다큐멘터리의 노동기록 재현과 사회적 함의 : 영화 <위로공단>의 기록 활용을 중심으로

다국어 초록 (Multilingual Abstract)

According to Frank Upward, records are made up with physical entities, logical entities and conceptual constructs. The study starts from the viewpoint of records as conceptual constructs. This study analyzed the documentary film in the area of archival contents to enhance the utilization of archives that are emphasized by the electronic record environments. A documentary film is a nonfictional motion picture intended to document some aspect of reality, and provides a factual report on a particular subject using archival footage or interviews with people involved in real events.
Documentary stands out from the other types of archival contents for providing an opinion and a specific message along with the facts in dramatic narrative. However, few studies have been conducted to analyze the documentary film in archival studies. The aim of this study was to examine documentary representation of labor archives and its social implications through documentary <Factory complex> directed by Heung-Soon Im. The research method was based on Seymour Chatman's narrative analysis.
Documentary <Factory complex> portrays lives of the working class women engaged in the industry of the 1970s, all the way through the stories of cashiers, and non-regular workers of today. The film concentrates on the moving testimony of the workers who describe the long hours, unsafe environments, low pay and other physically and emotionally debilitating factors. The form of labor seems to change its appearance but the essence of a bread-and-butter question remains still.
The documentary constructs narrative about female labor by using various archival sources including photography and audiovisual archives collected from individuals, labor union or archive. The documentary also uses poetic, sometimes surreal imagery including scenes set in nature and a young girl standing blindfolded to take an imaginary approach to the traumas of workers.
Documentary <Factory complex> is a powerful contents that brings labor issues to the table in a captivating way that also sparks social movements. This study suggest that documentary is valuable form of archival contents that captures the affective, social, and cultural values of archives through a multi-layered documentation of labor.

목차 (Table of Contents)

• 제1장 서론 1
• 제1절 연구배경과 목적 1
• 제2절 선행연구 검토 4
• 제3절 연구범위와 방법 7
• 제2장 기록의 활용으로서 다큐멘터리 10
• 제1절 다큐멘터리의 이해 10
• 1. 정의와 특성 10
• 2. 양식과 미학 13
• 제2절 컨티뉴엄 이론과 서사 분석 17
• 1. 컨티뉴엄 이론 17
• 2. 서사 분석 22
• 제3장 다큐멘터리 <위로공단>의 노동기록 재현 25
• 제1절 주요 사건과 노동기록 25
• 1. 1970년-1990년대 27
• 1) 동일방직 시위 사건 28
• 2) 구로공단 동맹 파업 사건 32
• 2. 2000년-2010년대 36
• 1) 기륭전자 비정규직 사건 36
• 2) 삼성전자 반도체 공장 산업재해 사건 38
• 3) 이랜드 홈에버 해고 사건 40
• 4) 한진중공업 해고 사건 43
• 5) 다산콜센터 파업 사건 45
• 6) 캄보디아 한국기업 공장 유혈 진압 사건 48
• 제2절 서사 분석 52
• 1. 노동운동의 서사 54
• 1) 동일방직 시위 사건 56
• 2) 구로공단 동맹 파업 사건 61
• 3) 기륭전자 비정규직 사건 68
• 4) 한진중공업 해고 사건 74
• 2. 노동환경의 서사 79
• 1) 삼성전자 반도체 공장 산업재해 사건 79
• 3. 국제노동의 서사 85
• 1) 캄보디아 한국기업 공장 유혈 진압 사건 86
• 4. 감정노동의 서사 92
• 1) 이랜드 홈에버 해고 사건 93
• 2) 다산 콜센터 해고 사건 98
• 제4장 다큐멘터리 <위로공단>의 사회적 함의 103
• 제1절 노동의 기록화 103
• 제2절 아카이브 정의 실현 105
• 제5장 결론 110
• 참고문헌 114
• Abstract 121