韓國歌謠의 原流와 變遷에 關한 硏究 : 新民謠와 트로트歌謠 比較를 中心으로 = (A) Study on the origin and transition of Korean popular song

다국어 초록 (Multilingual Abstract)

The origin of Korean Popular Song starts from the Japanese colonial period in the 1920s, which is called an enlightenment period. During this period, New Folk Song or 'Shinminyo(新民謠)' was born based on traditional Korean folk song, while the so-called Trot Song came into being on the basis of 'Yenka(演歌)' which was used in Japanese modern drama. In fact, Shinminyo and Yenka formed a representative genre in the beginning stage of Korean Popular Song. Then, the inflow of American culture and various Western popular music affected the identity of Korean Popular Song.
As a well-known popular singer, I have been singing for over 40 years on various performance stages with the mission and philosophy that I have to develop great elements of traditional music into today's popular song. Recently, however, I have been faced with a lot of difficulties due to the rapid modernization, commercialization and capitalistic trend of the local pop music world. This study, based on my experience, is designed to review the transition of Korean Popular Song and to present the desirable headway of its future.
First, we focus on analysis of and comparison between Shinminyo and Trot Song. Second, we try to find out the transition of Shinminyo which changed from a traditional style to modern popular style. We also try to unveil how a musical genre, introduced from the outside, has somehow developed into Korean Popular Song. Third, we present alternative ideas for establishing the identity of Korean Popular Song and its universal settlement as a world-class song.
Now, let's take a look at the key points of this study.
First, Korea's traditional folk songs and Japanese popular songs are composed of the so-called 'Pentatonic Scale.' However, these two songs are totally different in terms of the mood and melodies. The evidence is that such features are reflected on Shinminyo and Trot Song, respectively.
Second, the transition of Shinminyo and Trot Song can be classified largely into the following four periods according to their musical analysis and social background.
◁표 삽입▷(원문을 참조하세요)
Third, I put forward alternative ideas for the development of "Korean Popular Song" based on musical analysis of its transitional results and 40 years of my singing career. The ideas can be classified into the following assertions: (1) the revival of tradition and change of general recognition; (2) creation of popular music and the change of its production structure; (3) reform-minded performances by both singers and players; (4) the need for changing attitudes on the part of the audience and the general public. These points of issue must be recognized by everybody so that singers and audiences can duly retain traditional elements and pursue creative production.
My efforts will be continued to present the right direction of Korean Popular Song and to achieve its globalization through continued research on music and creative singing performances on the stage.

목차 (Table of Contents)

• I. 서론 = 1
• 1. 연구목적 = 1
• 2. 연구범위와 방법 = 3
• II. 신민요와 트로트가요의 원류 및 특성 = 7
• 1. 신민요의 원류 = 7
• 2. 전통민요의 특성 = 9
• 1) 조(調)명칭에 관한 연구 검토 = 9
• 2) 민요의 음계와 선법 = 17
• 3) 장단의 특성 = 28
• 4) 형식의 특성 = 31
• 3. 트로트 가요의 원류 = 32
• 4. 일본 노래의 특성 = 34
• 1) 음계와 선법적 특성 = 34
• 2) 리듬의 특성 = 42
• 3) 형식의 특성 = 43
• 5. 특성 비교 = 44
• 1) 음계와 선법의 비교 = 44
• 2) 리듬과 형식의 비교 = 45
• III. 한국가요의 변천 = 46
• 1. 신민요의 변천 = 47
• 1) 제 1기 신민요 = 49
• 2) 제 2기 신민요 = 54
• 3) 제 3기 신민요 = 60
• 4) 제 4기 신민요 = 65
• 2. 트로트가요의 변천 = 68
• 1) 제 1기 트로트 가요 = 68
• 2) 제 2기 트로트 가요 = 75
• 3) 제 3기 트로트 가요 = 80
• 4) 제 4기 트로트 가요 = 86
• 3. 신민요와 트로트 가요의 변천 비교 = 92
• 1) 신민요 = 92
• 2) 트로트가요 = 93
• 3) 비교 = 95
• IV. 결론 = 96
• 參考文獻 = 100
• ABSTRACT = 103
• 附錄 = 106
• 부록1- 신민요 연대별 목록
• 부록2- 트로트가요 연대별 목록
• 예보차례
• 예보1> 창부타령 = 18
• 예보2> 한강수 타령 = 19
• 예보3> 수심가 = 20
• 예보4> 몽금포 타령 = 21
• 예보5> 금다래꿍 = 21
• 예보6> 진도아리랑 = 22
• 예보7> 전라도 방아타령 = 23
• 예보8> 까투리 타령 = 24
• 예보9> 경상도방아타령 = 25
• 예보10> 긴 모심기 소리 = 26
• 예보11> 오돌또기 = 27
• 예보12> 안(雁) = 35
• 예보13> 히라이타 히라이타(開いた 開いた) = 36
• 예보14> 기미가요(君が代) = 37
• 예보15> 달팽이(かたつむり) = 38