identity. Analyzing Henry V and Sir Thomas More, this paper argues that Englishness was not a given political category but a mode of identification creating a fantasy of bond among scrappy individuals divided otherwise by the preexisting formulations of subjecthood, such as class, religion, ethnicity, places of origin, and so on. The most immediately available sources for creating a shared fantasy were found among common cultural practices, especially the ones involving food choices and eating habits. The “band of brothers” in Henry V and the rioters in Sir Thomas More are examined as showcases of the emerging national consciousness in Shakespeare’s time. The first suggests that the subject’s willing imaginary identification is the determining factor of a nation. The second envisions London as a civic body, a form of the national political order on a smaller scale, which is based on fraternal alliance among citizens.