행동의 모방으로서의 희곡 분석 = The Analysis of a Play as a Behavior Imitation

다국어 초록 (Multilingual Abstract)

It is the process of identifying the movement of spirit that realizes the nature of act every moment, that is, the actual behavior to light on what is the core motivation of behavior in a play. This paper intends to focus on the behavior in plays which lead the stream of Choi, In-Hoon's 4 plays. As a result, the princess'es unavoidable relationship, which is external fortunate, due to her self-consciousness can be found in [어디서 무엇이 되어 만나랴], and anti-messianism in [옛날옛적에 훠어이 훠이] explaining that the crowds remove the baby-warrior themselves, the conflict of rejecting and accepting the leprous mother in [봄이오면 산에들에], and the individual will that goes against the group-centered inhumane values in [둥둥 낙랑둥] are each observed. These behaviors are clearly different from the events that cause the behaviors and are analogical concepts which are hard to define in a sense. The analysis of behavior in plays is appropriate to understand the plays as the behavior imitation and also significant way to access to the ideology of a play which is the playwriters' purpose.