한글의 한문 書體 受容과 藝術美 硏究

다국어 초록 (Multilingual Abstract)

This study investigates how Korean script (Hangul) transformed aesthetically and structurally through its interaction with the Chinese calligraphic tradition following the creation of Hunminjeongeum. The aim is to clarify how Hangul evolved from a practical writing system into an autonomous artistic calligraphic form while inheriting the philosophical spirit, structural principles, and brushwork methodology of East Asian calligraphy. As Hangul developed within the sociopolitical and cultural framework of the Joseon dynasty, it gradually established a distinct Korean aesthetic identity.
In its earliest stage, Hangul adopted formal characteristics modeled after ancient seal script (Za Bang Gu Zhuan) as seen in the Hunminjeongeum Haerye, forming a standardized script closely tied to printing culture. Early 15th-century printed works such as Yongbieocheonga, Seokbosangjeol, and Worin Cheongang Jigok exhibit experimental yet disciplined structures based on clerical script conventions. As handwritten texts and mixed-script publications increased, regular script brush techniques—such as ceo-bang (slanted starting strokes), cui-lu (droplet ending), and xuan-zhen (needle-like ending)—were incorporated into Hangul letterforms, providing the foundation for the later development of royal gungche standard script.
By the late Joseon period, Hangul script entered a more fluid stage, absorbing the connected strokes, abbreviations, and dynamic rhythm of Chinese semi-cursive and cursive writing. This transition resulted in the emergence of seoganche and fluent cursive Hangul styles. Such calligraphic evolution is preserved in the correspondence of literati as well as the handwritten letters of royal women, where refined structure and emotional nuance are harmonized. The works of Chusa Kim Jeong-hee, Heungseon Daewongun, and Seo-gi Lee further demonstrate how semi-cursive and cursive brush methods were reinterpreted in a distinctly Korean manner, extending Hangul calligraphy beyond functional writing into expressive artistic creation.
The aesthetic outcomes of this convergence are categorized into five stylistic values: Magnificence, Solemnity, Balance, Elegance, and Refined Grace. Early Hangul printed forms represent solemnity and structural tension rooted in seal and clerical principles, while the established gungche regular style embodies disciplined order and balance. Later semi-cursive and cursive Hangul scripts display expressive beauty characterized by motion, spontaneity, and emotional lyricism, culminating in the elegant refinement unique to Joseon visual culture.
This study concludes that the formation of Hangul calligraphy is not a derivative imitation of Chinese models but a process of cultural translation and creative reinterpretation. The findings demonstrate that Hangul calligraphy internalized traditional calligraphic principles while articulating a uniquely Korean sensibility grounded in everyday culture and aesthetics. Furthermore, the structural logic and brush aesthetics of Hangul provide meaningful potential for expansion into contemporary calligraphy, digital typography, visual communication, and post-medium art.
Ultimately, this research presents Hangul calligraphy as a dynamic artistic system situated between tradition and modernity and offers a foundation for establishing its theoretical, aesthetic, and artistic identity within the broader discourse of East Asian calligraphy studies.

목차 (Table of Contents)

• 목 차 ⅰ
• 표 목 차 ⅲ
• 그림목차 ⅳ
• Ⅰ. 서 론 1
• 1. 연구 배경과 목적 1
• 2. 연구 범위와 방법 2
• Ⅱ. 고려말·조선초 서예 문화적 배경 7
• 1. 고려말 서예 문화와 한문 서체 발전 7
• 2. 훈민정음 창제와 당시 서예가 14
• Ⅲ. 훈민정음과 용비어천가의 한문서체 수용 33
• 1. 훈민정음해례본 서체와 전서 33
• 2. 용비어천가 서체와 예서 49
• Ⅳ. 한글과 한문 서체의 융합 63
• 1. 한글과 전서 융합 64
• 2. 한글과 예서 융합 72
• 3. 한글과 해서 융합 79
• 4. 한글과 행･초서 융합 96
• 5. 궁중서체의 독창성 114
• Ⅴ. 한글과 한문 서체 융합의 예술미 134
• 1. 훈민정음해례본 서체의 雄渾美 135
• 2. 정음고체의 莊嚴美 142
• 3. 정음정자의 中正美 156
• 4. 흘림체와 서간체의 秀麗美 164
• 5. 궁체의 독창적 典雅･整齊美 172
• Ⅵ. 한글과 한문 서체 융합의 창작 방향 181
• Ⅶ. 결 론 187
• 참고문헌 191
• ABSTRACT 199