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채선미(Seon Mee Chae),유영선(Young Sun Yoo) 한국복식학회 1999 服飾 Vol.45 No.-
The purpose of this study is to offer a new inspiration for fashion design, relating the Romanticism in art to one in fashion-examining the circumstance, expressionand the latest trend which is involved with it. Since 1990, Romanticism is motivated and represented in the middle of aridity in this age which is going on the end (of age). To say the details, Romanticism in fashion is represented modernly in the compound of social grounds, cultures and new techniques. Romanticism in fashion is classified in four categories : Retro, Avantgarde, Minimal and Ethnic. First, Retro mood in Romanticism is represented by reappearing the costumes in Medieval, Renaissance. Baroque, Rococo, Romantic era. Specially, corsets, crinolines, bustle, decorative ribbons, frills, and Medieval symbols in religion are all important factors in intuitional, symbolic Romanticism. Second, Avantgarde mood in Romanticism is the concept of ugly, by deconstruction and division, which is originated from destroying existent social orders. And it involves with distortion and grotesque. Third, Minimal mood in Romaticism is visualized in limited/moderate lines and floral patterns, removing the extravagant decorations, Forth, Ethnic mood in Romanticism is mainly represented in the oriental patterns, colors, items, being motivated by Eastern customs, images and cultures. Today, they appear in modern concept, reinterpreting fusion, hybrid and cross-over. Romanticism in fashion is creating new forms and beauties, absorbing the past and the present. In addition, it is motivated by the nostalgic mood. the expectation for the future, and the refinement. Romanticism would be an important fashion theme to offer new inspirations for the fashion in 21th century rather than remain at the reappearance.
이수정,채선미 한국의류산업학회 2004 한국의류산업학회지 Vol.6 No.4
Hanji costumes has four aspects that allow the creator or artist to create many variations. The pictorial effects of Hanji costumes are produced through variations in the dyes and brushes used for its application. The amount of water and texture of the Hanji mixture also influences the Hanji clothing. This effect was expressed using a dry brush technique, a dripping technique, India inks, and fragments from other Hanji works. A second aspect of Hanji clothing is the coloring effect in the Hanji costumes. The coloring is due to the fibers in the preparation mixture and the uniqueness of the dyes. The Hanji clothing was dyed various colors and patterns by dip dyeing, block dyeing, silk screens, digital printing. The third aspect of Hanji imagination in clothing is the decorative details. The details in Hanji clothing can be seen using frills, pleats, tucks and ribbons. The last variation of Hanji clothing can be expressed through crafting techniques. These techniques are the quality of paper string, cuts in the paper and paste ingredients. With Hanji cloth, it is possible to plait, roll, and crample into other flexible & useful materials.