이청준 소설의 주제구현 양상 연구 : 한(恨)의 정서를 중심으로

다국어 초록 (Multilingual Abstract)

ABSTRACT

A STUDY ON EMBODYING THEME IN LEE CHUNG-JOON'S NOVELS
- Focusing on Sentiment of Han(Resentment) -


Seo, Cheol-Won
Dept. of Korean Language and Literature
The Graduate School
Chonbuk National University


This study examined the way the sentiment of 'Han' acted on embodying theme in Lee Chung-Joon's novels. In addition, this considered the relative importance of 'Han' and sentimental aspect that is mainly based among various subjects of Lee Chung-Joon's novels. By analyzing the method of unfolding 'Han' in Lee's novels, it is thought to be helpful to understand the method of embodying theme.
Lee's works can be divided into two sections of theme study and form study, considering his work theory. Firstly, there are overwhelmingly many studies on interpreting theme rather than on analyzing form in Lee's novels. The studies on 'human existence problem', 'the representation of general desire', 'homesickness for paradise regained' are various and comprehensive.
Although many scholars have studied 'Han(Resentment)' in Lee's novels. it is true that 'Han' has not been interpreted in terms of various viewpoints. This is based on the respect that the sentiment of 'Han' in Lee's novels is regarded as unfinished aesthetics rather than the fictitious completion of affirmation and reconciliation.
On the other hand, in spite of many studies and theses, the study on 'Han' in sentimental tendency which is centered on the theme in Lee's novels is simply focusing on interpreting theme. The sentiment of 'Han' is restricted to characteristic elements, which is unsatisfactory in terms of the study of sentimental essence that embodies entire theme.
Accordingly, the study on the sentiment of 'Han' may lead to interpreting theme in Lee's novels. Therefore, this study adopts analytic method. Specifically, each subject in Lee's novels is viewed as a phenomenon, and the sentimental base which is connected with it is analyzed as physical, mental and general object. In this study, the symbol of imbodying theme in Lee's novels must be obvious. This study defines <Maejabi>='Falon hunter', <Ieodo>='The islet of Parang', <Namdosaram> a series of novels=‘Pansori' as these symbols.
On the basis of nature of this 'Han', the basic intention of 'Han' embodying theme in Lee's novels consisted in mutual spatiality, reciprocality and direction among symbols.
On that score, firstly, the relationship among mother, father of a folk musician, and sister is centralized on 'Sori‘(sound) in Namdosaram, and the sentiment of each character's 'Han' is variously represented by a man. Namdosaram portrays the repressive circumstances of art as the theme of 'existence', 'desire' and 'homesickness' through sound, and the basic sentiment of 'Han' reveals the distinctive aspect of spatiality, reciprocality and direction in each novel. That aspect leads to negative sentiment from 'loss' to 'regret' to 'resentment' to 'abandonment', and results in affirmative sentiment from 'abandonment' to 'overcoming' to 'sublimation' to 'transcendence'.
Secondly. the discouragement from stoppage of falcon hunting in Maejabi intends to unfold not only the theme of 'human existence', 'desire for traditional culture' and 'homesickness', but also 'overcoming' and 'transcendence' of negative 'Han' through the ecological restoration human and nature. This originates from the reciprocity of human and nature, which aims to restore the cultural ecology beyond the mutual relationship of human and nature.
Thirdly, Cheon Nam Seok who searches for Parangdo(Parang-Islet), leaving reality of pain and despair in Ieodo, is caught in the negative sentiment of 'Han', as the sentimental theme of the writer and reader to restore paradise faces death. Ieodo combines the mythological text of homesickness to restore paradise with Cheon Nam Seok's real stories. Especially, The basic sentiment of 'Han' which embodies theme in Ieodo is rebuilt into descriptive form, which reveals the negative sentiment of Korean 'Han' that results in from 'loss' to 'reproach' to 'resentment' to 'abandonment'.
In conclusion, the sentimental quality of embodying theme in Lee's novels consists in the clearness of 'life' and 'death'. The affirmation and negation is also found in 'spatiality', 'reciprocality' and 'direction' that is based on the theme of 'existence', 'desire' and 'homesickness'. Accordingly, the writer emphasizes not only the gradual reflection of 'Han' all his life but also the sentimental process of 'Han' from 'abandonment' to 'overcoming' to 'sublimation' to 'transcendence' that is essential to embodying theme. The theme in Lee's novels is really materialized and reproduced through this process, where we overcome the sentiment of 'Han' virtually. Therefore, Namdosaram. Maejabi and Parangdo is interpreted as the symbol of embodying theme that leads to brightness and affirmation.
This study searches that 'Han' in Lee's novels is effectively harmonized with theme to some extent, and helps to embody theme. We will be able to find out the important way to approach to Lee's novels in this way.

목차 (Table of Contents)

• 목 차
• ABSTRACT
• Ⅰ. 서론 1
• 1. 연구의 목적 및 필요성 1
• 2. 선행 연구사 검토 4
• 3. 연구방법 및 범주 8
• Ⅱ. 한국적 정서로서 한(恨)의 속성 13
• 1. 원한(怨恨)과 정한(情恨)의 양면성 13
• 2. 시간적 경과에 따른 변화성 15
• 3. 한국 문화의 기반으로서의 보편성 19
• Ⅲ. 한(恨)의 정서적 변주의 다양성 22
• 1. 해; 부정적 한의 역동적 표상 23
• 2. 길; 정서적 변주의 크로노토프 26
• 3. 물; 긍정적 한의 초월적 승화 32
• Ⅳ. 한(恨)의 정서적 확대와 심화 38
• 1. 생태적 교감으로의 확대; 매사냥 39
• 2. 낙원회복 의식으로서의 심화; 파랑도 44
• Ⅴ. 한(恨)의 속성에 따른 주제구현 양상 51
• 1. 남도사람; 서술자의 직접서술과 서정적 동화(同化) 51
• 2. 매잡이; 보고서 형식 속의 이중적 서술 64
• 3. 이어도; 부분액자 서술과 몽환적 문체 69
• Ⅵ. 결론 77
• 참고문헌 82