중국 음악곡 분석을 통한 지휘법 연구 : 막스 루돌프의『지휘법』이론을 중심으로 = Research on Conducting Techniques through the Analysis of Chinese Musical Works – Focusing on Max Rudolf’s The Grammar of Conducting Theory–

다국어 초록 (Multilingual Abstract)

Conducting is a highly integrative and silent art that encompasses gestures, tempo control, and emotional expression, forming the core of musical performance. This doctoral research explores the impact of Max Rudolf's The Grammar of Conducting on the relationship between conducting technique and musical interpretation. This seminal work provides systematic guidance for conductors through four key areas: basic techniques, methodological application, conducting practice, and interpretive styles.
The Grammar of Conducting comprises 35 chapters that cover fundamental gesture patterns, their variations, and practical exercises. It offers both traditional and modern approaches, emphasizing emotional expression and contemporary interpretation. A comparative analysis of the English, Chinese, and Korean versions examines conducting techniques, musical interpretation, and the integration of theory and practice. Using symphonic choral works as case studies, this study assesses the applicability of Rudolf’s theory and its influence on performance outcomes.
The findings demonstrate that Rudolf’s work significantly shapes conductors’ gestures, tempo control, and expressive communication, especially in symphonic choral contexts. By highlighting the interplay between theory and practice, this research offers valuable insights into how precise conducting techniques enhance musical expression and provides theoretical and practical contributions to modern conducting pedagogy and performance.

목차 (Table of Contents)

• <목차>
• <표 목차> v
• <그림 목차> vi
• <악보 목차> vii
• ABSTRACT x
• Ⅰ. 서론 1
• 1. 연구 배경 1
• 2. 연구 목적과 의의 4
• 3. 선행연구 검토 5
• 4. 연구 문제와 목표 14
• 5. 연구 방법 및 범위 15
• II. 막스 루돌프『지휘법』개요 18
• 1. 『지휘법』의 형성 배경 18
• 1) 막스 루돌프 18
• 2)《지휘법》의 영향 21
• 2.『지휘법』의 핵심 내용 24
• 1）박자 도식 25
• 2）에비박(Preparatory Beat)과 맺는박(Cut-off) 31
• 3）속도(tempo), 강약(dynamics) 및 리듬(rhythm) 조절 34
• 4）음악의 악구 처리 37
• 5）성부의 균형(Balance of Parts) 38
• 6）음악 스타일의 파악 40
• 3. 지휘법과 음악 해석의 관계 41
• 1）지휘법은 음악 해석의 기초 41
• 2）음악 해석은 지휘법의 종착점 48
• 3）지휘법과 음악 해석의 통일성 54
• Ⅲ. 음악 및 지휘법 분석 55
• 　 1. 교향합창곡『대학(大學)』 55
• 1) 음악 분석 58
• 2）지휘법 분석 100
• 3）소결론 130
• 2.『조국송(祖國頌)』 131
• 1）가사 132
• 2）음악 분석 133
• 3）지휘법 분석 137
• 4) 소결론 141
• 3.『화호월원(花好月圆)』 142
• 1)《화하월원(花好月圓)》편성 일람 142
• 2）음악 분석 144
• 3）지휘법 분석 145
• 4) 소결론 148
• Ⅳ. 결론 149
• 참고문헌 151