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      팬데믹의 시각적 재현과 동시대 미술의 미적전환 = A Study on Visual Representations of Pandemics and Aesthetic Transformations in Contemporary Art

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      https://www.riss.kr/link?id=T17370496

      • 저자
      • 발행사항

        전주 : 전북대학교 대학원, 2026

      • 학위논문사항

        학위논문(석사) -- 전북대학교 대학원 , 미술학 , 2026. 2

      • 발행연도

        2026

      • 작성언어

        한국어

      • 주제어
      • 발행국(도시)

        전북특별자치도

      • 형태사항

        vi, 69 p. ; 26 cm

      • 일반주기명

        지도교수: 엄혁용

      • UCI식별코드

        I804:45011-000000063524

      • 소장기관
        • 전북대학교 중앙도서관 소장기관정보
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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      This study examines the relationship between the pandemic and contemporary art, and focuses on how the global health crisis shapes artistic language, themes, and expressionstyles. It seeks to explore the possibility of coexistence of art and the way the theoretical concepts of the pandemic and the crises of the times are expressed in visual language, and to examine social discourse. From the past to the present, several works affected by the pandemic and three representative artists have reproduced the pandemic in their own way, while also thinking about the trend of the times brought about by the pandemic with their own techniques. Previous pandemics reproduced art that depicted fear, death, and divine punishment, while contemporary art approaches pandemics from more diverse perspectives than in the past, such as recovery and memory, scientific visualization, and socio-political criticism.
      The COVID-19 pandemic accelerated changes in modern dissemination, and virtual exhibitions, social media, and digital video works by artists based on online platforms have emerged.
      Contemporary pandemic-related art does not merely record disasters but has become a practice that fundamentally questions human life and death, as well as social relationships, delivering messages that make us look back once again.
      It is thought that this canalso be used as a conceptual framework that constantly challenges and expands the boundaries of art related to pandemics.
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      This study examines the relationship between the pandemic and contemporary art, and focuses on how the global health crisis shapes artistic language, themes, and expressionstyles. It seeks to explore the possibility of coexistence of art and the way t...

      This study examines the relationship between the pandemic and contemporary art, and focuses on how the global health crisis shapes artistic language, themes, and expressionstyles. It seeks to explore the possibility of coexistence of art and the way the theoretical concepts of the pandemic and the crises of the times are expressed in visual language, and to examine social discourse. From the past to the present, several works affected by the pandemic and three representative artists have reproduced the pandemic in their own way, while also thinking about the trend of the times brought about by the pandemic with their own techniques. Previous pandemics reproduced art that depicted fear, death, and divine punishment, while contemporary art approaches pandemics from more diverse perspectives than in the past, such as recovery and memory, scientific visualization, and socio-political criticism.
      The COVID-19 pandemic accelerated changes in modern dissemination, and virtual exhibitions, social media, and digital video works by artists based on online platforms have emerged.
      Contemporary pandemic-related art does not merely record disasters but has become a practice that fundamentally questions human life and death, as well as social relationships, delivering messages that make us look back once again.
      It is thought that this canalso be used as a conceptual framework that constantly challenges and expands the boundaries of art related to pandemics.

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      목차 (Table of Contents)

      • Ⅰ. 서 론 1
      • 1. 연구 배경 및 목적 1
      • 2. 연구 범위 및 절차 3
      • Ⅱ. 팬데믹에 관한 이론적 고찰 5
      • 1. 팬데믹의 개념 및 종류 5
      • Ⅰ. 서 론 1
      • 1. 연구 배경 및 목적 1
      • 2. 연구 범위 및 절차 3
      • Ⅱ. 팬데믹에 관한 이론적 고찰 5
      • 1. 팬데믹의 개념 및 종류 5
      • 2. 역사적 팬데믹과 포스트 팬데믹 15
      • Ⅲ. 팬데믹을 주제로 한 작품 사례 분석 17
      • 1. 페스트(Pest) - 공포와 구원에 대한 갈망 17
      • 2. 스페인 독감(Spanisg Flu) - 죽음의 의미 재해석 23
      • Ⅳ. 포스트 팬데믹 시각예술의 전환과 형상화 28
      • 1. 코로나바이러스감염증-19(COVID-19) 작품 사례 분석 28
      • 2. 포스트 팬데믹을 형상화한 작가 연구 38
      • 1) 아니카 이(Anicka Yi) 38
      • (1) 생물 기반 탐구의 초기 양상 38
      • (2) 후각과 공기를 통한 비가시적 관계의 조형 43
      • 2) 아이 웨이웨이(Ai Weiwei) 46
      • (1) 사회 비판적 작업 초기 46
      • (2) 감시와 통제의 시각화 52
      • 3) 루크제람(Luke jerram) 55
      • (1) 과학과 데이터 기반 작업 영향 55
      • (2) 바이러스 조형의 확대 58
      • Ⅴ. 결론 및 제언 62
      • 참고문헌 65
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