중국 민족오페라『조씨고아（赵氏孤儿）』연구 : 남주인공 조무（赵武）의 아리아와 중창을 중심으로 = A Study on the Chinese National Opera The Orphan of Zhao（赵氏孤儿）:Focusing on the Arias and Ensembles of the Male Protagonist

다국어 초록 (Multilingual Abstract)

Abstract
This study examines the Chinese national opera The Orphan of Zhao（赵氏
孤儿）, composed by Lei Lei and written by Zou Jingzhi, with a particular
focus on the arias and ensembles of the protagonist Zhao Wu. The
purpose of this study is to investigate the musical characteristics and
dramatic expressions embodied in the work and to explore how Western
operatic structures are integrated with elements of traditional Chinese
music. Since the twentieth century, Chinese original opera has
continuously pursued localization and nationalization while adopting
compositional systems derived from Western opera. Among such works,
The Orphan of Zhao is widely regarded as a representative opera that
successfully combines the spiritual heritage of traditional Chinese culture
with contemporary musical language.
To achieve these objectives, this study first reviews the historical
development of Western opera and the formation and evolution of Chinese
original opera. It then examines the literary source, historical background,
compositional context, plot structure, and character relationships of The
Orphan of Zhao. Particular attention is given to the dramatic function and
musical characterization of Zhao Wu throughout the opera.
The analysis focuses on Zhao Wu’s aria The Rain Grows Heavier（雨越下越
猛） and the ensembles You Are My Father（你竟然是我的父亲） and Respected
Elder（尊敬的长者）. A combined methodology of textual and musical analysis
is employed. The textual analysis investigates the narrative structure and
emotional functions of the lyrics, while the musical analysis examines
melodic development, rhythmic organization, harmonic language, formal
structure, and vocal expression.
In the aria The Rain Grows Heavier, Zhao Wu’s inner conflict and
emotional tension are progressively intensified through melodic expansion,
rhythmic variation, and dynamic development, thereby enhancing the
dramatic impact of the scene. In the ensemble You Are My Father,
changes in interpersonal relationships and psychological conflicts are
conveyed through musical contrasts and interactions among different vocal
parts. Meanwhile, Respected Elder employs a multi-sectional structure and
contrapuntal writing to depict complex emotional relationships and
dramatic situations among the characters. These vocal numbers not only
possess independent musical value but also function as important
structural elements that propel the dramatic development of the opera.
Furthermore, the study finds that The Orphan of Zhaoreconstructs
traditional Chinese musical elements within a modern operatic context
through the use of pentatonic melodic structures and Western harmonic
language. This musical approach reflects the ongoing exploration of
national identity in Chinese original opera while demonstrating the
distinctive characteristics of contemporary Chinese opera in terms of
musical language and artistic expression.
In conclusion, The Orphan of Zhao represents not merely an adaptation
of Western operatic forms but also a creative transformation of traditional
Chinese musical language and aesthetic spirit within a modern operatic
framework. Through an analysis of Zhao Wu’s musical characterization,
this study reveals specific manifestations of cross-cultural musical
integration in the work and discusses the artistic identity and future
development of Chinese original opera. It is expected that the findings of
this study will provide useful references for future research on Chinese
opera, vocal performance, and stage practice.
Keywords:The Orphan of Zhao; Lei Lei; Zhao Wu; Chinese National Opera;
Aria; Ensemble; Musical Analysis; Musical Characterization; Cross-Cultural
Musical Integration

다국어 초록 (Multilingual Abstract)

摘要
本研究以雷蕾作曲、邹静之担任大本作家的歌剧《赵氏孤儿》为研究对象，重点围绕主
人公赵武的咏叹调与重唱展开分析，探讨作品中的音乐特征与戏剧表现方式，并进一步
考察西方歌剧结构与中国传统音乐元素在作品中的融合方式。20世纪以来，中国原创歌
剧在吸收西方歌剧创作体系的基础上，不断推进本土化与民族化发展，而《赵氏孤儿》则
被认为是融合中国传统文化精神与现代音乐语言的重要代表性作品之一。
为实现上述研究目的，本文首先梳理了西方歌剧的发展脉络以及中国原创歌剧的形成
与发展过程，随后对《赵氏孤儿》的文学来源、历史背景、创作背景、剧情结构及人物关
系进行了系统考察，并重点分析了赵武在整部歌剧中的戏剧功能与音乐人物形象。
研究主要以赵武的咏叹调《雨越下越猛》以及重唱《你竟然是我的父亲》《尊敬的长者》为
中心展开分析。研究方法采用文本分析与音乐分析相结合的综合研究方式。其中，文本
分析主要考察歌词的叙事结构与情感表达功能，音乐分析则围绕旋律发展、节奏结构、
和声语言、曲式结构以及声乐表现等方面展开。
在咏叹调《雨越下越猛》中，赵武的内心冲突与情绪张力通过旋律推进、节奏变化以及
力度发展逐渐强化，从而有效增强了戏剧表现力。而在重唱《你竟然是我的父亲》中，人
物关系的转变与心理冲突则通过不同声部之间的音乐对比与互动得以呈现。《尊敬的长
者》则通过多段体结构与复调化写作，同时展现人物之间多层次的情感关系与戏剧情境。
这些唱段不仅具有独立的音乐价值，同时也是推动戏剧发展的重要结构因素。
此外，研究还发现，《赵氏孤儿》通过五声音阶旋律结构、西方和声语言等手法，实现
了传统中国音乐元素在现代歌剧语境中的重新建构。这种音乐处理方式不仅体现了中国
原创歌剧民族化发展的探索方向，同时也展现出当代中国歌剧在音乐语言与艺术表达上
的独特性。
综上所述，《赵氏孤儿》不仅是对西方歌剧形式的借鉴，更是在现代歌剧框架中对中国
传统音乐语言与美学精神的创造性转化。本文通过对赵武音乐人物形象的分析，进一步
揭示了作品中跨文化音乐融合的具体表现方式，并对中国原创歌剧的艺术身份与发展方
向进行了探讨。同时，本研究也可为今后中国歌剧研究、声乐演绎以及舞台实践等相关
领域提供一定的参考价值。
關鍵詞：《赵氏孤儿》；雷蕾；赵武；中国民族歌剧；咏叹调；重唱；音乐分析；音乐人
物形象；跨文化音乐融合

목차 (Table of Contents)

• Ⅰ. 서론 1
• 1. 연구 목적 및 필요성의의 1
• 2. 연구 내용범위 및와 방법 3
• 3. 선행 연구 검토 4
• Ⅱ. 이론적 배경본론 11
• 1. 오페라의 발전중국 민족오페라의 발전사 11
• 1） 오페라의 기원개화기（1920년대~1930년대 말） 11
• 2） 정착기（1940년대） 13
• 3） 발전기（1950~1960년대） 15
• 4） 개혁개방 후（1970년대 말~현재） 18
• 2. 중국 민족오페라 『조씨고아（赵氏孤儿）』의 개괄 21
• 1） 창작 배경 21
• 2） 작곡가와 대본 작가 27
• 3） 민족오페라 『조씨고아』의 개요 32
• （1） 줄거리와 등장인물 32
• （2） 각 막의 내용과 구성 36
• （3） 남 주인공 조무（赵武） 32
• 4） 음악적 특징 44
• 3. 조무（赵武）의 아리아와 중창 분석 54
• 1） 아리아 「거세지는 비（雨越下越猛）」 분석 54
• 2） 삼중창 「당신이 나의 아버지였구나（你竟然是我的父亲）」 분석 68
• 3） 사중창 「존경하는 어르신（尊敬的长者）」 분석 81
• 4） 소결 99
• Ⅲ. 결론 102
• 참고문헌 105
• 부록 109
• Abstract 139
• 中文摘要 142