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    영화 기록의 기술에 관한 연구

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    https://www.riss.kr/link?id=T11784760

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Archival materials in Film Archives is a memories and archival documents of human which is generated from cultural activities of human beings, and provided long-term relevant information. However, it is different the general public audio-visual records are different because the main purpose of representing culture to create the contents of the private sector rather than evidence of the factual information of public service activities. Therefore, we should determine the historical and compositional information in order to reflect the description of the specific physical and intellectual characteristics.

    This study argues the concepts and the compositions of archival materials in film archives and then focuses on the objects and the forms of a description about it. According to the result, that was organized with the product and a related information as well as a by-product. The collection groups should understand and the collective description of the idea of work.

    So as to conduct the description, that is needed in the textual standards of the specific purposes and rules. On this account, I analyzed the international description standards as Dublin Core, General International Standard for Archival Description (2nd), The FIAF Cataloguing Rules for Film Archives. As a result, to describe rchival materials in film archives more effectively requires significant modifications rather than applying in the organizations of the areas and the elements.

    In conclusion, this study suggests that first, to divide a description object as a work and item of archival materials in film archives. Second, to distinct among the areas for important information of description object. Third, to establish of the areas and the elements including a characteristic of it. Finally, the description standard organizes separately to 6th areas, 21th and 23th elements in two parts. The description standard does not prepare to refer the status and/or policy of a particular film archive, can be set accordingly to a specific element or sub-elements by the film archive.
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    Archival materials in Film Archives is a memories and archival documents of human which is generated from cultural activities of human beings, and provided long-term relevant information. However, it is different the general public audio-visual record...

    Archival materials in Film Archives is a memories and archival documents of human which is generated from cultural activities of human beings, and provided long-term relevant information. However, it is different the general public audio-visual records are different because the main purpose of representing culture to create the contents of the private sector rather than evidence of the factual information of public service activities. Therefore, we should determine the historical and compositional information in order to reflect the description of the specific physical and intellectual characteristics.

    This study argues the concepts and the compositions of archival materials in film archives and then focuses on the objects and the forms of a description about it. According to the result, that was organized with the product and a related information as well as a by-product. The collection groups should understand and the collective description of the idea of work.

    So as to conduct the description, that is needed in the textual standards of the specific purposes and rules. On this account, I analyzed the international description standards as Dublin Core, General International Standard for Archival Description (2nd), The FIAF Cataloguing Rules for Film Archives. As a result, to describe rchival materials in film archives more effectively requires significant modifications rather than applying in the organizations of the areas and the elements.

    In conclusion, this study suggests that first, to divide a description object as a work and item of archival materials in film archives. Second, to distinct among the areas for important information of description object. Third, to establish of the areas and the elements including a characteristic of it. Finally, the description standard organizes separately to 6th areas, 21th and 23th elements in two parts. The description standard does not prepare to refer the status and/or policy of a particular film archive, can be set accordingly to a specific element or sub-elements by the film archive.

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    목차 (Table of Contents)

    • 제1장 서론 1
    • 제1절 연구의 배경과 목적 1
    • 제2절 선행연구 2
    • 제3절 연구방법 및 범위 5
    • 제1장 서론 1
    • 제1절 연구의 배경과 목적 1
    • 제2절 선행연구 2
    • 제3절 연구방법 및 범위 5
    • 제2장 이론적 배경 7
    • 제1절 영화 기록의 개념 7
    • 1. 정의 및 구성 7
    • 2. 생성목적과 가치 및 특성 10
    • 제2절 영화 기록 기술의 의의와 기술규칙 14
    • 1. 영화 기록 기술의 목적과 메타데이터 14
    • 2. 영화 기록 기술규칙의 필요성과 특수성 17
    • 제3절 영화 기록 기술규칙 제정시 고려사항 22
    • 제3장 사례분석 24
    • 제1절 더블린 코어 24
    • 1. 구성 및 특징 24
    • 2. 기술 요소의 내용 25
    • 제2절 국제 보존기록 기술규칙 30
    • 1. 구성과 특징 30
    • 2. 기술 영역 및 기술 요소의 내용 31
    • 제3절 영화 아카이브 목록규칙 37
    • 1. 구성과 특징 37
    • 2. 기술 영역 및 기술 요소의 내용 38
    • 제4절 분석결과 42
    • 제4장 영화 기록 기술규칙 제정에 관한 제안 49
    • 제1절 기술 영역 및 요소의 구성 49
    • 제2절 영역별, 요소별 기술규칙 52
    • 1. 작품 부분의 기술 영역 및 기술 요소의 내용 52
    • 2. 개별 자료 부분의 기술 영역 및 기술 요소의 내용 59
    • 제5장 결론 66
    • 참고문헌 68
    • 부록 72
    • Abstract 80
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