미술관 전이공간의 현상학적 ‘분위기（Atmosphere）' 평가모형 구축을 위한 연구 = A Study on the Construction of a Phenomenological ‘Atmosphere’ Evaluation Model in the Transition Space of Art Museum

다국어 초록 (Multilingual Abstract)

A Study on the Construction of a Phenomenological ‘Atmosphere’ Evaluation Model in the Transition Space of Art Museum Chun Jihyeon Advisor : Prof. Yoon Gab-geun, Ph.D. Department of Design, Graduate School of Chosun University This study attempted to conceptualize the transition space, which was previously recognized only as a functional role in the construction of a modern art museum space, as a field to perceive the phenomenological atmosphere, and to establish an evaluation model to empirically verify this. To this end, based on the spatial phenomenology of a perceptual perspective and Gernot Böhme's atmosphere theory, a quantitative empirical analysis was attempted for the first time by manipulating the phenomenological atmosphere of the museum's transition space into a variable that can be perceived. Based on the theoretical foundation, a draft questionnaire on phenomenological atmosphere perception was drawn through literature review, and the questionnaire was refined through feedback after conducting interviews with experts in indoor, spatial design, architecture, and art museum design. Through this, independent variables were classified into generative, mutual, and directing factors as factors of phenomenological perception of the transition space of the art museum, emotional factors were systematized as mediating effects, and phenomenological atmosphere perception was set as a dependent variable to establish a research model and hypothesis. The empirical analysis was conducted on indoor, spatial design, and architecture majors and non-majors who experienced the transition space of the art museum, and finally statistical verification was conducted with SPSS and AMOS based on 307 valid samples. As a result of the analysis, high validity （KMO=.936） and reliability were secured through factor analysis of the measurement tool. As a result of the hypothesis test, it was verified that the directing, generative, and mutual factors of the transition space of the museum had a significant effect on the perception of the phenomenological atmosphere. In addition, it was confirmed that the emotional factor mediates the perception of the phenomenological atmosphere, which is an independent variable and a dependent variable. Through this, it was confirmed that the physicality of the space induces more in-depth psychological changes in emotional sensitivity than is directly perceived by the user, and phenomenological atmosphere perception can be achieved. In addition, the hypothesis on the moderating effect of the major field and visit purpose was rejected, which means that the atmosphere of the art museum transition space in the sample of this study was perceived similarly without significant difference according to the respondent's background, and showed the possibility that the atmosphere would have a quasi-objective characteristic that jointly exists. However, the difference in perception according to the residence time can be interpreted as a result of reflecting the accumulation of time in the space. It is unfortunate that the discrimination validity was not satisfied due to the high correlation between latent variables shown in the analysis process of this study, but conversely, the phenomenological atmosphere space experience can be interpreted as a fusion of multidimensional factors. This study expanded the study by quantitatively quantifying spatial phenomenology and atmospheric aesthetics, which have been dealt with only qualitative research, and is expected to contribute practically and academically to the field of art museum architecture, space design, and exhibition design in that it proposes guidelines to practice spatial uniqueness through aesthetic production of the museum's transition space.

목차 (Table of Contents)

• 제1장 서론 1
• 1.1 연구의 배경 및 목적 2
• 1.2 연구의 범위 및 방법 5
• 1.3 연구 흐름도 7
• 제2장 이론적 고찰 8
• 2.1 미술관 전이공간의 이해 9
• 2.1.1 미술관의 이해 9
• 2.1.2 전이공간의 고찰 11
• 2.1.3 미술관 전이공간 17
• 2.2 현상학적 공간경험 19
• 2.2.1 현상학 개념 19
• 2.2.2 현상학적 공간경험 20
• 2.2.3 현상학 지각이론 25
• 2.3 게르노트 뵈메의 분위기（Atmosphere） 미학 29
• 2.3.1 감성학 담론 29
• 2.3.2 분위기 개념의 이해 55
• 2.3.3 게르노트 뵈메의 분위기 58
• 제3장 미술관 전이공간의 현상학적 분위기 요인 61
• 3.1 현상학적 분위기 요인 추출 62
• 3.1.1 선행연구 고찰 62
• 3.2 현상학적 분위기 요인 유형화 72
• 제4장 미술관 전이공간의 현상학적 분위기 가설모형 설계 75
• 4.1 연구설계 개요 76
• 4.2 연구 모형 및 가설 설정 77
• 4.2.1 연구모형 설정 77
• 4.2.2 연구가설 설정 78
• 4.3 평가항목 도출과정 80
• 4.3.1 이론 기반 초안 구성 80
• 4.3.2 전문가 인터뷰 및 피드백 83
• 4.3.3 전문가 피드백을 통한 문항 정제 84
• 제5장 미술관 전이공간의 현상학적 분위기 평가모형 검증 87
• 5.1 실증분석 결과 88
• 5.1.1 표본의 일반적 특성 88
• 5.1.2 탐색적 요인분석（EFA） 91
• 5.1.3 측정도구의 신뢰도 검증 95
• 5.1.4 측정모형의 확인적 요인분석 96
• 5.1.5 주요 변수의 기술통계 및 정규성 검정 98
• 5.1.6 상관분석 및 다중공선성 진단 99
• 5.1.7 인구통계학적 차이 검정 100
• 5.2 가설 검증 101
• 5.2.1 가설 검증: 주효과（H1, H2, H3） 101
• 5.2.2 가설 검증: 매개효과（H4） 103
• 5.2.3 가설 검증: 조절효과（H5, H6） 104
• 5.2.4 가설 검증 결과의 종합 106
• 5.3 소결 108
• 제6장 결론 114
• 6.1 연구 결과 및 시사점 115
• 6.2 연구의 향후 방향성 118
• 참고문헌 120
• 부록 126