백제 무령왕비 금동신발의 제작의장과 용도

다국어 초록 (Multilingual Abstract)

The purpose of this study is to elucidate the nature and evolutionary process of Baekje metalcraft culture in the early 6th century by precisely analyzing the manufacturing techniques, formal characteristics, and decorative patterns of the gilt-bronze shoes of the Queen from King Muryeong’s Tomb. In particular, this study re-examines the characteristics of the Queen’s gilt-bronze shoes, which have received relatively less scholarly attention compared to those of the King, and thereby investigates the features of Baekje royal craftsmanship in the early 6th century. The major findings of the research are as follows.
First, regarding morphological aspects, the manufacturing techniques of the Queen’s gilt-bronze shoes were analyzed. These shoes were constructed by assembling a total of three metal plates: two side plates(left and right) and one sole plate. This method faithfully inherits the unique formative tradition of Baekje that had persisted since the 5th century. However, new changes are detected in detailed manufacturing elements. Unlike earlier gilt-bronze shoes that maintained standardized forms, the Queen’s shoes exhibit later-period characteristics, such as differences in detailed form and finishing methods between the left and right shoes. This is interpreted as an indication of a transitional phase, reflecting changes in the artisans' production methods or a slight relaxation of strict stylistic norms.
Second, the study examines the composition and arrangement of decorative patterns on the surface of the gilt-bronze shoes. The entire surface is partitioned by continuous hexagonal patterns, within which phoenix motifs, symbolizing the dignity of the Baekje royal family, and honeysuckle motifs are inscribed. In contrast to the gilt-bronze shoes of the King excavated from the same tomb, which demonstrate strict regularity and symmetry in their left and right patterns, the Queen’s shoes display an unconventional aspect that breaks away from standardization in detailed pattern expression.
Third, the study discusses the chronological and historical implications of the Queen’s gilt-bronze shoes. Baekje gilt-bronze shoes first appeared in the early 5th century and remained in vogue for over a century as prestige goods excavated from the tombs of regional leaders. However, these shoes possess a distinct character as funerary objects for the deceased rather than practical items for daily life. The Queen’s shoes correspond to the latest period in the chronology of Baekje gilt-bronze shoes. This reflects a historical trend wherein the production and burial of elaborate metalcraft funerary objects gradually ceased due to changes in traditional funerary concepts following the official recognition and spread of Buddhism in the Baekje royal court in the early 6th century.
In conclusion, the gilt-bronze shoes of the Queen from King Muryeong’s Tomb are a key artifact that simultaneously demonstrates the zenith of Baekje’s gold culture and a turning point in royal funerary customs. As the Queen passed away in 526 and was interred in the royal tomb in 529, these shoes are of high archaeological value as a reference material with a definite absolute date, clearly indicating the time of production and burial in the early 6th century. This artifact effectively illustrates the phase in which Baekje's unique metalcraft culture reached its peak before beginning a new transformation.

목차 (Table of Contents)

• 목 차 ⅰ
• 표 목 차 ⅱ
• 그림목차 ⅲ
• Ⅰ. 서 론 1
• 1. 연구의 필요성 1
• 2. 연구 방법과 방향 4
• Ⅱ. 금동신발의 구조적 특징 6
• 1. 부품의 구성 6
• 2. 조립 방법 9
• Ⅲ. 금동신발의 도상적 특징 25
• 1. 문양 구성 25
• 2. 단위 문양의 조형성 34
• Ⅳ. 금동신발의 변천과 시대성 58
• 1. 금동신발의 변천 양상 58
• 2. 금동신발 소멸의 계기 65
• Ⅴ. 결 론 73
• 참 고 문 헌 76
• 영 문 초 록 80