This thesis examines how South Korea has been represented in major Italian newspapers between 1984 and 2024, tracing forty years of evolving narratives shaped by shifting political, cultural, and ideological contexts. Through a longitudinal content an...
This thesis examines how South Korea has been represented in major Italian newspapers between 1984 and 2024, tracing forty years of evolving narratives shaped by shifting political, cultural, and ideological contexts. Through a longitudinal content analysis of four leading Italian dailies, La Repubblica, Corriere della Sera, Il Manifesto, and La Stampa, the study identifies how Italy’s polarized pluralist media system has framed South Korea’s political transformations, economic rise, and cultural globalization. By combining quantitative data (frequency analysis and thematic categorization) with qualitative case studies (the 1988 Seoul Olympics, the 2010 sinking of the ROKS Cheonan, and the 2020 COVID-19 pandemic), the research reveals how South Korea’s image evolved from a peripheral Cold War ally to a symbol of innovation, resilience, and cultural modernity.
The findings show a gradual transition from hard news frames, politics, economy, and security, toward soft news frames such as culture, technology, and society. While political orientation continues to shape tone and emphasis, ideological polarization has softened over time, giving way to a more globally oriented journalism responsive to audience interest and cultural visibility. Inspired by Professor Han Jeong Hun’s comparative research on Italy in Korean media (in 140 Years of Korea–Italy Relations, 1884–2024), this thesis reverses the analytical gaze, exploring how Italian newspapers have constructed the Korean “Other” through their own ideological and cultural filters. By integrating framing theory (Entman, 1993, 2004), political parallelism (Hallin & Mancini, 2004), and comparative media analysis, the study contributes to understanding how national media systems project domestic values onto foreign representations.