A Study on Strategies for Projecting and Managing International Performing Arts Tours by Global Value Chain-Based

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https://www.riss.kr/link?id=T17369996
전주 : 전북대학교 대학원, 2026
학위논문(박사) -- 전북대학교 대학원 , 한국음악학과 한국음악학과 , 2026. 2
2026
한국어
전북특별자치도
vi, 193 p. ; 26 cm
지도교수: 이화동
I804:45011-000000062744
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
A Study on Strategies for Projecting and Managing International Performing Arts Tours by Global Value Chain-Based
A Study on Strategies for Projecting and Managing International Performing Arts Tours by Global Value Chain-Based
다국어 초록 (Multilingual Abstract)
Against the backdrop of globalization and the strategic significance of cultural soft power, international tours of performing arts face both unprecedented opportunities and complex challenges, particularly in the post-pandemic era. This study address...
Against the backdrop of globalization and the strategic significance of cultural soft power, international tours of performing arts face both unprecedented opportunities and complex challenges, particularly in the post-pandemic era. This study addresses the core research question: How can performing arts groups position themselves within the global value chain (GVC) and formulate effective strategies to achieve successful international tours? The research aims to bridge a theoretical gap by applying the GVC framework, predominantly used in manufacturing, to the creative industries, thereby constructing a novel analytical model for cultural trade.
Adopting a qualitative methodology, this paper employs a multiple-case study design, analyzing three distinct types of tours: a large-scale commercial musical (The Phantom of the Opera), a Chinese classic with artistic and commercial appeal (The Eternal Wave), and a contemporary avant-garde co-production. Data is gathered through documentary analysis and in-depth interviews with key stakeholders, including producers, managers, and directors.
The findings reveal that the GVC of international touring can be deconstructed into upstream (creative development), midstream (tour production), and downstream (marketing/distribution) segments, supported by logistical and financial systems. Different governance modes—producer-driven, network-driven, or platform-driven—dictate power dynamics and value capture. The cross-case comparison identifies critical success factors, such as IP strength, adaptability to mitigate the "cultural discount," and effective risk-sharing in co-productions.
Based on the GVC analysis, the study proposes strategic upgrade paths for Chinese troupes: from process and product upgrading to functional and inter-chain upgrading. It concludes by offering concrete micro-level strategies for content, marketing, and partnership, as well as meso-level recommendations for institutional support, contributing theoretically to GVC and arts management literature while providing practical guidance for practitioners.
목차 (Table of Contents)