This study focuses on exploring Oh Cheon-seok’s translation aspects and characteristics present in the Grimm’s Fairy Tales. The main source text for Oh’s translation appears to have been one of either The Youths’ Library or The Rainbow Series,...

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
다국어 초록 (Multilingual Abstract)
This study focuses on exploring Oh Cheon-seok’s translation aspects and characteristics present in the Grimm’s Fairy Tales. The main source text for Oh’s translation appears to have been one of either The Youths’ Library or The Rainbow Series,...
This study focuses on exploring Oh Cheon-seok’s translation aspects and characteristics present in the Grimm’s Fairy Tales. The main source text for Oh’s translation appears to have been one of either The Youths’ Library or The Rainbow Series, both English-language editions of the Grimm tales translated by Beatrice Marshall. While Oh translated primarily from English version, he also referred to several Japanese translations, including Nakajima Koto’s the Grimm’s Otokibanashi, as supplementary sources.
By comparing three texts, this study identifies and analyzes the specific ways in which double translation manifests in the work. Oh’s translation exhibits a range of characteristics, including literal interpretation, substitution, and even occasional mistranslation. Thus, from a modern perspective, it cannot be considered a perfectly faithful, word-for-word translation. However, to demand such precision from a translator working nearly a century ago—within a completely different linguistic and cultural context—would itself be anachronistic. Seen in this light, the Grimm’s Fairy Tales represents the fruit of a translator’s sincere and diligent effort to render the source text into Korean as faithfully as possible, without departing significantly from its meaning or content.
‘약자 남성’이 가해자로 전환되는 순간: 니시 가나코(西加奈子) 『날이 새다(夜が明ける)』 론
인구정책 수단에서 자기관리 상품으로?: 자궁내장치 피임기술의 사회적 의미변화
트랜스 혐오에 저항하다: 사쿠라바 가즈키(桜庭一樹) 「빨강(赤)」의 수복적 팔림프세스트
‘연대’란 무엇인가: 이시무레 미치코 『하늘 물고기』로 보는 미나마타병 투쟁