키네틱아트를 통한 감각 체험연구 : 시각,청각,촉각 자극 중심으로

다국어 초록 (Multilingual Abstract)

The purpose of this dissertation is to discern about the kinetic art's change process according to the development of industry from the origin of the kinetic art, also discerns the art works focusing on the visual, audio and tactile sense stimulation. This dissertation also studies the development and potential of the experimental art research related to the interaction of the art work and spectators.

The kinetic art refers to the moving art, in other words it is the expression of art through motion. It is an art work mainly on motion or creating a form of art work by including it inside a motion. Most of the art works are in the form of sculptures. Kinetic art can be classified into three categories. The three categories are motion due to a natural dynamic, motion due to a mechanical dynamic and motion due to a spectator's dynamic. At first, kinetic art's origin was the motion due to nature and after the Industrial Revolution it changed into motion due to mechanical dynamic and it is changing into motion due to the spectator's dynamic. Before the appearance of digital art, most of the art works were appreciated through the visual or tactile sense of the spectator. The sensorium can be categorized in visual, auditory, tactile, olfactory and taste sense. The visual, auditory and tactile sense has the highest cognition degree, and art works centered in the stimulation of those senses where spectator take part are being reviewed. This dissertation conducts a study about how the art works centered in the sensory experience has transformed beyond the current kinetic art. The current dissertation also carries out a study on the Objet concept where a spectator is part of the art work. Through such studies the way an art about the communication of the spectator and author is changing can be recognized. It is not about recognizing the art work simply as an ideological subject, but to create an opportunity to recognize the situation where spectators and the art work coexists in a space and participates in the change. When the spectator experiences an art work that has a fluid and continuously changing form, the spectator will create various unique stories through the art work and reinterpret it.

Also as the spectator actively involved in the art work, the art work no longer remained as a simple visual consumption target but instead through the experience of multiple senses transcending the visual sense, a closer relationship between the spectator and the art work was formed. Through the sensory experience art interaction between the art work and the spectator takes effect, appeasing the problem of communication which is considered the most important factor in the contemporary art.



Key words : Kinetic , Sense , Spectator

목차 (Table of Contents)

• I. 서론 2
• II. 키네틱아트의 이론적 고찰 14
• III. 키네틱아트를 이용한 감각 체험 39
• Ⅳ. 관람자의 새로운 역할 53
• Ⅴ.결론 57
• 참고문헌 59