조선 후기 서양안료 및 염료 연구

다국어 초록 (Multilingual Abstract)

Paintings of late Joseon (1392-1910) enjoyed great prosperity and developed into
various genres thanks to the import of Western pigments and combined use with
the traditional Korean pigments. One example representing the success of Korean
painting during the period is the Blue-Green Landscapes which were used to
express Korean nature in a symbolic manner largely through ample use of blue
and green pigment. The popularity of the Blue-Green Landscapes led to a
dramatic increase in the use of blue and green pigments.

목차 (Table of Contents)

• Ⅰ. 서론···························································································································11
• Ⅱ. 조선시대 색 체계 및 안료와 염료의 분류·······················································15
• 1. 조선시대 색 체계·································································································16
• 1) 오방색(五方色) ···································································································16
• 2) 오간색(五間色) ···································································································17
• 3) 잡색(雜色) ···········································································································19
• 2. 조선시대 사용된 안료와 염료의 분류·····························································20
• 1) 천연안료(天然顔料) ···························································································21
• (1) 무기안료(無機顔料) ························································································21
• (2) 유기안료(有機顔料) ······················································································31
• ① 식물성 안료(植物性顔料) ···········································································37
• ② 동물성 안료(動物性顔料) ···········································································40
• 2) 인공안료(人工顔料) ···························································································42
• 3) 합성염료(合成染料) ···························································································50
• Ⅲ. 조선시대 문헌을 통해 본 서양 안료 및 염료 ·················································52
• 1. 발긔(發記) 에 기록된 서양 염료····································································52
• 1) 의대발긔(衣襨發記) ·······················································································52
• 2) 의복발긔(衣服發記) 와 의차발긔(衣次發記) ··········································53
• 3) 금침발긔(衾枕發記) ·······················································································55
• 4) 주단발긔(紬緞發記) 와 도침발긔(搗枕發記) ··········································56
• 5) 예단패물발긔(禮單貝物發記) ·······································································56
• 2. 조선왕조실록(朝鮮王朝實錄)에 기록된 수입안료··········································58
• 1) 안료 수입 ············································································································58
• 2) 안료 제조 기술 수입························································································77
• 3) 서양 안료 및 염료 수입 ··················································································97
• 3. 의궤(儀軌)에 기록된 안료 및 염료 ································································100
• Ⅳ. 조선 후기에 전래된 서양 안료와 염료의 특성 ·············································105
• 1. 서양 인공안료 ·····································································································105
• 1) 적색계열 ············································································································105
• 2) 청색계열 ············································································································107
• 3) 녹색계열 ············································································································108
• 2. 서양 합성염료 ·····································································································114
• 1) 합성염료 ‘모브(mauve)’ ·················································································114
• 2) 아닐린(aniline)의 마젠타(magenta) ·····························································125
• 3) 로자닐린(rosaniline)의 옐로(yellow) ···························································126
• 4) 알리자린(alizalin)의 레드(red), 블루(blue) ················································129
• 5) 아조염료 ············································································································134
• Ⅴ. 서양 안료 및 염료의 수입 경로와 유통 시기 ···············································136
• 1. 조선의 개항과 서양 안료 및 염료의 유통 ···················································137
• 2. 중국을 통한 서양 안료 및 염료 수입···························································140
• 1) 인공 무기안료··································································································140
• 2) 합성 유기염료··································································································145
• 3. 일본을 통한 서양 안료 및 염료의 수입·······················································147
• 3) 인공 무기안료··································································································147
• 4) 합성 유기염료··································································································149
• 4. 남방국가를 통한 서양 안료 및 염료의 수입 ···············································150
• Ⅵ. 조선 후기 채색화에 사용된 서양 안료 및 염료 ···········································153
• 1. 불화·······················································································································153
• 1) 쌍계사 삼장보살탱(雙磎寺三藏菩薩幀) ·····················································153
• 2) 옥천사 괘불(玉泉寺掛佛) ·············································································156
• 3) 쌍계사 명부전 지장탱(雙磎寺冥府殿地藏幀) ·········································159
• 2. 궁중장식화 ···········································································································162
• 1) 일월오봉도(日月五峰圖) ·················································································162
• 2) 십장생도(十長生圖) ·························································································165
• 3) 해학반도도(海鶴蟠桃圖) ·················································································168
• 4) 모란도(牧丹圖) ·································································································171
• 5) 책가도(冊架圖) ·································································································173
• 6) 진찬의궤(進饌儀軌) ·························································································176
• 7) 추봉책봉의궤(追封冊封儀軌) ·········································································179
• 3. 궁중기록화 ···········································································································182
• 1) 왕세자책례계병(王世子冊禮契屛) ·································································182
• 2) 왕세자입학도 출궁도(王世子入學圖出宮圖) ·············································184
• 4. 민화·······················································································································186
• 1) 평안감사행차도(平安監司行次圖) ·································································186
• 2) 군접도(群蝶圖) ·································································································188
• Ⅶ. 결론·························································································································192
• 참고문헌························································································································197
• 참고도표························································································································205
• 영문초록························································································································210