An Analysis and Decomposition of Changing Labor Income Distrbution in Kores

국문 초록 (Abstract)

1970년대 이후 1990년 대 초반까지 한국에 있어 노동소득불평등도가 지소적으로 감소해 온 이유로 새로운 불평등도의 분해 방법을 바탕으로 수량적인 분해를 시도한 최초의 논문임. 임금방정식을 이용한 원인별 분해를 통해 동기간의 노동소득불평등도 감소에 가장 크게 기여한 요소는 교육수준의 평준화임을 밝혔고, 특히 1986년대 1991년 사이의 불평등도의 하락은 노동조합운동에 기인한 제도적인 측면이 아니라 대졸절원의 증가를 통한 고학격 노동공급의 증대에 따른 노동시장적 측면에 기인한 것임을 계량경제학적 방법을 통하여 밝혔음

다국어 초록 (Multilingual Abstract)

Roman Haubenstock-Ramati(Feb.27th 1919 in Cracow, Poland-March 3rd 1994 in Vienna, Austria) established the term "musical graphics" with the organisation of the first exhibition of his musical graphics in Donaueschingen, Germany 1959 It should be clear that his graphic art were not the basis of the so-called free and spontaneous Improvisations. To interpret such graphics, Haubenstock-Ramati demands musicians to reflect on formal progress of musik. The interpretor should, according to Haubenstock-Ramati, seek order in disorder("to perform? to realise? in doubt, never!").
My dissertation consists of two parts: Part 1 describes the important aspects of aubenstock-Ramati's musical form, especially the >mobile<, the variable form and >always something different and yet always the same< - phenomenon. Part 2 is an analysis of his vocal compositions. Both parts beginn with a general introduction to the historical compositional situation in the post-serial-phase
In both topics(Music and Abstract Painting, the musicality of Language in Literature) the ineraction and the dissipation of boundaries of each art form: Music, Painting, Literature, are outlined within.